Subject
Self-culture -- Juvenile fiction Books
Best books
Lizzie Bates
The Climbers
"The Climbers" by Lizzie Bates is a novel written in the late 19th century. The story introduces readers to Marston Howe, a determined young boy grappling with the challenges of his impoverished upbringing. It explores themes of perseverance, aspiration, and the pursuit of self-improvement, as Marston seeks to rise above his current circumstances and make a better life for himself and his sister, Jennie. The beginning of the novel presents a conversation between Mr. Jeffries, a hotel keeper, and a guest, who discusses the importance of ambition and the desire for self-improvement among American boys. Amid their dialogue, the stable-boy Marston Howe is introduced, highlighting his passion for reading and learning despite his challenging life. Orphaned and resigned to labor in a hotel, Marston longs for a better future, driven by his mother's hopes for him and the idea of climbing toward success, symbolically represented by the mountains he admires. As he encounters Mr. Kirby, who encourages him, the groundwork for Marston's journey of growth and resilience is laid out. The opening passages set the stage for Marston's struggles and aspirations, establishing a narrative centered on the idea of striving for betterment.
Florence E. Burch
No royal road : $b or, The thing that lies the nearest. A story for girls.
"No royal road : or, The thing that lies the nearest. A story for girls." by Burch is a moral coming‑of‑age novel written in the late 19th century. The narrative centers on Lilla, an orphan living with her grandmother, and Margie, a sturdy village girl, as both discover that true greatness is found in humble duties, patience, and Christian kindness. With guidance from a kindly clergyman and a gentle governess, the tale contrasts ambition and class with everyday service. It suits readers who enjoy heartfelt Victorian domestic fiction with a clear ethical thread. The opening of the story introduces a picturesque lodge where Lilla is lovingly raised by Mrs. Eden, whose health is beginning to fail, and sets a reflective tone through scenes of spring, home routines, and a fleeting excitement over a runaway pony. A parallel thread presents Margie’s crowded, working‑class home, her Sunday solace in church, and a brief exchange with the clergyman about work, rest, and purpose. A stormy afternoon visit from Mr. Munro gives Lilla the book’s motto—“Do the work that lies the nearest”—spurring her to early rising, practical help, and renewed diligence, even as her grandmother decides to hire a maid. Lilla and Margie meet, grow shyly friendly, and their lives intertwine: Lilla studies intensely under Miss St. Ives while learning patience in twilight hours with her grandmother; Margie’s hopes to “get on” are tested by her brother’s illness and a cousin’s shallow advice. When Margie’s mother falls sick, Lilla quietly takes over the housework so Margie can care for her family and still receive her wages, deepening their bond. By year’s end, with Margie back, the theme sharpens as a sermon on greatness as service echoes the lesson both girls are learning through small, faithful acts.
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