Subject
Rome -- In literature Books
Best books
Harold Edgeworth Butler
Post-Augustan Poetry From Seneca to Juvenal
"Post-Augustan Poetry From Seneca to Juvenal" by Harold Edgeworth Butler is a scholarly examination of the poetic literature that emerged in the Roman Empire after the Augustan age, likely written in the early 20th century. The work aims to illuminate the often-neglected poets of this period, exploring their strengths despite their acknowledged weaknesses, and to place them in their historical and cultural context. The opening of the work sets the stage for an in-depth analysis of the decline of post-Augustan poetry, tracing the shift in literary style and originality following the brilliance of earlier Roman poets. Butler discusses the influences of key emperors, such as Tiberius and Nero, on the literary world, and sets out the various causes contributing to the decline of poetic rigor. It highlights the societal and educational contexts that fostered a deteriorating literary environment, characterized by artificiality and a lack of genuine moral fervor. Overall, the beginning of this work introduces a critical perspective on the post-Augustan literary landscape, preparing the reader for a detailed exploration of individual poets and their contributions to Roman literature.
Mungo William MacCallum
Shakespeare's Roman plays and their background
"Shakespeare's Roman Plays and Their Background" by M. W. MacCallum is a scholarly examination of the Roman-themed plays written by Shakespeare, likely composed in the early 20th century. This work delves into the context, influences, and historical significance of these plays within both Shakespeare's oeuvre and the broader landscape of English drama. It specifically addresses how these plays, while distinct from his English histories and tragedies, still reflect similar thematic elements. The opening of the text introduces an exploration of the Roman plays as a distinct category within Shakespeare's body of work, emphasizing their unique methodology and treatment. It outlines the author's intention to discuss not only Shakespeare’s plays but also the historical context surrounding them, including the influences of previous Roman-themed works and key historical figures such as Plutarch. MacCallum acknowledges the challenge of his location far from European libraries, expressing gratitude to various scholars and institutions that have contributed to his research. He articulates his desire to provide a comprehensive analysis of the Roman plays by tracing their sources and literary heritage, ultimately setting the stage for further detailed discussions throughout the text.
Randolph Faries
Ancient Rome in the English novel: a study in English historical fiction
"Ancient Rome in the English Novel: A Study in English Historical Fiction" by Randolph Faries is a scholarly thesis written in the early 20th century. This academic work explores the representation and development of ancient Rome within English historical novels, tracing their origins and significance. Faries aims to provide a clearer definition of what constitutes a "classic" novel while distinguishing between genuine literary merit and superficial works that merely reference classical themes or characters. The opening of the thesis outlines Faries' intention to analyze how ancient Rome has been utilized as a backdrop in the English historical novel, emphasizing both the importance of rigorous scholarship in these narratives and the thematic richness they convey. He notes the limited but significant number of novels set in pre-Imperial versus Imperial Rome, leading to discussions on their illustrative merits and the varied influences on these works. Specific novels and authors are mentioned as exemplars of quality literature portraying Roman life, indicating a selective historical narrative that honors the depth of cultural heritage intertwined with the evolution of storytelling throughout the English literary tradition.
Alexander Boecker
A Probable Italian Source of Shakespeare's "Julius Cæsar"
"A Probable Italian Source of Shakespeare's 'Julius Cæsar'" by Alexander Boecker is a scholarly monograph written in the early 20th century. The work examines the potential influences of Orlando Pescetti's Italian tragedy "Cesare" on Shakespeare's "Julius Cæsar," arguing that Pescetti’s play, largely overlooked by previous scholars, may contain significant parallels that suggest Shakespeare drew upon it. The book aims to investigate the similarities between the texts, particularly in character development, themes, and specific narrative elements. The opening of the text introduces Boecker's thesis that Pescetti’s "Cesare" is a probable source for Shakespeare's work. It highlights the need to reevaluate the historical and literary context of Pescetti’s play, first published in Verona in 1594, as it may provide insight into Shakespeare's creative process. The introduction sets out the scope of the study, which will include an analysis of characters, plot similarities, and the use of ancient sources, indicating that the discussion will cover various aspects of both works to support Boecker’s argument regarding Pescetti's influence on Shakespeare.
Domenico Comparetti
Virgilio nel Medio Evo, vol. II
"Virgilio nel Medio Evo, vol. II" by Domenico Comparetti is a scholarly work written in the late 19th century. This text explores the influence of the ancient Roman poet Virgil during the medieval period, particularly focusing on his role in popular legends and folklore. The book delves into how his legacy transformed and interacted with medieval culture, emphasizing the intertwining of classical elements with emerging romantic notions. At the start of this volume, the author outlines the significant divergence between medieval vernacular poetry and classical poetic forms, arguing that the former wasn't born out of rebellion but rather evolved alongside classical traditions. Comparetti discusses the nature of poetry in the medieval era, noting that while it incorporated elements of ancient literature, it also developed its unique characteristics shaped by religious and cultural contexts. He introduces the concept of Virgil as a towering figure of inspiration, examining the fascinating amalgamation of myth and history surrounding Virgil, particularly within Naples, where he is credited with numerous miraculous deeds and protective qualities. This opening portion sets the stage for a detailed examination of how Virgil's legacy was romanticized and transformed during the medieval period, serving as a foundation for the subsequent chapters.
Joseph Trapp
The Preface to the Aeneis of Virgil (1718)
"The Preface to the Aeneis of Virgil" by Joseph Trapp is a critical essay accompanying Trapp's translation of the epic poem "The Aeneid," written in the early 18th century. This work offers an exploration of the significance and artistry of Virgil's epic, emphasizing the noble qualities of epic poetry and advocating for its importance in literature and moral education. Trapp's perspective seeks to elevate Virgil’s work, positioning it alongside that of Homer and others. The opening of the text introduces the themes and context of Trapp's critique, highlighting the enduring value of poetry. He discusses the nature of epic poetry, asserting that it is essential for inspiring heroic virtue and serves as a reflection of human thought and experience. Trapp emphasizes the unique qualities of Virgil's "Aeneid," such as clear judgment and emotional depth, and contrasts it with Homeric epic. He aims to establish a framework for understanding Virgil's work, arguing that its beauty lies not only in its narrative but also in the emotional resonance it elicits from the reader, affirming its place within the canon of great literary works.
Domenico Comparetti
Virgilio nel Medio Evo, vol. I
"Virgilio nel Medio Evo, vol. I" by Domenico Comparetti is a scholarly historical account written in the late 19th century. The work explores the enduring legacy and influence of the Roman poet Virgil throughout the Middle Ages, detailing the cultural interpretations and transformations of his character. Ignite with rich historical discourse, it promises a deeper understanding of Virgil's impact on European thought across the centuries. The opening of the book sets the stage for an in-depth examination of Virgil's reputation during the Middle Ages, emphasizing the need for a thorough study that has been previously overlooked. Comparetti aims to investigate how Virgil was perceived in the literary tradition leading up to Dante, addressing both the magical legends surrounding him and their integration into popular folklore. The introduction highlights the complexities of Virgil's legacy, noting that his prominence in medieval literature is neither purely literary nor entirely attributed to the supernatural, but woven into a broader cultural and historical narrative that traces back to the very time of Virgil's own life.
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