Subject
Mythology, Chinese Books
Best books
E. T. C. (Edward Theodore Chalmers) Werner
Myths and Legends of China
"Myths and Legends of China" by E. T. C. Werner is a comprehensive account of Chinese mythology, likely written in the early 20th century. This work synthesizes key myths and legends from various literary sources, aiming to provide an accurate representation of the mythology that shapes Chinese cultural identity. The text not only covers prominent tales but also delves into the sociological aspects necessary for comprehending these narratives, making it a valuable resource for readers interested in mythology, history, or cultural studies. The opening of the book introduces the author and outlines his meticulous approach to translating and interpreting Chinese myths by studying primary texts and relevant scholarly works. Werner expresses gratitude to several individuals who aided his research and emphasizes his goal of distilling a vast topic into a comprehensible English format that reflects the minds of the Chinese people. He begins with a discussion of the sociology of the Chinese, touching on their racial origins and societal structures, setting the stage for understanding the significance and context of the myths that follow in subsequent chapters. This establishes a foundational framework for the readers to appreciate the depth of Chinese mythology as both a cultural artifact and a living tradition.
Donald A. (Donald Alexander) Mackenzie
Myths of China and Japan with illustrations in colour & monochrome after paintings and photographs
"Myths of China and Japan" by Donald A. Mackenzie is a scholarly exploration of the mythologies rooted in the cultures of China and Japan, likely written in the early 20th century. This volume aims to provide insights into the origins and evolution of these civilizations, delving into the intertwining influences from across ancient cultures and the complexities of their belief systems. The book seeks to unravel how cultural ideas have spread and merged over time, shaping the rich tapestry of myths in the Far East. The opening of the volume lays a comprehensive foundation for understanding the significance of mythology within Chinese and Japanese cultures, revealing the interconnectedness of their respective mythologies with other ancient civilizations. It discusses the consequences of cultural contact and exchange, illustrating how myths are not isolated but rather products of a broader human experience that transcends geographical boundaries. Mackenzie critiques the notion of complete cultural isolation in China and Japan, emphasizing that many beliefs, practices, and symbols found in these cultures have evolved through the assimilation of ideas from diverse influences, suggesting that a thoughtful examination of mythology ultimately reflects the shared heritage of humanity.
Anonymous
山海經
"山海經" by Anonymous is a Chinese classic text compiled during the early Han dynasty, though early versions may have existed since the 4th century BCE. This mythic compilation describes over 550 mountains and 300 channels across pre-Qin China, blending fabulous geography with cultural accounts and mythology. The work catalogs medicines, animals, geological features, and short myths through detailed descriptions organized by cardinal directions—mixing mundane observations with fanciful and strange creatures in a repetitious, encyclopedic format.
L. Newton Hayes
The Chinese Dragon
"The Chinese Dragon" by L. Newton Hayes is a scholarly account of the significance and representation of the dragon in Chinese culture, written in the early 20th century. This treatise presents a comprehensive examination of the dragon's place in various aspects of Chinese life, including folklore, art, religion, and superstition. The author, who possesses in-depth knowledge of the subject, explores the dragon's historical origins and its varying interpretations within both Chinese and Western contexts. In the book, Hayes provides intricate insights into the attributes and characteristics attributed to dragons, emphasizing their esteemed status among the Chinese people as symbols of power, wisdom, and prosperity. He details various species of dragons, their roles in mythology, and their depiction across different forms of art and literature. The text also discusses the widespread belief in dragons alive today, recounting personal accounts from individuals who claim to have seen these mighty creatures. Furthermore, Hayes contrasts the Chinese perception of dragons as benevolent beings with the often malevolent representations found in Western mythology, ultimately affirming the enduring significance of the dragon in Chinese heritage and culture.
Pu Guo
穆天子传
"穆天子传" by Pu Guo is an ancient Chinese text dating from the Warring States period (475–221 BC). This fantasy narrative follows King Mu of Zhou, who dreams of immortality and journeys westward to meet the Queen Mother of the West on Mount Kunlun. Accompanied by his brave charioteer and seven companions, he seeks her fabled Peaches of Immortality. The tale blends adventure with personal loss, featuring banquets, poetry exchanges, and the king's struggle between wanderlust and duty.
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