Subject
Quental, Antero de, 1842-1891 Books
Best books
Manuel Pinheiro Chagas
Bom-senso e bom-gosto Folhetim a proposito da carta que o senhor Anthero do Quental dirigiu ao senhor Antonio Feliciano de Castilho
"BOM-SENSO E BOM-GOSTO" by Manuel Pinheiro Chagas is a literary folhetim written in the mid-19th century. This work notably addresses a public letter by Anthero do Quental to Antonio Feliciano de Castilho, discussing a critical dispute regarding the literary styles of the time, specifically targeting the Coimbra School of poetry. The author employs sharp wit and sarcasm to critique both the artistic ideals and the style of contemporary poets, highlighting issues of originality and authenticity in literature. In the text, Pinheiro Chagas examines Quental’s defense of his ideals against criticism, dissecting various aspects of Coimbra's literary contributions and their perceived pretentiousness. He paints a vivid picture of the poetic landscape, illustrating a divide between poets who adhere to traditional forms versus those who innovate without substance. The narrative reflects a broader commentary on the conflict between romanticism and realism in Portuguese literature, while also emphasizing the need for genuine expression over affectation. Ultimately, the work stands as a defense of literary clarity and sincerity, celebrating authors who advocate for a more accessible and impactful form of poetry.
Elmano da Cunha
Carta de Elmano da Cunha em resposta a outra Bom-senso e Bom-gosto, dirigida por Anthero do Quental ao excellentissimo senhor Antonio Feliciano de Castilho, o incomparavel traductor dos fastos de Ovidio, obra em que se faz o confronto de Romulo e Jesus-Christo, offericida ao incomparavel duque de Saldanha
"Carta de Elmano da Cunha em resposta a outra Bom-senso e Bom-gosto, dirigida…" by Elmano da Cunha is a critical letter written in the mid-19th century. The book serves as a polemical response to Anthero do Quental, addressing themes of literary morality and societal values in the context of Portuguese literature. It provides insight into the ideological struggles of its time regarding independence of thought and artistic integrity. In this letter, Elmano da Cunha takes a stand against what he perceives as the decline of moral responsibility and originality in literary circles, particularly emphasizing the role of the University of Coimbra. He critiques various contemporaries, accusing them of pandering to societal pressures and commercial interests at the expense of true artistic expression. Through a passionate and sometimes satirical discourse, the author articulates his belief in the importance of individual moral responsibility in literature, urging writers to transcend the superficiality that he associates with academic and societal expectations. The letter culminates in a defense of free thought and the pursuit of genuine artistic integrity, juxtaposed against the backdrop of a rapidly evolving cultural landscape.
Augusto Malheiro Dias
Castilho e Quental: Reflexões sobre a actual questão litteraria
"Castilho e Quental: Reflexões sobre a actual questão litteraria" by Malheiro Dias is a literary critique written during the mid-19th century. This book delves into the tensions between two prominent literary figures of the time, emphasizing their differing philosophies and contributions to Portuguese literature. It examines the conflict between the established poetic forms represented by Castilho and the innovative approach of Quental, situating their debate within the broader context of literary movements emerging in Europe. In this work, Malheiro Dias navigates through an intricate landscape of ideas, discussing the competition between the romantic and classical traditions within Portuguese poetry. He portrays Castilho as a meticulous craftsman focused on form and style, while Quental is depicted as a passionate innovator championing new ideas and ideals. The text reflects on the evolution of literature and culture in Portugal, critiquing the complacency of the past while advocating for the powerful role of imagination and progressive thought in shaping future literary expressions. Through rich metaphors and vivid imagery, Dias articulates the relentless pursuit of beauty and the complex dynamics of literary rivalry, ultimately calling for a synthesis of form and innovation in the artistic realm.
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