Subject
Photography -- Printing processes -- Silver Books
Best books
John A. Tennant
Bromide Printing and Enlarging A Practical Guide to the Making of Bromide Prints by Contact and Bromide Enlarging by Daylight and Artificial Light, With the Toning of Bromide Prints and Enlargements
"Bromide Printing and Enlarging" by John A. Tennant is a practical guide to photographic techniques written in the early 20th century. This instructional text explores the processes of creating bromide prints through contact methods and enlarging techniques using both daylight and artificial light. It offers detailed information on various materials, methods, and considerations for successfully producing prints from negatives, making it a valuable resource for amateur and professional photographers alike. The opening of the book provides an introduction to bromide paper, explaining its composition and advantages for photographic printing. Tennant discusses the characteristics of different types of bromide paper and how to select the appropriate kind for various photographic needs. He emphasizes the practical applications of bromide paper, particularly its versatility and ease of use for producing quality prints. The text sets the stage for subsequent chapters that delve into more technical aspects of printing and enlarging techniques.
H. P. (Henry Peach) Robinson
The Art and Practice of Silver Printing
"The Art and Practice of Silver Printing" by H. P. Robinson and Capt. Abney is a comprehensive guide on the techniques and principles of photographic printing, likely written in the late 19th century. The book delves into the specifics of silver printing, emphasizing its unique qualities of beauty and the methods to enhance the permanence of the results. It serves as a manual for photographers seeking to master the art, providing detailed instructions on various related processes. At the start of the book, the authors introduce silver printing and its enduring appeal despite the rise of newer photographic methods. They assert the importance of understanding the theoretical foundations of the process, making a case for the beauty of silver prints over other forms of photographic art. The opening chapters outline key preliminary experiments that establish the basis for silver printing and discuss the preparation of albumenized paper, ultimately setting the stage for detailed procedures on sensitizing and printing photographs effectively. The authors advocate for a thoughtful approach to each step, ensuring that readers grasp the significance of theory alongside practical application.
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