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Ruskin, John, 1819-1900 -- Correspondence Books
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John Ruskin
Arrows of the Chace, vol. 2/2 being a collection of scattered letters published chiefly in the daily newspapers 1840-1880
"Arrows of the Chace, vol. 2/2" by John Ruskin is a collection of letters addressing political, economic, and miscellaneous matters written in the mid to late 19th century. This volume compiles Ruskin’s reflections on significant issues of his time, such as the Italian Question, England’s foreign policy, and social critiques, revealing his strong opinions and passionate engagement with contemporary events. The opening of this work features Ruskin's letters concerning the Italian Question, highlighting his astonishment and frustration regarding the perceived hypocrisy of Protestant nations during political turmoil. He reflects on the consequences of Austrian authority over Italy and critiques the moral failures of foreign interventions grounded in self-interest rather than justice or freedom. Through vivid expressions and personal anecdotes, Ruskin calls for a greater understanding of the responsibilities inherent in political action, framing the struggle for Italian independence in moral terms and emphasizing the need for intervention in the face of oppression.
John Ruskin
Arrows of the Chace, vol. 1/2 being a collection of scattered letters published chiefly in the daily newspapers 1840-1880
"Arrows of the Chace, vol. 1/2" by John Ruskin is a collection of essays and letters written in the mid-19th century. This work compiles a range of his thoughts on art, architecture, and education, primarily drawn from his previous writings in various newspapers spanning four decades. Through this anthology, Ruskin aims to reflect his insights and critiques on the artistic movements of his time, particularly focusing on the influence of Pre-Raphaelitism and the legacy of artists like Turner. The opening of this collection presents Ruskin's author's preface, where he expresses a fondness for the letters he penned, nostalgic about the insights he shared over the years. He emphasizes the importance of clear and passionate engagement with art, arguing for deeper understanding and appreciation beyond superficial criticism. In an era marked by eclecticism and commercialism in the arts, Ruskin's letters advocate for a return to sincerity and depth in artistic expression, setting the stage for the more detailed discussions and critiques that follow in the subsequent chapters.
John Ruskin
Letters to the Clergy on the Lord's Prayer and the Church
"Letters to the Clergy on the Lord's Prayer and the Church" by John Ruskin is a collection of theological letters written in the late 19th century. The letters engage the clergy in a discourse about the interpretation of the Lord's Prayer and the responsibilities of clergymen within the Church of England. They aim to provoke a deeper understanding and more rigorous practice of Christian teachings, emphasizing the importance of articulating the essence of the Gospel for the benefit of both clergy and laity. The opening of the text sets the stage for an earnest dialogue between Ruskin and clergy members, initiating with a proposal shared by the Rev. F. A. Malleson. Ruskin expresses his willingness to contribute written letters that address the questions and concerns of these clergy, specifically urging them to redefine their roles. He underscores the necessity for clergymen to avoid complacency and engage deeply with the teachings contained within the Lord's Prayer, positing that clarity and simplicity in conveying these teachings will enrich their congregations. The letters further explore the implications of the Lord's Prayer in teaching and moral duty, encouraging clergymen to reflect on their spiritual leadership and articulate a more profound understanding of faith to their communities.
John Ruskin
Hortus Inclusus Messages from the Wood to the Garden, Sent in Happy Days to the Sister Ladies of the Thwaite, Coniston
"Hortus Inclusus" by John Ruskin is a collection of letters written in the late 19th century. The work is dedicated to the author's close friends, the "Sister Ladies of the Thwaite," and reflects Ruskin's deep appreciation and admiration for them. These letters weave together themes of nature, beauty, and personal sentiment, showcasing Ruskin's thoughts during a time of great artistic and philosophical inquiry. The opening of "Hortus Inclusus" introduces readers to the context of the letters, highlighting the serene lives of the ladies who inspired them. Ruskin describes their character, warmth, and the compassion they showed towards their village community, contrasting with his own struggles and feelings of melancholy. In these early letters, he reflects on various experiences and emotions, revealing a blend of gratitude, nostalgia, and the poignant awareness of life's impermanence, particularly after the loss of a loved one. The personal nature of these letters invites readers to explore Ruskin's contemplative musings on relationships, art, and the natural world, setting a tone of intimate reflection throughout the collection.
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