Subject
Singing -- Instruction and study Books
Best books
Emil Behnke
The mechanism of the human voice
"The Mechanism of the Human Voice" by Emil Behnke is a scientific publication written in the late 19th century. This work focuses on the physiology of voice production, offering insights and understanding valuable to both singers and speakers. The author discusses the anatomy and mechanics of the vocal organs, aiming to provide a comprehensive guide that demystifies the complex processes involved in voice creation. At the start of the book, Behnke addresses a contemporary concern regarding the degradation of vocal quality in modern singers and discusses historical changes that may have contributed to this decline. He outlines the basic structure of the human vocal apparatus, likening it to a musical instrument, and emphasizes the importance of proper breathing techniques in vocal training. In doing so, he critiques past teaching methods and offers a more physiological approach based on scientific findings, setting the stage for a detailed exploration of how the mechanics of the voice work.
Harriette Brower
Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others
"Vocal Mastery" by Harriette Brower is a collection of interviews with renowned singers and vocal coaches, written in the early 20th century. The book features a series of enlightening discussions with celebrated artists like Enrico Caruso, Geraldine Farrar, and Victor Maurel, delving into their personal insights and philosophies regarding the art of singing. It aims to provide valuable advice and methods for those aspiring to master their vocal skills. The beginning of the work introduces the author's motivation in gathering these interviews, emphasizing the challenges of accessing great artists and drawing out their experiences. It highlights the difficulty singers have in articulating the nuances of their craft, as singing is an individual art with deeply personal approaches. The opening segments include a detailed profile of Caruso, recounting his early struggles, rigorous training, and the pivotal moments in his career that led him to vocal mastery, along with his belief in the importance of consistent hard work in achieving success. This sets a tone of inspiration and dedication that permeates the narratives Brower presents throughout the book.
Frank E. (Frank Ebenezer) Miller
The Voice: Its Production, Care and Preservation
"The Voice: Its Production, Care and Preservation" by Frank E. Miller is a scientific publication written in the early 20th century. The book serves as a comprehensive guide to the physiology and psychology behind effective voice production, specifically aimed at singers and vocal instructors. With a blend of anatomical knowledge and practical experience in singing, the author discusses methods for achieving optimal vocal performance and maintaining vocal health. The opening of the text introduces the reader to the foundational principles of vocalization, emphasizing the necessity of understanding both physiological mechanics and psychological influences in voice production. Dr. Miller argues that voice is a product of intricate physiological action combined with a singer's emotional expression and mental conception of sound. He contrasts outdated teaching methodologies with a modern approach that considers the complexity of vocal mechanics, necessitating a competent vocal instructor who can adapt their teaching to individual needs. Through this introductory framework, the book sets the stage for a detailed exploration of effective breathing techniques, the anatomy of the vocal apparatus, and the interplay between physical and psychological elements essential for mastering the art of singing.
Edmund J. (Edmund John) Myer
The Renaissance of the Vocal Art A Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers of the Singer, through Flexible, Elastic Bodily Movements
"The Renaissance of the Vocal Art" by Edmund J. Myer is a practical study on vocal training written in the early 20th century. The book explores the principles of voice production, emphasizing the importance of natural bodily movements and emotional energy in achieving artistic singing. Myer critiques previous singing methods, advocating for a holistic approach that aligns with nature's laws and enhances the singer's physical, mental, and emotional faculties. The opening of the book introduces readers to Myer's motivation and perspective on vocal art, outlining the evolution of singing techniques from the Old Italian School through the Dark Ages to the modern pursuit of a natural approach. He asserts that previous methods have often relied on artificial practices, hindering vocal freedom and expression. Myer stresses the significance of flexible movements, self-expression, and the development of emotional energy—a concept he describes as the "singer's sensation." This foundation sets the stage for his systematic approach to vocal training, which the following chapters will delve into further.
Millie Ryan
What Every Singer Should Know
"What Every Singer Should Know" by Millie Ryan is a guide for aspiring vocalists published in the early 20th century, specifically in 1910. This book serves as an introductory resource aimed at beginners contemplating the study of voice culture, offering wisdom and practical advice drawn from the author’s extensive experience in music and performance. It addresses various concerns such as the necessity of voice training, the requirements to succeed in opera, and the importance of practice and health in achieving vocal excellence. In this book, Ryan emphasizes the significance of cultivating a singing voice and provides insights into various aspects of vocal training, including the selection of a good teacher, overcoming stage fright, and understanding the mechanics of breath control. She offers practical exercises and discusses the importance of mental preparation and emotional expression while performing. Throughout the text, she encourages aspiring singers to set realistic goals, to practice diligently, and to remain patient in their journey toward becoming proficient vocalists. Ryan’s passionate approach fosters an understanding that while talent is important, persistent effort and a solid foundation in the basics of voice culture are crucial for anyone aspiring to become a successful singer.
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