Subject
Operetta Books
Best books
George P. (George Putnam) Upton
The Standard Light Operas, Their Plots and Their Music
"The Standard Light Operas, Their Plots and Their Music" by George P. Upton is a comprehensive reference handbook written in the early 20th century. This work focuses on the plots and musical elements of various light operas and operettas, aimed at enriching the understanding and appreciation of these popular performances for general audiences rather than musicians or scholars. The opening of the book introduces the author’s intention to address the growing popularity of light operas by providing readers with details about notable pieces and their respective stories. Upton notes the challenges of selecting "standard" works due to the overwhelming number of operettas and musical comedies being produced at the time. He emphasizes a more accessible discussion of the operas featured in the book, indicating that the texts will be described for enjoyment rather than in-depth critique, to cater to the opera-goers’ interests. Through this introduction, readers gain insight into what they can expect in terms of both the selection of works covered and the author's approach to their discussion.
Lewis Clinton Strang
Famous Prima Donnas
"Famous Prima Donnas" by Lewis Clinton Strang is a historical account written in the late 19th century. The book explores the lives and careers of prominent female singers in light opera, examining their rise to fame and the intricacies of their performances. It presents a blend of biographical sketches and critical analysis, showcasing the traits that made these women captivating entertainers despite their varied talents. At the start of the text, the author establishes a framework for understanding the role of women in the American musical theater scene. Strang discusses the challenges these prima donnas face in balancing personal magnetism with the art of singing and acting, suggesting that many became stars more through personality than formal training. The opening chapters focus on Alice Nielsen, detailing her transformation from a church singer to a leading star in light opera, emphasizing her charm and natural stage presence as well as the nuances and challenges of her early career.
Recently surfaced classics