Subject
Mural painting and decoration Books
Best books
James Ward
Fresco Painting
"Fresco Painting" by James Ward is a technical treatise on the art and technique of fresco painting written in the early 20th century. This book explores the historical significance and various methods of fresco, particularly focusing on the buon-fresco and spirit-fresco techniques. It serves as a practical guide for students and artists, drawing on the author's extensive experience in the field and the conditions influencing fresco durability, particularly in different climates. The opening of the treatise begins with a preface where the author establishes his goal to provide practical insights and commentary on fresco painting techniques derived from his experience. He reflects on common criticisms of fresco as a method of wall decoration, especially in the damp English climate, while asserting the value of the buen-fresco and spirit-fresco processes. The initial chapter discusses the intricate relationship between mural painting and architecture, highlighting how each form of art complements and enhances the others, thus laying the groundwork for the technical explanations that will follow throughout the book.
James Ward
Colour Decoration of Architecture
"Colour Decoration of Architecture" by James Ward is a comprehensive treatise on the use of color and decoration in architecture, written in the early 20th century. The work aims to serve decorators, students, and craftsmen by providing insights into interior and exterior color applications, enriched with historical references from various European artistic traditions. It seeks to encourage a renewed appreciation for color in both public and private architecture, challenging the prevalent drabness of modern buildings. At the start of the book, the author establishes the importance of color in architecture, referencing John Ruskin's view that true architecture cannot be perfect without it. Ward elaborates on historical trends that once embraced vibrant decor, contrasting these with contemporary hesitance towards color, attributing this shift to cultural factors including Puritanism and the influence of architects like Palladio, who deemed color undesirable. Through the opening chapters, he highlights the relationship between nature and color, emphasizing the need for a harmonious and thoughtful application of color to enhance architectural beauty, functionality, and emotional resonance.
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