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Princesses -- Drama Books
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William Shakespeare
Love's Labour's Lost
"Love's Labour's Lost" by William Shakespeare is a comedy written in the mid-1590s. The King of Navarre and three companions vow to avoid women for three years to pursue study and fasting. Their oath crumbles when the Princess of France and her ladies arrive, sparking romantic entanglements. Through disguises, mistaken identities, and witty wordplay, the men pursue the women—only to face an unconventional ending when sudden news forces the ladies to demand a year's proof of devotion before any weddings can proceed.
Theodora Du Bois
The sleeping beauty : $b a play in three acts
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Bernard Shaw
The Inca of Perusalem: An Almost Historical Comedietta
"The Inca of Perusalem: An Almost Historical Comedietta" by Bernard Shaw is a comic one-act play written in 1915 during World War I. What begins as a fairytale about a fantastical "Inca" reveals itself as a satirical portrait of Kaiser Wilhelm II. Through disguises and deceptions, a clever woman named Ermyntrude confronts the vain ruler, mocking his artistic pretensions and his country's disastrous war. Shaw's daring comedy ridiculed Germany's leader while the conflict still raged.
William Shakespeare
Love's Labour's Lost
"Love's Labour's Lost" by William Shakespeare is a comedy written in the mid-1590s. The King of Navarre and three companions vow to abandon women's company for three years to focus on study. Their pledge crumbles when the Princess of France and her ladies arrive on diplomatic business, sparking romantic entanglements. Through disguises, mistaken identities, and verbal wit, the men pursue the women they desire. But this comedy defies convention—unexpected news interrupts the courtship, forcing all weddings to wait a year while love's true constancy faces its test.
Edna St. Vincent Millay
The Lamp and the Bell: A Drama In Five Acts
"The Lamp and the Bell: A Drama In Five Acts" by Edna St. Vincent Millay is a dramatic work likely composed in the early 20th century. The play presents a rich tapestry of characters set in the fictional court of Fiori, featuring themes of love, politics, and personal ambition through the lens of royal dynamics. The opening introduces multiple characters, including Beatrice, Princess of Fiori, and her sister Bianca, hinting at their intertwined fates amid the pressures of love and duty. At the start of the play, the audience is introduced to a vibrant scene in the royal garden, where characters such as Laura, Francesca, and the jester Fidelio engage in light banter. The conversations reveal the complexity of their relationships and hint at underlying tensions, particularly regarding Beatrice's ambitions and desires. As the characters interact, themes of laughter, rivalry, and lightheartedness juxtapose the serious inquiries about love and loyalty that will likely inform the narrative's direction. This initial portion sets the stage for evolving conflicts while establishing an engaging, whimsical atmosphere that invites viewers to invest in the characters' journey.
William Shakespeare
Love's Labour's Lost
"Love's Labour's Lost" by William Shakespeare is a comedy written in the mid-1590s. The King of Navarre and three companions vow to avoid women for three years to focus on study. Their oath crumbles when the Princess of France and her ladies arrive, sparking romantic entanglements on all sides. Through disguises, switched letters, and clever wordplay, the men pursue the women who outwit them at every turn. But an unexpected death disrupts the usual comic ending, forcing all marriages to wait a year.
William Shakespeare
Veel Gemin, geen Gewin
"Veel Gemin, geen Gewin" by William Shakespeare is a theatrical play written in the late 16th to early 17th century. The story unfolds in the kingdom of Navarre, where King Ferdinand and his companions—Biron, Longaville, and Dumaine—make a pact to dedicate themselves to scholarly pursuits for three years while eschewing the company of women. However, their commitment is soon challenged by the impending arrival of the French princess and her ladies, igniting themes of love, friendship, and the folly of human desires. At the start of the play, the King proposes an ambitious vow to shun women and focus on study, despite the humorous dissenting views of his courtiers. The opening scenes establish the characters' personalities and quick wit through clever banter and playful exchanges, revealing both their desires and their comedic shortcomings. As the narrative progresses, the tension builds around the inevitable arrival of the princess, setting the stage for romantic entanglements and conflicts that will challenge their oaths and prompt questions about the nature of love and ambition. This duality of intellect versus passion, alongside the unfolding misunderstandings, hints at the complex moral dynamics that will develop throughout the play.
Edmond Rostand
La Princesse lointaine: Pièce en quatre actes, en vers
"La Princesse lointaine: Pièce en quatre actes, en vers" by Edmond Rostand is a dramatic play written in the late 19th century. The story revolves around Joffroy Rudel, a lovesick troubadour who embarks on a perilous journey across the sea to meet his distant beloved, the Princess Mélissinde of Tripoli. The play explores themes of unrequited love and the ideals of chivalry, shaped by the romantic aspirations of its characters. The opening of the play sets a dramatic tone, depicting a battered ship's deck after a violent storm. A group of weary sailors discusses their hardships, revealing a sense of camaraderie and determination. They are tasked with transporting the ailing Prince Joffroy Rudel, who dreams of seeing Mélissinde, the object of his love, before he dies. The camaraderie among the sailors is tinged with desperation as they deal with their own physical suffering while simultaneously carrying the weight of Rudel's lofty ambitions. The scene beautifully captures the blend of passion and peril that ignites the characters’ journey toward love and destiny.
William Shakespeare
Love's Labour's Lost
"Love's Labour's Lost" by William Shakespeare is a comedy written in the mid-1590s. The King of Navarre and three nobles vow to avoid women for three years to focus on study. Their oath crumbles when the Princess of France arrives with her ladies, sparking romance and infatuation. Through disguises, switched letters, and witty deceptions, the couples pursue each other. But this comedy defies convention—a sudden death interrupts the festivities, forcing the men to prove their love's sincerity by waiting a year before marriage.
William Shakespeare
Turhaa lemmen touhua
"Turhaa lemmen touhua" by William Shakespeare is a comedic play written in the late 16th to early 17th century. The story revolves around King Ferdinand of Navarre, along with his companions Biron, Longaville, and Dumaine, who mockingly vow to give up women and pursue scholarly pursuits for three years. However, their resolve is hilariously tested when they find themselves falling for a group of visiting women, led by the Princess of France. The opening of the play sets the stage in Navarre's royal park, where the king and his friends declare their commitment to a life of learning, free from female distractions. They sign a promise, despite the comedic objections from Biron, who essentially questions the wisdom of their vow while expressing a keen desire for romance. The scene then transitions as they learn about the arrival of the French princess and her ladies, setting the wheels in motion for romantic entanglements and humorous misunderstandings that define the unfolding plot.
William Shakespeare
Peines d'amour perdues Comédie
"Peines d'amour perdues" by William Shakespeare is a comedy written around 1595-1596. The King of Navarre and three companions vow to devote themselves to philosophy and renounce all frivolous pursuits. Their pact faces immediate challenge when the Princess of France arrives with three ladies-in-waiting, and the men fall hopelessly in love. Filled with wordplay, puns, and literary references, this witty play explores the conflict between noble intentions and human desire, building toward unexpected complications and a surprisingly solemn conclusion.
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