Subject
Scott, Walter, 1771-1832 -- Knowledge -- Literature Books
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Margaret Ball
Sir Walter Scott as a Critic of Literature
"Sir Walter Scott as a Critic of Literature" by Margaret Ball is a scholarly examination of the critical contributions of Sir Walter Scott, written in the early 20th century. This work delves deeply into Scott's literary career, parsing his roles as an editor and critic, as well as the interplay between his critical and creative faculties. It aims to shed light on how Scott's extensive critical writings have been overshadowed by his success as a novelist and poet, thereby providing a comprehensive overview of his influence on literature. The opening of the text sets the stage for a thorough investigation into Scott's underappreciated critical work, positing that understanding his criticism is essential for a complete grasp of his literary genius. Ball outlines Scott's qualifications as a critic, emphasizing his broad reading, scholarly rigor, and historical knowledge that informed his literary judgments. The introductory chapter hints at the structure of the book, indicating that subsequent sections will explore Scott's views on various literary forms, including his work on mediaeval literature and drama, and will articulate the significant connections between his critical and fictional writings. Overall, it presents an assertion of the importance of Scott's criticism not just in relation to his contemporaries but also to current literary discourse.
Andrew Lang
Sir Walter Scott and the Border Minstrelsy
"Sir Walter Scott and the Border Minstrelsy" by Andrew Lang is a detailed examination of the literary contributions of Sir Walter Scott, particularly focusing on his collection and editing of traditional Scottish ballads during the late 19th century. This scholarly work seeks to clarify accusations against Scott regarding his authenticity as a ballad editor, delving into specific pieces such as the ballad "Auld Maitland" and discussing how folklore was preserved and transformed through oral tradition. It also reflects on the cultural significance of these ballads in capturing Scotland's historical narratives and identity. At the start of the text, Lang lays the foundation of his argument by addressing criticisms leveled at Scott, particularly concerning the ballad "Auld Maitland." He argues against the notion that Scott fabricated or misrepresented the origins of this ballad, highlighting the importance of oral traditions in preserving such works. Lang meticulously discusses Scott's processes in gathering and editing the ballads, noting how the influences of various contributors, like James Hogg, played a role in the evolution of these narratives. He contends that while Scott may have modernized some elements for clarity and accessibility, he remained committed to maintaining the integrity and spirit of the original folklore. This opening sets the stage for a broader critique of literary authenticity and the role of tradition in Scottish ballads.
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