Subject
Sculpture Books
Best books
Benvenuto Cellini
The treatises of Benvenuto Cellini on goldsmithing and sculpture
"The Treatises of Benvenuto Cellini on Goldsmithing and Sculpture" by Cellini is a historical account written during the late 16th century. This work is a详细 examination of the goldsmithing and sculptural techniques used during the Renaissance, reflecting Cellini's own experiences as a master craftsman. The book serves as a practical guide for artisans, filled with personal anecdotes and technical insights into the craft of goldsmithing and sculpture. The opening of the treatises establishes the author's intention to share his extensive knowledge of goldsmithing with fellow craftsmen, particularly focusing on the art's intricacies and historical context rooted in Florence's Renaissance traditions. Cellini addresses the various techniques and materials used in goldsmithing, emphasizing the importance of skilled craftsmanship and artistry. He pays homage to notable figures in the field and sets the stage for detailed discussions on specific techniques, such as niello and filigree work, that will be covered later in the text.
Auguste Rodin
Art
"Art" by Auguste Rodin is a philosophical treatise on the nature of art written in the early 20th century. The work explores Rodin's thoughts and musings on artistic creation, emphasizing the importance of beauty, expression, and the inner truth of subjects. It serves as both a personal manifesto and a reflective critique of contemporary views on art. The opening of "Art" begins with a vivid description of Rodin's idyllic surroundings near Paris, where he expresses his discontent with the modern world's dismissal of art in favor of material pursuits. Engaging in dialogue with his friend Paul Gsell, Rodin laments how contemporary society has lost its connection to beauty and contemplation, viewing art as an outdated interest. He emphasizes that true art is born from a deep appreciation of nature and the human experience, suggesting that the importance of artistic expression transcends mere functionality and utility. This sets a contemplative tone for the rest of the book, inviting readers to reflect on the role of art in their own lives.
John Ruskin
Aratra Pentelici, Seven Lectures on the Elements of Sculpture Given before the University of Oxford in Michaelmas Term, 1870
"Aratra Pentelici: Seven Lectures on the Elements of Sculpture" by John Ruskin is a collection of academic lectures written in the late 19th century. The book delves into the foundational principles of sculpture, aiming to reawaken interest in the art form and establish a framework for understanding its significance and methodology. Through his analysis, Ruskin seeks to bridge the gap between the technical aspects of sculpture and its broader philosophical implications. The opening of the work introduces the author's intent to engage students at the University of Oxford in the study of sculpture, which he believes is essential for broader societal understanding. Ruskin emphasizes the relevance of sculpture to enduring themes of humanity and ethics, suggesting that art should not only mimic life but also inspire deeper reflections on existence. He articulates the importance of a structured approach to art education that recognizes the interconnectedness of imagination, craftsmanship, and moral insight, thereby laying the groundwork for the subsequent lectures.
Juliet Helena Lumbard James
Sculpture of the Exposition Palaces and Courts Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco
"Sculpture of the Exposition Palaces and Courts" by Juliet Helena Lumbard James is a descriptive account of the remarkable sculptures featured at the Panama-Pacific International Exposition held in San Francisco. This publication can be characterized as an art history book that was likely written in the early 20th century. The book delves into the creative expressions of American sculptors, showcasing their works and highlighting the significance of their contributions to the art scene during the exposition. The content of the book is structured around various prominent sculptures from the exposition, providing detailed descriptions and interpretations of each piece. Notable works include "The Fountain of Energy," which symbolizes the triumph of energy and human endeavor, and "The End of the Trail," which poignantly represents the struggles faced by Native Americans. Each chapter explores different sculptures, their themes, and the sculptors behind them, such as A. Stirling Calder, Daniel Chester French, and Edith Woodman Burroughs, offering biographical insights into the artists and insights into the broader cultural context of their work. The book serves as both a celebration of artistic achievement and a call for the enduring appreciation of public sculpture in urban landscapes.
Richard Norton
Bernini and other studies in the history of art
No description available.
Hermann Lüer
Technik der Bronzeplastik
"Technik der Bronzeplastik" by Hermann Lüer is a scientific publication written in the late 19th century. The work delves deeply into the technical aspects of bronze casting, discussing both historical approaches and modern techniques employed in this art form. It explores the significance of artists and craftsmen in the creation of bronze sculptures, emphasizing the intricate procedures behind the casting process. The opening of the text introduces the topic by reflecting on the changing perceptions of bronze casting over time. It highlights how the contributions of both sculptors and casters have often been overlooked, particularly in historical contexts. Lüer sets the stage for an extensive examination of various casting techniques, including the use of molds and materials, while hinting at a broader discussion about the historical evolution of the craft. This initial portion emphasizes the importance of technical mastery in bronze sculpture, preparing the reader for a thorough exploration of the methods and materials that have shaped this artistic discipline.
Unknown
The mind of the artist : $b thoughts and sayings of painters and sculptors on their art
"The Mind of the Artist: Thoughts and Sayings of Painters and Sculptors on Their Art" is a collection of artistic reflections compiled by Mrs. Laurence Binyon and published in the early 20th century. This anthology presents a range of thoughts and sayings from notable painters and sculptors, exploring their philosophies and insights on the nature of art, creativity, and the art-making process. The opening of "The Mind of the Artist" sets a reflective tone through a preface by George Clausen, who emphasizes the importance of understanding the principles that guide artists' works. It introduces various quotes from artists such as Leonardo da Vinci, Michael Angelo, and Fuseli, highlighting their observations on the expressive power of art, the importance of nature, and the quest for truth in artistic representation. These foundational thoughts serve to establish a rich context for the dialogues to follow, offering readers an initial glimpse into the profound ideas that informed artistic creation through the ages.
Recently surfaced classics