Subject
Organ (Musical instrument) -- Construction Books
Best books
George Laing Miller
The Recent Revolution in Organ Building Being an Account of Modern Developments
"The Recent Revolution in Organ Building" by George Laing Miller is a scientific publication written in the early 20th century. This work provides a comprehensive analysis of the advancements and developments in organ construction, with a focus on the modern changes introduced over the last fifty years. The book delves into technical details and provides insights useful for organists, builders, and church decision-makers considering the installation or refurbishment of pipe organs. At the start of the book, the author establishes a context for the ongoing transformation in organ building by recounting a humorous anecdote about a church committee deliberating on organ specifications. Miller aims to assist readers who face the daunting task of understanding organ mechanisms and making informed decisions about purchases. He emphasizes the significance of recent advancements in organ technology and mechanics and introduces the key figures and inventions that have contributed to this revolution, setting the stage for a deeper exploration into organ design and functionality in the following chapters.
W. E. (William Edward) Dickson
Practical Organ Building
"Practical Organ Building" by W. E. Dickson is a comprehensive guide on the construction of organs written in the late 19th century. The book aims to provide an accessible treatise for readers of various skill levels, detailing the necessary materials, tools, and techniques for building this complex musical instrument. Dickson draws on his own experiences and covers both the theoretical and practical aspects of organ-building, appealing to beginners and seasoned artisans alike. The opening of the work introduces the author's purpose and the context behind his motivation for writing the treatise. Dickson establishes the lack of practical, detailed resources available for aspiring organ builders, noting how existing works often overlook essential mechanics in their explanations. He recognizes the need for accessible instructions and supplies groundwork for beginner organ builders by emphasizing the importance of patience and the use of quality materials. The author immediately sets the scene for what readers can expect—the first chapter begins with a discussion on the tools and materials needed in the workshop for constructing a simple yet effective organ.
John Norbury
The box of whistles : $b An illustrated book on organ cases: with notes on organs at home and abroad
"The Box of Whistles" by John Norbury is an illustrated publication on organ cases written in the late 19th century. This work delves into both the aesthetic and mechanical aspects of organs, providing insights on the design and construction of organ cases from various cultures. The book appears to be a valuable resource for musicians, builders, architects, and enthusiasts interested in the history and intricacies of organ design. The opening of the book introduces the author's personal connection to the organ, notably the one at St. Paul's Cathedral, which inspired his interest in the subject. Norbury expresses his intention not to provide technical instructions for playing or building organs, but to offer descriptions of organ cases that could inspire future improvements and appreciation for this complex instrument. He discusses the organ's appeal to musicians, mechanics, and architects, highlighting the rich interplay of sound and design that characterizes organs worldwide.
Albert Schweitzer
Deutsche und Französische Orgelbaukunst und Orgelkunst
"Deutsche und Französische Orgelbaukunst und Orgelkunst" by Albert Schweitzer is a scholarly work on organ building and music written in the early 20th century. The book explores the development, differences, and artistic principles of German and French organ construction and performance techniques. It delves into the historical context, the contrasting styles, and the evolving relationship between the two traditions, emphasizing Switzerland’s unique position as a bridge between them. The opening of the work sets the stage for a detailed discussion about the differences between German and French organ music, examining the technical and artistic implications of each style. Schweitzer argues for a dialogue between the two traditions, emphasizing the need for mutual understanding and collaboration. He highlights the mechanical distinctions and repertorial capacities of each design, making clear that these differences significantly impact performance practices. Throughout the introductory passages, there's a clear intent to advocate for a richer, more harmonious blending of these traditions, reflecting on how this amalgamation could create a new era of organ performance.
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