Subject
Pottery -- History Books
Best books
Jennie J. Young
The Ceramic Art A Compendium of The History and Manufacture of Pottery and Porcelain
"The Ceramic Art" by Jennie J. Young is a comprehensive account of the history and manufacture of pottery and porcelain, written in the late 19th century. This work delves into the evolution of ceramic art, combining historical narrative with a technical discussion of materials and techniques, providing insights into its cultural significance across various civilizations. Young’s exploration aims to condense extensive information from various authors into a single, accessible volume, making it a useful reference for students of decorative arts and collectors alike. The opening of the book sets the stage for an in-depth exploration of ceramics, outlining the author's intention to provide a readable, yet informative overview of the field. Young introduces the historical significance of pottery, noting its profound impact on human civilization and daily life. She emphasizes that the origins of this art form trace back to the earliest human communities, invoking legends from cultures such as China, Egypt, and Greece. The text discusses how pottery serves not only as a reflection of daily life and customs but also as a vessel for historical narratives, thus asserting its essential role in understanding humanity's past. Through a detailed examination of the development and techniques used in ceramic art, Young aims to highlight its aesthetic and practical contributions to society.
Charles Wyllys Elliott
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
"Pottery and Porcelain, from Early Times Down to the Philadelphia Exhibition of 1876" by Charles Wyllys Elliott is a historical account written in the late 19th century. This work explores the history, techniques, and artistry of pottery and porcelain through various civilizations and eras, culminating in the context of the Philadelphia exhibition. It aims to present the significance and beauty of these crafts not only to collectors but also to a broader audience interested in the cultural and artistic heritages tied to pottery and porcelain. The opening of the book sets the stage for an extensive examination of pottery, starting from prehistoric times and advancing through ancient civilizations such as the Egyptians, Greeks, and Romans. Elliott discusses the evolution of pottery techniques, the materials used, and the cultural significance of pottery artifacts that reveal details about the societies that created them. He introduces key examples from various cultures, noting how pottery not only served practical purposes but was also an important aspect of artistic expression, reflecting the values and daily lives of the people. This introductory portion thus offers readers a scholarly and inspirational perspective on the art of pottery and porcelain, setting up a comprehensive exploration that follows in the subsequent chapters.
William Henry Holmes
Origin and Development of Form and Ornament in Ceramic Art. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466.
"Origin and Development of Form and Ornament in Ceramic Art" by William Henry Holmes is a scholarly publication written during the late 19th century, focusing on the evolution and characteristics of ceramic art, particularly as it pertains to form and decoration. The book examines how various influences, both natural and artificial, have shaped the craft of pottery across different cultures, particularly in pre-Columbian America. It discusses the origins of both forms of pottery and the decorative motifs that embellish them, providing insights into the artistic and functional aspects of ceramic objects. In the book, Holmes categorically explores the principles surrounding the formation and ornamentation of ceramic art. He begins with the concept that forms arise from three primary sources: adventitious suggestions, imitation of nature or other objects, and invention. He subsequently delves into how these forms are modified by various factors, including usage, material capabilities, and artistic intentions. Holmes emphasizes that ornamentation, which is derived from natural features and constructional elements, evolves alongside the pottery itself, ultimately reflecting the cultural and environmental contexts of the artisans. His analysis illustrates a complex interplay between form and ornamentation, highlighting the significance of both in understanding the historical development of ceramic art.
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