Subject
Strauss, Richard, 1864-1949 Books
Best books
James Huneker
Mezzotints in modern music $b Brahms, Tschaïkowsky, Chopin, Richard Strauss, Liszt and Wagner
"Mezzotints in Modern Music" by James Huneker is a collection of essays on notable composers and their contributions to music, likely written in the late 19th century. The work delves into the complexities and philosophies of various musicians, including Brahms, Tchaikovsky, Chopin, Richard Strauss, Liszt, and Wagner, discussing their styles, influences, and the evolution of music during their eras. Through these essays, Huneker presents an exploration of musical expression, structured form, and emotional depth, offering insights into both the technical and artistic merits of these composers. The opening of the book begins with a reflection on the significance of Johannes Brahms following his death, establishing him as a monumental figure in the landscape of music. Huneker explores Brahms' profound contribution to various musical forms, highlighting his dedication to structure and intellectual rigor while acknowledging the emotional depth embedded in his compositions. The text presents Brahms not as an aloof master but as a deeply human artist, whose works resonate with the experiences and emotions of life. The commentary leads into discussions about Brahms' contrasting relationships with other contemporaneous musicians, setting the stage for a broader examination of the evolving musical scene of the time.
Herbert F. (Herbert Francis) Peyser
Richard Strauss
"Richard Strauss" by Herbert F. Peyser is a biography written in the early to mid-20th century. This work delves into the life and contributions of the renowned composer Richard Strauss, exploring his musical evolution from childhood through to his prominence in the classical music scene. The biography provides insights into his relationships, influences, and the socio-cultural context within which he created his musical masterpieces. In this comprehensive account, Peyser navigates Strauss's early years, beginning with his birth in Munich in 1864, where his family's musical background played an instrumental role in shaping his talents. The narrative follows Strauss through various phases of his career, highlighting important works such as "Salome," "Elektra," and "Der Rosenkavalier." It chronicles his relationships with prominent musicians and composers, including his complicated relationship with his father, and details how his experiences influenced his compositions. As the biography progresses, readers are introduced to Strauss's collaborations with librettist Hugo von Hofmannsthal, leading to significant operatic successes. Ultimately, the book portrays Strauss not only as a musical genius but also as a figure who navigated personal and professional challenges throughout his life.
Daniel Gregory Mason
Contemporary Composers
"Contemporary Composers" by Daniel Gregory Mason is a critical examination of composers from the late 19th to early 20th century, likely written in the early 20th century. The book explores the impact of evolving social conditions on music, focusing on composers like Richard Strauss, Sir Edward Elgar, and Claude Debussy. Mason argues that many modern tendencies in music are a departure from the emotional depth valued in earlier works. At the start of the work, the author contemplates the connections between contemporary music and the broader social changes of the time, suggesting that the democratization of music has resulted in a divide between refined artistic standards and public taste. He reflects on how the patronage system has shifted, leading to a blend of higher and lower musical expressions and explores the implications of this shift for the future of music, emphasizing a need to return to deeper emotional and artistic expressions. This opening sets the tone for a thoughtful critique of modern musical practices against the backdrop of tradition and emotional integrity.
Ernest Newman
Musical Studies
"Musical Studies" by Ernest Newman is a collection of essays written in the early 20th century. The work provides an in-depth exploration of various composers and musical concepts, alongside critical discussions surrounding the music of figures like Hector Berlioz, Richard Strauss, and others within the context of Romanticism. By examining both historical and biographical elements, Newman delves into the evolution of musical ideas and their societal implications, making this collection particularly insightful for readers interested in the intersection of music, history, and culture. The opening of "Musical Studies" sets the tone with a preface explaining the origins of the essays, many of which have been adapted from articles previously published in a range of periodicals. Newman addresses the complexities and controversies surrounding the reception of composers like Berlioz, who incites passionate debate regarding his status within the canon of great musicians. He reflects on Berlioz's unique artistic path, marked by originality and a departure from traditional compositional styles, contextualizing it within the broader Romantic movement. Through this groundwork, Newman invites readers to consider the nuances of musical interpretation and the dynamics between composer and audience.
W. J. (William James) Henderson
Modern Musical Drift
"Modern Musical Drift" by W. J. Henderson is a critical examination of contemporary music, particularly focusing on operas, written in the early 20th century. The book delves into the works of notable composers, especially Richard Wagner, while discussing the evolution of musical practices and philosophies in the modern era. Henderson critiques the artistic integrity and depth of these musical compositions and how they reflect on society's relationship with art. The opening of the work sets the stage for a discussion on the eagerly awaited American debut of Wagner's opera "Parsifal" at the Metropolitan Opera House during Christmas time. The author paints a vivid picture of the fanfare surrounding the event, highlighting the extravagant spending and societal expectations associated with it. As the performances commence, Henderson offers his critical perspective, suggesting that "Parsifal" reflects a decline in Wagner's artistic prowess compared to his earlier masterpieces. He critiques the characters and themes presented in the opera, associating them with a lack of human drama and emotional resonance while juxtaposing them with the more engaging sentiments found in Wagner's prior works. The analysis raises questions about the relevance of such modern expressions of music in the light of genuine human experiences.
Edward Clarence Farnsworth
Three Great Epoch-Makers in Music
"Three Great Epoch-Makers in Music" by Edward Clarence Farnsworth is a historical account written in the early 20th century. This work analyzes the contributions of three pivotal composers—Johann Sebastian Bach, Frederic Chopin, and Richard Strauss—each representing distinct stylistic shifts in the evolution of music. Farnsworth seeks to highlight their individual significances and how each serves as a link in the broader chain of musical history. The opening portion of the book lays the groundwork for this examination by dedicating the work to Farnsworth's teacher and mentor, Hermann Kotzschmar. It introduces Bach first, describing him as the foundational figure of modern music, whose works evolved from historical musical traditions. The text also emphasizes the interconnectedness of music's past and future, suggesting that the innovations brought forth by each of these composers were inextricably linked to their precedents and successors. By establishing this framework, Farnsworth prepares readers for a detailed exploration of Bach's life and the lasting impact of his compositions on subsequent generations of musicians.
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