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Mysteries and miracle-plays, English Books

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"Everyman," with other interludes, including eight miracle plays

"Everyman" with other interludes, including eight miracle plays by Ernest Rhys is a collection of medieval morality plays likely written in the late 15th century. The central focus of this collection revolves around the character of Everyman, who represents all humanity, as he embarks on a journey to reckon with his life and face Death. This work offers a blend of religious themes, human virtues, and moral reflections, engaging readers in both the spiritual and social contexts of its time. The opening of "Everyman" introduces the theme of death and the importance of living a righteous life. The play begins with a messenger calling for the audience's attention to the moral narrative about Everyman, who receives a summons from Death, sent by God. Throughout this introduction, Everyman is depicted as being unprepared for his journey to give an account of his life, gripping the reader with the stark reality of mortality. Characters such as Fellowship, Kindred, and Goods, who symbolize different aspects of Everyman’s life, all abandon him in this time of need, ultimately highlighting the solitary confrontation humanity must face when confronted with death. The narrative sets the tone for the larger moral lessons woven throughout the collection, emphasizing the value of Good Deeds and the futility of material wealth.

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Ludus Coventriæ : $b A collection of mysteries, formerly represented at Coventry on the feast of Corpus Christi

"Ludus Coventriæ: A collection of mysteries, formerly represented at Coventry" edited by James Orchard Halliwell is a collection of ancient English mystery plays written in the late 19th century. This compilation is a significant element of early English drama, preserving a series of plays centered around biblical narratives, showcasing the customs, language, and societal norms of the time. The plays were originally performed by the Grey Friars in Coventry during the Feast of Corpus Christi. The opening of "Ludus Coventriæ" begins with an introduction by Halliwell, where he contextualizes the importance of the Coventry Mysteries among other sets of mystery plays, highlighting their historical and cultural value. The prologue sets the stage for the narrative that is to follow, as the "vexillators" (or heralds) introduce the audience to the first act focusing on the Creation story in a dramatic format. As the play unfolds, it showcases key biblical events such as the Fall of Man, the story of Cain and Abel, and Noah’s Flood, featuring dialogue in a blend of English that reflects the dialect of the period, engaging with themes of sin, redemption, and divine providence.

Netta Syrett

The Old Miracle Plays of England

"The Old Miracle Plays of England" by Netta Syrett is a historical account written in the early 20th century. This work aims to bring the fascinating world of medieval religious plays to life, particularly for younger readers, by presenting information about these plays in a narrative format. The text serves to illuminate the origins and significance of miracle plays in England's cultural and educational landscape, showcasing how they evolved from performances in churches to elaborate pageants enjoyed by many. The opening of the book sets the stage by exploring the exciting atmosphere of theatrical performances in medieval times, particularly referencing how these plays were originally presented in church settings. It describes the communal experience of audiences gathered to witness biblical stories acted out, making religious teachings accessible to those who could not read or write. Syrett introduces us to two children, Colin and Margery, who are eagerly anticipating the Feast of Corpus Christi, during which they will attend a series of miracle plays in York. This passionate introduction encapsulates the wonder and grandeur of both the performances and the medieval social context in which they flourished.

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