Subject
Table-moving (Spiritualism) Books
Best books
Charles Grafton Page
Psychomancy: Spirit-Rappings and Table-Tippings Exposed
"Psychomancy: Spirit-Rappings and Table-Tippings Exposed" by Charles Grafton Page is a critical treatise written in the mid-19th century. The work delves into the phenomena of spirit communications and table movements, dismissed by the author as illusions rooted in human deception rather than genuine supernatural occurrences. Page argues against the credulity of society in regard to these practices, asserting they are little more than frauds perpetuated by charlatans for profit. The opening of the text sets a provocative tone, as Page challenges the widespread belief in spirit-rappings and table-tippings. He provides vivid descriptions of his own investigations into these practices, denouncing them as mere tricks executed by fraudsters, particularly the Fox sisters, who were among the first to popularize spiritualism in America. Through a series of experiments and observations, he strives to uncover the mechanics behind these phenomena, consistently attributing their origins to human agency rather than otherworldly forces. Page's writing is impassioned, urging readers to critically evaluate such miraculous claims through the lens of logic and science.
George Cruikshank
Second Edition of A Discovery Concerning Ghosts With a Rap at the "Spirit-Rappers"
"Second Edition of A Discovery Concerning Ghosts" by George Cruikshank is a whimsical critique of supernatural beliefs, written in the mid-19th century. The text engages with the popular fascination surrounding ghosts and spirit phenomena, advocating for a rational and skeptical approach to such claims. Cruikshank employs sarcasm and humor, setting the stage for a discourse that investigates the credibility of historical ghost sightings and the cultural impact of ghost stories. The opening of the work introduces Cruikshank's position as a challenger of ghostly claims, asserting that he intends to debunk the myths surrounding spirits. He humorously critiques the long-standing traditions and stories associated with ghostly apparitions, referencing works by notable authors and playwrights to illustrate inconsistencies in ghost portrayals. He lays out his argument against the existence of ghosts, suggesting that ghostly appearances are often mere fabrications or misunderstood natural occurrences, while using clever illustrations and anecdotes to engage readers on this vexing subject.
Recently surfaced classics