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Russian drama -- Translations into Finnish Books
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Anton Pavlovich Chekhov
Karhu : $b Pila yhdessä näytöksessä
"Karhu: Pila yhdessä näytöksessä" by Anton Pavlovich Chekhov is a one-act play written in the early 20th century. The play revolves around the themes of love, grief, and the humorous clashes between genders and social expectations. Through clever dialogue and character interactions, it contrasts a widow’s deep mourning for her deceased husband with the chaotic intrusion of a creditor, providing a comedic yet poignant exploration of life’s absurdities following loss. The story takes place in the home of Helena Pappinen, a young widow who clings to her sorrow and insists on remaining in her mourning attire. However, her solitude is interrupted by Yrjö Rauhala, a middle-aged man who comes to collect a debt owed by her late husband. As tensions rise, their exchanges become increasingly humorous, with Pappinen asserting her independence and Rauhala's frustrations boiling over. Ultimately, the play evolves from a confrontation over money into an unexpected romantic encounter, as Rauhala finds himself attracted to Pappinen amidst the quarrel. This transformation from hostility to affection showcases Chekhov's ability to blend humor with deeper emotional themes.
Anton Pavlovich Chekhov
Kosinta : $b Yksinäytöksinen pila
"Kosinta: Yksinäytöksinen pila" by Anton Pavlovich Chekhov is a one-act play written in the early 20th century. The story unfolds in the rural estate of a landowner named Piippurinen, focusing on themes of love, marriage, and the absurdities of social interactions as characters engage in negotiation and conflict over personal and territorial matters. The play centers around the character Juhana Lomonen, who arrives at Piippurinen's estate to seek the hand of Piippurinen's daughter, Naima, in marriage. The comedic tension rises as Lomonen insists on his rights to a disputed piece of land called Härkähaka, leading to a humorous and chaotic exchange between him and Naima, who adamantly claims the land as her own. Their bickering escalates, bringing Piippurinen into the mix as he tries to mediate, only to find himself caught between his daughter's stubbornness and Lomonen's fervent claims. The absurd humor is deepened as character motivations and misunderstandings unfold, culminating in a chaotic climax that ultimately leads to the resolution of both the land dispute and Naima's marriage proposal, leaving a comical reflection on human nature and relationships.
Anton Pavlovich Chekhov
Eno Vanja: Kuvaus maalaiselämästä neljässä näytöksessä
"Eno Vanja: Kuvaus maalaiselämästä neljässä näytöksessä" by Anton Pavlovich Chekhov is a play first published in 1897. When an elderly professor and his captivating young wife visit a rural estate, they disrupt the lives of those who maintain it. Vanya, who has managed the property for years, and Astrov, a local doctor, both fall under the wife's spell. Meanwhile, the professor's daughter Sonya harbors unrequited feelings. Crisis erupts when the professor announces plans to sell the estate—Vanya and Sonya's home.
Leo Tolstoy
Pimeyden valta eli Kun kynsi on kiinni, niin on koko lintu hukassa: 5-näytöksinen näytelmä
"Pimeyden valta eli Kun kynsi on kiinni, niin on koko lintu hukassa" by Leo Tolstoi is a five-act play written in the early 20th century. This work delves into the complexities of rural life, focusing on a wealthy peasant named Pjotr, his family dynamics, and the various characters that populate their world, highlighting themes of love, duty, and societal expectation." "The opening of this play establishes a rural setting during the autumn season, depicting Pjotr as he struggles with his responsibilities and health issues while interacting with his wife Anisja and daughter Akulina. Pjotr's frustrations with his hired help, particularly Nikita, set the stage for tensions within the household, foreshadowing deeper conflicts to come. The characters' interactions reveal a blend of familial love and strife, with hints of romantic entanglements and societal pressures as they navigate their complex relationships amid the backdrop of peasant life."
Nikolai Vasilevich Gogol
Naimapuuhat: 2-näytöksinen huvinäytelmä
"Naimapuuhat: 2-näytöksinen huvinäytelmä" by Nikolai Vasilevich Gogol is a two-act comedy written in the early 19th century. This work presents a humorous exploration of courtship and marriage through a collection of eccentric characters navigating the complexities of relationships. The main character, Podkolesin, is a hesitant suitor grappling with the idea of marriage, reflecting the social norms and expectations of his era. The opening of the play introduces Podkolesin, a somewhat indecisive bachelor who is contemplating the prospect of marriage whilst lounging in his room. He is visited by his friend Stepan and the matchmaker Fjokla, who pressure him to consider wedlock seriously. Podkolesin appears both anxious and self-reflective, revealing his extroverted thoughts about the qualities of a potential bride, Agafja Tihonovna. The dialogue captures the playful banter concerning his preparations for marriage, setting the tone for the comedic exploration of social expectations surrounding romance. The beginning hints at the amusing mishaps and social commentary that will unfold as the narrative progresses.
Maksim Gorky
Pohjalla: Kuvaelmia, neljä näytöstä
"Pohjalla: Kuvaelmia, neljä näytöstä" by Maksim Gorky is a play written in the late 19th century. Set against the backdrop of a dilapidated lodging house, the script introduces a cast of characters who navigate their harsh lives, filled with struggle, longing, and bitter humor. The central figure, Michàil Ivànov Kostiljév, along with other tenants, provides a glimpse into the gritty realities of the working class. The opening of the play presents an evocative scene within the dimly-lit lodging house, where various characters engage in a mix of tumultuous interactions and mundane activities. Dialogue flows between characters like Vasilisa and Bubnov as they grapple with personal struggles and societal issues, revealing their complex relationships and the overarching themes of poverty and despair. Conversations oscillate between bickering and camaraderie, painting a vivid portrayal of life at the bottom rung of society, with characters often resorting to humor as a coping mechanism for their dire circumstances.
Nikolai Vasilevich Gogol
Reviisori: Huvinäytelmä viidessä näytöksessä
"Reviisori: Huvinäytelmä viidessä näytöksessä" by Nikolai Vasilevich Gogol is a satirical play written in the early 19th century. The work critiques bureaucratic corruption and the absurdities of provincial life in Russia, centering around the sudden arrival of a government inspector, creating panic among local officials. The play's main character, Hlestakov, is a lowly civil servant mistaken for the inspector, leading to a series of comedic misunderstandings. The opening of the play introduces a group of government officials in a provincial town who are thrown into disarray upon hearing that a reviser (inspector) is coming to assess their conduct is coming incognito. The city manager, Päällikkö, shares a letter hinting at this inspector's impending arrival, provoking fear among the officials about the state of their corrupt activities. As they discuss the shocking news, their incompetence and anxiety reveal the pervasive corruption within their ranks, setting the stage for the ensuing chaos that Hlestakov will bring with his arrival. The biting humor and vivid characterization indicate a rich exploration of societal flaws that will unfold throughout the play.
D. I. (Denis Ivanovich) Fonvizin
Alaikäinen: Huvinäytelmä 5:ssä näytöksessä
"Alaikäinen: Huvinäytelmä 5:ssä näytöksessä" by D. I. Fonvizin is a comedic play written in the late 19th century. The work revolves around the life of the Prostakoff family, focusing on their son Mitrofan and the various family dynamics and societal expectations surrounding marriage and relationships. The humor in the narrative hints at the absurdities and contradictions within the upper classes of Russian society. The opening of the play introduces us to the Prostakoff household, highlighting the character of Mitrofan, who is being fussed over by his mother, Rva Prostakoff, as she criticizes the poorly fitted jacket made for his upcoming engagement. As the dialogue unfolds, it reveals the tensions between family members regarding responsibilities and perceptions of wealth, as well as misunderstandings involving Mitrofan's education and prospects. There is also the introduction of various secondary characters who contribute to the comedic chaos in the family home, hinting at conflicts and romantic entanglements that will likely play a central role throughout the drama. Overall, the beginning sets a lighthearted tone, ultimately leading to potential conflicts over love and family that echo the societal norms of the time.
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