Subject
Photography -- Periodicals Books
Best books
Various
The American Journal of Photography, Vol. XI, No. 7, July 1890
"The American Journal of Photography, Vol. XI, No. 7, July 1890" by Various is a periodical publication that falls under the category of scientific and artistic journals. Produced during the late 19th century, this volume discusses various aspects of photography in its contemporary context, including artistic techniques, advancements, and industry standards of that period. The journal serves as a valuable resource for photographers and enthusiasts, documenting the evolving practices and technologies in the field of photography. This issue features articles on a range of topics, such as the upcoming Eleventh Annual Convention of the Photographic Association of America, the historical significance of silhouette art, and practical advice for photographic print drying and techniques. Notable content includes discussions on the challenges faced by photographers, innovations in photographic processes, and a detailed account of the memorial being erected for Louis Daguerre, the inventor of the daguerreotype. The journal captures the vibrant community of photographers and the artistic evolution of the medium, offering insights into both technical processes and broader artistic discourses of the time.
Various
The Daguerreian Journal, Vol. I, No. 8, March 1, 1851
"The Daguerreian Journal, Vol. I, No. 8, March 1, 1851" by Various is a scientific publication written in the mid-19th century. This journal is dedicated to the Daguerrian and Photogenic arts, encompassing various topics related to photography, chemistry, and artistic techniques of the time. The content likely addresses innovations in photography and the sciences that support it, along with discussions of applicable artistic methods and materials for practitioners. The opening of this issue presents a detailed exploration of methods for etching Daguerreotype plates, grounded in chemical experimentation. The text outlines a novel process proposed by W. R. Grove, advocating for a technique that combines Daguerreotype plates with electrical currents to create an etching that captures fine details more effectively than previous methods. This portion emphasizes the practical applications of chemistry in enhancing photographic processes, while also hinting at a broader discourse on the intersection of science and art during the era.
Various
The Daguerreian Journal, Vol. II, No. 2, June 1, 1851
"The Daguerreian Journal, Vol. II, No. 2, June 1, 1851" by Various is a scientific publication written in the mid-19th century. This journal is dedicated to the daguerreotype and photogenic arts, delving into the related sciences and literature. It covers a variety of topics, including experiments, photographic techniques, and updates on related technological advancements, presenting insights into the early development of photography and scientific exploration. The opening of the journal presents a range of contents, including a detailed article by Robert Hunt discussing various experiments on the changes that bodies can undergo in darkness, particularly focusing on iodized silver plates. It highlights findings from his experiments regarding the effects of proximity to light-sensitive materials and the interaction of metals in photographic processes. Additionally, the issue features an array of scientific reports and editorial notes discussing the electric telegraph and advancements in materials used for photography, emphasizing the journal’s aim to inform and educate its readers on contemporary scientific and artistic advancements in the field.
Various
The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872
"The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872" by Various is a historical periodical written in the late 19th century. This publication focuses on the advancements, discussions, and techniques related to photography during its time, functioning much like a scientific or technical journal. The content provides insights into photographic practices, developments in chemical processes used in photography, and ongoing debates within the photography community. The opening of the journal presents a series of articles discussing various topics, such as the properties of photographic films coated with tannin or albumen, the preparation of shellac varnish, and the challenges photographers face with albumenized surfaces. The writers share their findings on film sensitivity, moisture retention in photographic coatings, and the effects of temperature on chemical processes. Notably, the articles highlight practical knowledge and experiences of photographers, offering readers a deep dive into the technical aspects of photography and the emerging practices of that era.
Recently surfaced classics