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Poets, English -- Homes and haunts -- England Books
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Lucia True Ames Mead
Milton's England
"Milton's England" by Lucia True Ames Mead is a historical account written in the early 20th century. The book explores the life and context of the renowned poet John Milton, focusing particularly on the London of his youth, as well as significant places connected to him. It delves into the rich historical backdrop that shaped Milton's genius and the societal conditions of England during his lifetime. The opening of "Milton's England" sets the stage for understanding the profound significance of London in the life of John Milton. The author reflects on the city’s evolution and its pivotal historical events, emphasizing the period from the Spanish Armada's destruction in 1588 through Milton's birth in 1608. The text hints at the vibrant intellectual and cultural atmosphere of early 17th century London, characterized by the impact of notable figures in literature and politics who were contemporaries of Milton. Further exploration leads to a description of the everyday sights and influences surrounding the poet, painting a vivid picture of the environment that contributed to his profound literary achievements.
Helen A. (Helen Archibald) Clarke
Browning's England: A Study in English Influences in Browning
"Browning's England: A Study in English Influences in Browning" by Helen A. Clarke is a literary analysis written in the early 20th century. The work examines the various English influences on the poet Robert Browning, including the impact of notable English poets like Shelley and Keats, and explores how these influences shaped Browning's literary identity. Through this exploration, it aims to provide insights into Browning’s themes, inspirations, and the broader context of English literature. The opening of the text begins with a discussion of Browning's admiration for the poets that preceded him, particularly focusing on his youthful encounter with Shelley's poetry that infused him with inspiration. Helen Clarke reflects on specific poems such as "Memorabilia," which encapsulate Browning's early reverence for Shelley, and she notes how this admiration transitioned over time. Clarke also emphasizes the significant influence of other contemporaneous poets, such as Keats and Wordsworth, showing how they played a role in shaping Browning's artistic vision. The groundwork laid in this opening chapter sets the stage for a deeper analysis of how these poets influenced Browning's views on art, politics, and personal expression in subsequent chapters.
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