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Murillo, Bartolomé Esteban, 1617-1682 Books

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S. L. (Samuel Levy) Bensusan

Murillo

"Murillo" by S. L. Bensusan is a biography written in the early 20th century, specifically in 1910. This work explores the life and contributions of the Spanish painter Bartolomé Esteban Murillo, who lived from 1618 to 1682. It delves into his artistic journey, the evolution of his style, and his significant role in shaping Spanish art, particularly through his religious paintings. In this book, Bensusan portrays Murillo as a deeply human artist whose work reflects the spirit of Andalusia and the devout Catholic faith of his time. Through detailed examinations of specific masterpieces, the author highlights Murillo’s transition from a struggling artist to a celebrated painter. The narrative covers his early life, his training under Juan del Castillo, and his eventual prominence as a key figure in the art world, particularly within religious institutions. The book underscores not only Murillo's technical skills and creativity but also illuminates his connection to the cultural context of 17th-century Spain, making a case for his enduring legacy in the history of art.

H. (Hermann) Knackfuss

Murillo

"Murillo" by H. Knackfuss is an artist monograph written in the late 19th century. The book focuses on the life and works of the celebrated Spanish painter Bartolomé Esteban Murillo, highlighting his significance in the realm of Baroque art and the essence of his contributions to Spanish painting. It appears to provide an in-depth examination of Murillo’s artistic journey, influences, and notable pieces, which encapsulate themes of everyday life and religious devotion. The opening of the book introduces Murillo's beginnings, detailing his baptism in Seville and the limited historical information available about his early life. It discusses his apprenticeship under Juan de Castillo and his early struggles as a painter after losing his mentor. The text illustrates his ambition to seek greater artistic inspiration beyond Seville, prompting him to travel to Madrid. There, under the guidance of Diego Velázquez, Murillo’s style began to evolve, leading to his first major success with a significant commission at a Franciscan monastery, marking the start of his rise to fame as a master painter. This opening sets the tone for a thorough exploration of his artistic milestones and the evolution of his painting style throughout his career.

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