Subject
Music -- United States -- History and criticism Books
Best books
Henry Charles Lahee
Annals of Music in America: A Chronological Record of Significant Musical Events
"Annals of Music in America" by Henry C. Lahee is a historical account written in the early 20th century. The work presents a chronological record of significant musical events in the United States, starting from the early 17th century and extending to modern times. This collection aims to document the evolution of music in America, detailing important occurrences such as early performances, the establishment of musical societies, and the introduction of notable composers. The opening of the book provides insight into music's rudimentary beginnings in America, highlighting that notable musical developments started within the early colonizing years. It chronicles events like the printing of the "Bay Psalm Book," which marks the first American book of sacred music, and the introduction of pipe organs. The text also mentions significant early musical activities, such as the first concerts and performances in colonial cities like Boston and Charleston, emphasizing the role of community in nurturing musical expression even during a time when music was still in its infancy in America.
Rupert Hughes
Contemporary American Composers Being a Study of the Music of This Country, Its Present Conditions and Its Future, with Critical Estimates and Biographies of the Principal Living Composers; and an Abundance of Portraits, Fac-simile Musical Autographs, and Compositions
"Contemporary American Composers" by Rupert Hughes is a critical study of American music, focusing on its evolution, key figures, and cultural significance, written in the late 19th century. The book explores the underappreciated contributions of living composers, providing biographical sketches and evaluations of their works in the context of both American and global music landscapes. It sheds light on the struggle for a distinctly American musical identity amidst influences from Europe, particularly Germany. The opening of the work sets the tone for the exploration of American compositions, noting the increasing readiness of composers for constructive criticism. Hughes discusses the historical obstacles to developing a national music scene in the United States and critiques the existing biases against contemporary works. He proposes that the growth of a national school of music hinges on embracing both native and global influences, while advocating for the recognition and appreciation of the diverse and rich musical expressions being created by American composers. This thorough, research-based approach suggests that the author's deep enthusiasm for the subject matter will resonate with readers interested in music history and the cultural dynamics of art.
Recently surfaced classics