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Mysticism -- Great Britain Books

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Caroline F. E. (Caroline Frances Eleanor) Spurgeon

Mysticism in English Literature

"Mysticism in English Literature" by Caroline F. E. Spurgeon is a scholarly exploration of the concept of mysticism as it relates to notable English writers, written in the early 20th century. This work seeks to define mysticism, tracing its philosophical roots and examining how it manifests in the works of various poets and prose writers. The book emphasizes the idea that mysticism is not merely a set of beliefs but an experiential attitude that connects the individual with a greater universal truth. The opening of the book lays the groundwork for this exploration by clarifying the term "mysticism" and its often mistaken interpretations. Spurgeon discusses how the concept has evolved from ancient philosophical thought, specifically referencing figures like Plato and Plotinus, to its presence in English literature. She articulates that mysticism represents a conviction of unity underlying all existence, distinguishing between the intellectual understanding and the direct experiential knowledge of this unity. The author begins to outline how leading English writers, including Wordsworth, Blake, and Browning, express mystical thoughts through their works, inviting readers to delve deeper into the interplay between literature and spiritual experience.

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The Cell of Self-Knowledge : seven early English mystical treatises printed by Henry Pepwell in 1521

"The Cell of Self-Knowledge: Seven Early English Mystical Treatises" is a collection of mystical writings edited by Edmund G. Gardner, published in the early 20th century. This work aims to explore the profound themes of self-knowledge, contemplation, and divine love through the lens of various early English mystical authors, including Richard of St. Victor and Margery Kempe. It is likely reflective of the spiritual concerns of the medieval period, focusing on the journey of the soul towards understanding and unity with God. The opening of the collection introduces Richard of Saint Victor's treatise, which discusses the intricacies of the soul's faculties—reason and affection—by using an allegorical framework based on the biblical figure Jacob and his family. Each of Jacob's sons represents a different virtue or vice related to the spiritual journey. Richard emphasizes that true self-knowledge is key to spiritual elevation and that one's understanding of God and themselves is interlinked. The text's rich, symbolic imagery lays the foundation for an exploration of personal spirituality and divine contemplation, encouraging readers to reflect on their inner lives and the virtues they cultivate within their souls.

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