Subject
Orchestral music -- Analysis, appreciation Books
Best books
Lawrence Gilman
Stories of Symphonic Music A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day
"Stories of Symphonic Music" by Lawrence Gilman is a collection of essays written in the early 20th century that serves as a guide to understanding important symphonic works and orchestral compositions, ranging from Beethoven to more contemporary pieces. The focus of the text is on how music can communicate narratives, emotions, and imagery without the necessity of lyrics, highlighting the expressive potential of instrumental music. The opening of the guide establishes its purpose as an informative resource for concert-goers seeking to gain deeper insights into the meaning behind various symphonic pieces. Gilman begins by discussing the orchestral composition's ability to convey stories and emotions, asking how an orchestra can narrate tales or evoke imagery through sound alone. He contrasts the evolution of music from the structured, rule-bound compositions of the 18th century to the expressive, programmatic music of the 19th and early 20th centuries, noting that modern composers have begun to use titles and descriptions to inform listeners about the intended themes or emotions associated with their works. This sets the stage for further exploration of specific composers and symphonies that follow in the remainder of the text.
Philip Hale
Philip Hale's Boston Symphony Programme Notes
"Philip Hale's Boston Symphony Programme Notes" by Philip Hale is a collection of historical, critical, and descriptive music commentary written in the early 20th century. This unique work compiles Hale's programme notes over a span of thirty-two years for the Boston Symphony Orchestra, providing insight into the composers and works performed during that time. The text offers a rare glimpse into Hale's observations and critical interpretations, capturing the evolution of music appreciation in that era. The opening portion of the book features an editor’s note explaining the compilation process and the significance of Hale’s contributions to music literature. It discusses Hale's approach to writing programme notes, noting that he aimed to educate and entertain audiences while leaving personal opinions for his newspaper reviews. The introduction outlines Hale's extensive involvement with the Boston Symphony Orchestra, emphasizing the educational value of his annotations and the depth of knowledge he infused into his writings. It sets the tone for a collection that intertwines musical critique with historical context, aiming to enrich readers' understanding of classical music and its composers.
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