Subject
Painting -- History Books
Best books
Richard Muther
The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 2" by Richard Muther is an art historical account written in the early 20th century. This volume of a four-part series explores the evolution of modern painting, particularly focusing on developments and artistic movements up to the end of the 19th century. The book delves into various styles and influential artists during a transformative period in art history, highlighting the dynamic relationship between art and contemporary society. The opening of the volume presents a critical view of the initial detachment of modern painting from ordinary life and its reliance on historical and classical themes. Muther examines how the art of the early 19th century, particularly in France, Germany, and England, often maintained a distance from the present reality, favoring classical references over modern subjects. He discusses notable artists and their works, such as David and Delacroix, pointing out the shortcomings in capturing contemporary life. The section also emphasizes the role of caricaturists and draughtsmen who began to integrate modern life into their art, representing the societal dynamics and individual experiences of their times.
Richard Muther
The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 1 (of 4)" by Richard Muther is a historical account written in the late 19th century. This work meticulously explores the evolution and significance of modern art beginning from the 18th century, highlighting key figures and movements that shaped its development. The text likely addresses the transition of painting from the traditional notions dominated by church and aristocracy to a more bourgeois-led narrative and aesthetic. The opening of the book sets the stage for this in-depth exploration by analyzing the new social and cultural dynamics that accompanied the rise of modern painting. Muther introduces the historical context of England, positioning it as a pioneer in modern art, largely due to its middle-class development. He emphasizes the influence of contemporary life on English literature and art, showcasing how figures like William Hogarth embodied this shift toward a more realistic depiction of everyday life and society, contrasting with the idealism of previous eras. The introduction prepares readers for a comprehensive study of pivotal artists and how their works reflect the complexities and variances of modern life and culture.
Randall Davies
Six Centuries of Painting
"Six Centuries of Painting" by Randall Davies is a historical account written in the early 20th century. The book explores the evolution of painting across Europe, detailing prominent artists and movements from the Renaissance to modern times. It serves as a comprehensive survey, aiming to provide readers with insights into the development of artistic styles and techniques alongside the socio-cultural contexts that influenced them. The opening of this work lays a foundational understanding of the history of painting, starting from the pivotal figure of Cimabue in the thirteenth century. Davies emphasizes the important role of the Christian Church in fostering the growth of painting as an art form, which had initially been shunned. He outlines significant milestones and transitions in artistic representation, highlighting how painting evolved from rigid religious depictions to embodying emotional depth and realistic portrayals of human beings and nature. This introductory section emphasizes the relationships among key historical figures and how their innovations set the stage for future developments in art.
Richard Muther
The History of Modern Painting, Volume 3 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 3 (of 4)" by Richard Muther is an art history text written in the early 20th century. This volume continues the exploration of modern painting movements and artists, with a focus on the development of realism in England, Germany, and the influence of Japanese art on Impressionism. The book likely discusses notable painters like Edward Burne-Jones, Holman Hunt, and Adolf Menzel, along with the broader cultural and artistic trends that shaped their work. The opening portion of this volume delves into the emergence of pre-Raphaelitism in England during the mid-19th century, illustrating how a group of young artists sought to revive a more authentic representation of nature and human emotion in their art. It critiques the prevailing historical and genre painting styles that had become detached from true artistic expression, pointing to figures like William Dyce and the founding of the pre-Raphaelite Brotherhood by Dante Gabriel Rossetti, Holman Hunt, and John Everett Millais. Through their commitment to realism and truthfulness, the pre-Raphaelites aimed to break away from the conventions of the past and establish a new artistic identity that reflected contemporary life and emotional depth.
Unknown
Women Painters of the World From the Time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the Present Day
"Women Painters of the World" by Walter Shaw Sparrow is a historical account written in the early 20th century. The book aims to document the contributions of women artists in painting throughout history, from the time of Caterina Vigri in the 15th century up to contemporary figures like Rosa Bonheur. It delves into the lives, styles, and works of various female painters across different cultures and time periods, showcasing their artistic achievements in a male-dominated field. The opening portion of the book sets a reflective tone, discussing the nature of genius and its connection to gender. Sparrow argues for the invaluable contributions of women artists, emphasizing the unique qualities they bring to the art world, such as emotional depth and maternal insight. He mentions early female painters, including Caterina Vigri, and outlines the historical context that shaped women's roles in art, pointing out the gradual evolution of their opportunities and recognition. This preface encapsulates the book's intent to celebrate and acknowledge the significance of women in the history of painting.
Sarah Tytler
The Old Masters and Their Pictures, For the Use of Schools and Learners in Art
"The Old Masters and Their Pictures, For the Use of Schools and Learners in Art" by Sarah Tytler is an educational treatise about famous painters and their significant works, written in the late 19th century. The book aims to provide accessible insights into the great old masters of painting from various periods and regions, primarily focusing on their contributions to the art world rather than offering an exhaustive art historical analysis. It serves as a resource for both schools and individuals interested in enhancing their understanding of classical paintings. At the start of the book, Tytler expresses her intent to engage readers by explaining the significance of art and the common human inclination to appreciate visual representation. She highlights the early developments in Italian art and introduces pivotal figures like Giotto, emphasizing their impact on the evolution of painting through personal anecdotes and historical background. The introduction suggests that Tytler will discuss the progression of painting styles, technical challenges faced by early artists, and the cultural contexts in which these masters worked, aiming to create an appreciation for the artistry and storytelling behind each piece.
John C. Van Dyke
A Text-Book of the History of Painting
"A Text-Book of the History of Painting" by John C. Van Dyke is a scholarly historical account written in the late 19th century. This work serves as a textbook for art students and enthusiasts, aiming to provide a concise yet comprehensive overview of painting's evolution across various cultures and time periods. It covers significant styles, prominent artists, and the technical methods employed throughout history. The focus is on the development of expressive painting, alongside its decorative counterparts, tracing the journey of this art form from its primitive origins to the Renaissance and beyond. The opening of the text introduces the purpose and structure of the book, explaining the need for a condensed history of painting suitable for educational contexts. Van Dyke outlines the key themes that will be explored, including the origins of painting, the division into decorative and expressive styles, and an anticipation of the detailed discussions that will follow on various cultures, starting with Egyptian painting. He emphasizes the historical significance of these early forms of art as records of human experience and societal values, setting the stage for a deeper analysis of how painting has developed in tandem with civilization.
João Batista da Silva Leitão de Almeida Garrett Almeida Garrett
O retrato de Venus e estudos de historia litterária
"O Retrato de Venus e Estudos de História Litterária" by Almeida Garrett is a poetic work likely written in the late 19th century. The book explores themes of love and beauty through its eponymous character, Venus, and presents reflections on the nature of artistic creation as well as critiques of literature and painting from various historical contexts. At the start of the work, Garrett provides a prefatory note confessing his reluctance to offer justifications for his writing, declaring that the quality of the work should speak for itself. Here, he introduces the poem's first canto, invoking Nature as the essence of existence and beauty. The canto describes the enchanting attributes of Venus and the tumultuous influences of love, setting a lyrical tone as the narrative contemplates the interplay between divine beauty and human experience. Through rich imagery and classical references, the opening immerses readers in a vibrant exploration of creative passion and artistic endeavor.
Maria Callcott
Essays towards the history of painting
"Essays towards the History of Painting" by Lady Maria Callcott is a scholarly work that takes an in-depth look into the evolution of painting, written in the early 19th century. The primary focus of this work is the historical and cultural development of painting across various civilizations, from ancient Egypt through to Italy, examining numerous facets such as materials, techniques, and influential artists. This essay addresses the complexities of the art form and advocates for a greater understanding of its history and significance. At the start of the text, the author reflects on the recommendation made by a friend to undertake a project to alleviate her ailments by engaging in writing. The opening portion sets a tone of personal dedication mixed with scholarly intent, introducing the themes of loss, healing through creativity, and a search for knowledge. Callcott contemplates the necessity for artists to possess both practical skill and theoretical understanding to contribute meaningfully to the art world. She also critiques existing views on art, suggesting that a blend of historical studies and contemporary practices can enhance appreciation and professionalism in painting. Overall, the beginning emphasizes the profound relationship between art, civilization, and human expression.
Recently surfaced classics