Subject
Shakespeare, William, 1564-1616 Books
Best books
Nathan Drake
Shakspeare and His Times [Vol. 1 of 2] Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
"Shakspeare and His Times [Vol. 1 of 2]" by Nathan Drake is a historical account written in the early 19th century. This work offers a comprehensive exploration of the life and environment of William Shakespeare, situating him within the cultural, social, and literary context of his time. The focus is not only on Shakespeare's biography but also on the customs, superstitions, and artistic life of his era, allowing readers to gain a deeper understanding of the influences that shaped his works. The opening of the volume provides an eloquent preface that succinctly defines the author's intent. Nathan Drake emphasizes the historical significance of Shakespeare and the absence of a thorough examination of his times from his perspective. He lights upon the structure of the exploration, planned in three distinct parts: "Shakspeare in Stratford," reflecting on the poet's youth; "Shakspeare in London," detailing his rise as a playwright; and "Shakspeare in Retirement," which covers his later years. The introduction establishes a narrative framework, inviting readers to consider how these diverse contexts impact their understanding of Shakespeare not merely as a playwright but as a figure deeply embedded in the social fabric of his time.
Nathan Drake
Shakspeare and His Times [Vol. 2 of 2] Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
"Shakspeare and His Times [Vol. 2 of 2]" by Nathan Drake is a historical account written in the early 19th century. The volume explores the life and works of William Shakespeare, including his biography, an analysis of his plays and sonnets, and a look at the cultural, social, and literary contexts of his time. The book offers insights into Shakespeare's relationships, particularly with Lord Southampton, who significantly influenced his early career. The opening of the book delves into Shakespeare's relationship with Lord Southampton, highlighting the young nobleman's patronage and support for Shakespeare's early works, notably "Venus and Adonis" and "The Rape of Lucrece." Drake provides a detailed biographical sketch of Southampton, describing his education, military accomplishments, and tumultuous political life, illustrating how their connection was rooted in both admiration and obligation. The text sets the framework for understanding the complexities of Shakespeare's career, emphasizing the importance of patronage in the Elizabethan era.
William Allan Neilson
The Facts About Shakespeare
"The Facts About Shakespeare" by William Allan Neilson and Ashley Horace Thorndike is a scholarly account written in the early 20th century. This publication aims to provide a comprehensive overview of the life and times of William Shakespeare, exploring his cultural context, biography, and the influences that shaped his works. The authors delve into topics such as Shakespeare's environment in Elizabethan England, his education, and the significant events that marked his life and career. The beginning of this work sets the stage by outlining the sociopolitical and cultural landscape of Shakespeare's England. It describes the significant transformations occurring during his lifetime, including shifts in religion, commerce, and daily living, which contributed to the vibrant atmosphere that influenced Shakespeare's writing. The authors touch upon the broader implications of these changes, such as the rise of individualism and national identity, and introduce the reader to key themes that will shape the discussions in subsequent chapters. They establish that Shakespeare's unique position in society allowed him to observe and reflect the complexities of human nature and societal change in his plays.
Victor Hugo
William Shakespeare
"William Shakespeare" by Victor Hugo is a work of literary criticism written in 1864 during his thirteenth year of exile. Originally intended as an introduction to his son's Shakespeare translations, it expanded into a sweeping examination of history's greatest literary geniuses—from Homer and Dante to Cervantes and Shakespeare himself. Hugo's passionate, idiosyncratic study became more self-revelation than literary analysis, prompting French critics to suggest he should have titled it "Myself." The work includes Hugo's influential argument for a "vast public literary domain."
Samuel Johnson
Preface to Shakespeare
"Preface to Shakespeare" by Samuel Johnson is a critical analysis and commentary on the works of William Shakespeare, written in the mid-18th century. Johnson delves into Shakespeare's literary merit, his understanding of human nature, and the nuances of his storytelling, while also promoting an appreciation for the playwright's timeless relevance in both literature and society. The opening of this work establishes Johnson's intent to critique the common notions surrounding Shakespeare's legacy. He discusses how society often favors the reverence of antiquity over contemporary excellence and investigates the reasons Shakespeare's works continue to endure. Johnson reflects on the nature of Shakespeare's characters, emphasizing their representation of universal human emotions rather than specific traits tied to their contexts. He also critiques the conventions of drama and engages with the historical context of Shakespeare's writing, showcasing his unique ability to blend tragedy with comedy in ways that reflect the realities of life. Through this thoughtful introduction, Johnson sets the stage for a thorough examination of Shakespeare's plays and their enduring significance.
Charles G. (Charles George) Harper
Summer Days in Shakespeare Land
"Summer Days in Shakespeare Land" by Charles G. Harper is a travelogue written in the early 20th century. This work explores Stratford-upon-Avon and the surrounding countryside, emphasizing the significance of Shakespeare's life and surroundings. It delves into various landmarks associated with the playwright and the charm of the rural landscapes that influenced his works. The opening of the travelogue establishes the context of Stratford-on-Avon, a town not historically notable until Shakespeare's connection, and describes its evolution from a quiet settlement to a celebrated destination for literary pilgrims. Harper discusses the rich historical landscape, including insights into the local community and cultural heritage. He critiques contemporary tourist engagements with Shakespearean history, advocating for a deeper appreciation of the less-visited rural byways and local landmarks related to the bard, rather than solely relying on popular attractions. The beginning serves as an introduction to both the geographic and cultural significance of the area, urging readers to explore the true essence of Shakespeare's roots.
Ralph Waldo Emerson
Representative Men: Seven Lectures
"Representative Men: Seven Lectures" by Ralph Waldo Emerson is a philosophical work written during the mid-19th century. This collection of lectures explores the influential figures in human history, examining how their ideas and actions shape society and serve as models for others. Emerson delves into the lives and philosophies of notable personalities such as Plato, Swedenborg, Montaigne, Shakespeare, Napoleon, and Goethe, emphasizing the role of great individuals in driving human progress and understanding. The opening of the text introduces Emerson's view on the significance of great men, stating that humanity's belief in such figures is natural and even poetic. He emphasizes that society derives joy and meaning from these paragons, who serve as lenses through which individuals can grasp complex ideas and aspirations. Emerson discusses the societal impact of these figures, asserting that their thoughts inspire collective action and serve as moral compasses. Through this exploration, he sets the stage for a deeper analysis of each representative figure in the subsequent lectures, revealing how they contribute to a greater understanding of human nature and the fabric of civilization.
Samuel Taylor Coleridge
Shakespeare, Ben Jonson, Beaumont and Fletcher
"Shakespeare, Ben Jonson, Beaumont and Fletcher" by Samuel Taylor Coleridge is a critical examination of the works of these renowned playwrights, written in the late 19th century. This literary work provides detailed notes and lectures analyzing the drama, poetic elements, and characterizations within their plays, focusing particularly on Shakespeare's contributions to the theatrical landscape. Coleridge delves into the intricacies of poetry and drama, exploring the significance of these authors in the evolution of literary expression. The opening of Coleridge’s work lays a foundation for understanding the essence of poetry and its distinctions from other forms of writing, such as science and prose. It begins with a definition of poetry that highlights its role in evoking pleasure and emotional resonance. Furthermore, Coleridge reflects on the characteristics of Greek drama and its evolution into the more complex forms found in Shakespeare's works. He discusses the rich interplay between tragic and comic elements and emphasizes the necessity of audience engagement in drama, setting the stage for deeper analyses of individual plays from Shakespeare and his contemporaries.
Frederick Gard Fleay
A Chronicle History of the Life and Work of William Shakespeare Player, Poet, and Playmaker
"A Chronicle History of the Life and Work of William Shakespeare" by Frederick Gard Fleay is a historical account written in the late 19th century. This work delves into the life and career of the iconic playwright William Shakespeare, examining his public and personal connections with other poets and dramatists of his time. Fleay not only recounts Shakespeare's biographical details but also analyzes the significant influence he had on English literature. The opening of the text sets the tone for a comprehensive examination of Shakespeare's career, emphasizing the importance of understanding his interactions with other figures in the theatrical community. Fleay critiques previous biographers for focusing excessively on trivial aspects of Shakespeare's personal life and instead aims to highlight the public dimensions of his career, such as the nature of the acting companies he was part of and the chronological order of his plays. The thorough introduction serves as a foundation for the detailed exploration of Shakespeare's life and work that unfolds in the subsequent sections of the book.
Henry Norman Hudson
Shakespeare: His Life, Art, And Characters, Volume I. With An Historical Sketch Of The Origin And Growth Of The Drama In England
"Shakespeare: His Life, Art, And Characters, Volume I." by Henry Norman Hudson is a biographical work written in the late 19th century. The book delves into the life, artistic contributions, and dramatic characters of William Shakespeare, providing an in-depth historical context regarding the evolution of English drama. Hudson explores Shakespeare's heritage, personal life, and his significant influence on literature and theater. The opening of the text introduces the subject matter by emphasizing Shakespeare's renowned status as the preeminent figure in literature. It outlines the scant historical documentation surrounding his life and discusses previous attempts at biographical accounts, highlighting their reliance on traditional materials. Hudson begins to trace Shakespeare’s lineage, detailing the lives of his parents, John and Mary Shakespeare, their socioeconomic status, and significant events in their lives that may have shaped Shakespeare's future, including the connections to the burgeoning world of drama in England. This establishes the groundwork for a fuller exploration of Shakespeare's artistic journey and the cultural backdrop against which his works were created.
Thomas De Quincey
Biographical Essays
"Biographical Essays" by Thomas De Quincey is a collection of critical essays produced in the early 19th century. This work examines the lives and influences of significant literary figures, initiating with an exploration of William Shakespeare, aimed at illuminating the complexities and contexts surrounding these historical icons. The opening of the essay focuses on William Shakespeare's life, discussing the scant details of his early years despite his monumental impact on literature. De Quincey reflects on the uncertainty surrounding the precise date and circumstances of Shakespeare's birth, introducing various theories regarding his time of baptism and the connection to his eventual fame. He further analyzes Shakespeare’s familial background, the challenges faced by his father, and the social dynamics of Stratford-upon-Avon, ultimately suggesting that these factors may have shaped Shakespeare's literary career. Through a blend of historical inquiry and literary critique, De Quincey's introductory exploration sets the tone for a deeper examination of Shakespeare's life and legacy.
Sidney Lee
Shakespeare and the Modern Stage; with Other Essays
"Shakespeare and the Modern Stage" by Sir Sidney Lee is a collection of essays written in the early 20th century. This work explores the influence and relevance of Shakespeare's plays in contemporary theatre, examining various aspects of Shakespearean drama, including its representation on the modern stage. It aims to analyze the transition from Elizabethan theatrical practices to those of the early 1900s while advocating for a revival of simpler, more faithful productions of Shakespeare's works. The opening of the book sets the stage by establishing the author's intent and the framework for his discussion. Lee articulates the perception that Shakespeare’s dramatic genius is often overshadowed by modern theatrical practices that prioritize visual spectacle over the text itself. He critiques the prevailing tendency to elaborate productions with scenery and visual effects, arguing instead for a return to the essence of Shakespeare's work that resonates with contemporary audiences. Lee emphasizes the importance of simplicity in staging and the need for skilled actors to convey the depth of Shakespearean themes, making the case for the lasting power of Shakespeare’s plays when presented thoughtfully and effectively.
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