Subject
Theater -- Great Britain -- History Books
Best books
Dr. (John) Doran
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
"Their Majesties' Servants" by Dr. Doran is a historical account written in the late 19th century. The book provides an expansive analysis of the evolution of the English stage, focusing on notable figures from Thomas Betterton to Edmund Kean. It chronicles the cultural and social contexts surrounding theatrical performances and actors throughout English history, reflecting on the significance of these individuals in the development of theater as an art form. At the start of the text, the author discusses the historical emergence of drama, highlighting its ancient roots from various cultures, including the Greeks, Romans, and early English practices. Doran emphasizes the tension between theatre and authority, noting how religious and social critiques impacted the actors and the recognition of theater as a legitimate profession. The opening chapters set the framework for exploring the complex historical narratives that influenced the English stage, providing a foundation for the detailed accounts of actors, their craft, and the evolution of performance arts that follow in the subsequent chapters.
Dr. (John) Doran
"Their Majesties' Servants." Annals of the English Stage (Volume 3 of 3)
"Their Majesties' Servants: Annals of the English Stage (Volume 3 of 3)" by Dr. Doran is a historical account likely written in the late 19th century. This volume presents a detailed exploration of the English theater landscape, focusing on key figures and developments from the 18th century, particularly the shift in tragedy and comedy during a crucial period in dramatic literature. The book appears to delve into the lives and careers of significant playwrights and actors, capturing the evolution of theatrical culture. The opening of the book discusses the decline of tragic literature from the era following Shakespeare, with a noticeable lack of progress among tragic poets until the advent of new influences in the late 18th century. It contrasts this with the vibrant development of comedic works, spotlighting successful plays and playwrights of the time, such as Sheridan, who produced enduring classics like "The School for Scandal." This section sets the stage for an in-depth examination of theatrical figures and their contributions, including references to famous actors and the changing dynamics of audience engagement in the theater.
Dutton Cook
A Book of the Play Studies and Illustrations of Histrionic Story, Life, and Character
"A Book of the Play" by Dutton Cook is a collection of studies and illustrations relating to theatrical life and history, written in the late 19th century. This work delves into various aspects of the British Theatre, recounting details and curiosities that are often overlooked by more traditional historians of the stage. It aims to entertain and educate those interested in the intricacies of playwriting, performance, and the societal impacts of theatre throughout history. The opening of the book presents a reflective overview of the playgoing experience, tracing the evolution of audiences and their perceptions of theatre from its origins with early players like Thespis to the attitudes of contemporary theatre-goers. Cook discusses the nostalgia of older audiences who often lament a perceived decline in theatrical quality, contrasted with the enthusiasm of youth who are enthralled by the magic of performance. Through anecdotes and historical references, he explores the relationship between audiences and performers, as well as the changing cultural significance of theatre across time. This introduction establishes a foundation for the subsequent chapters, which promise to provide further insight into various facets of theatrical practice and history.
Dr. (John) Doran
"Their Majesties' Servants." Annals of the English Stage (Volume 2 of 3)
"Their Majesties' Servants: Annals of the English Stage" by Dr. Doran is a historical account written in the late 19th century. This volume, part of a three-volume series, explores the lives and careers of notable actors and actresses in English theater from the time of Thomas Betterton to Edmund Kean. The book particularly delves into the stage's evolution, highlighting prominent figures and productions that shaped the artistic landscape of the era. The opening of the work introduces the character of Anne Oldfield, a gifted actress who embodies the spirit of her time. We see her as a young seamstress, whose enchanting readings capture the attention of Captain Farquhar, who predicts her potential as a leading actress. This sets the tone for a narrative rich in theatrical history and personal stories, covering Oldfield's rise to prominence, her groundbreaking performances, and how she captivated audiences with her talent. The beginning serves not only as a biographical snapshot but also as an invitation to explore the broader cultural significance of theater during this transformative period.
Charles Kingsley
Plays and Puritans
"Plays and Puritans" by Charles Kingsley is a collection of historical essays written during the late 19th century. The text delves into the interplay between art and religion during the era of the Puritans in England, focusing on their contentious relationship with theatrical plays and the dramatic arts. Kingsley explores how societal attitudes towards art were shaped by the Puritan ethos and critiques perceptions of the period as a golden age of art-making. At the start of the work, Kingsley provides a contextual framework, discussing the pervasive notion of "Art" in British society and how many believe that the artistic expressions of the period were stifled by Puritanism. He outlines the historical undercurrents driving this conflict, reflecting on the decline of the English stage and the moral implications surrounding the representations of vice in dramatizations. Kingsley emphasizes the need for critical examination of historical sources to understand the dynamics at play, arguing that Puritan opposition to theatrical works stemmed from a genuine concern over moral decay rather than mere fanaticism. This sets the stage for an exploration of both artistic expression and the ethical ramifications it carries in a changing society.
John Falstaffe
The Theater (1720)
"The Theater" by Sir John Falstaffe is a collection of literary essays written in the early 18th century. This work serves as a continuation of Richard Steele's periodical of the same name, capturing the essence of the socio-cultural landscape during this period. The essays are marked by witty reflections on various subjects, showcasing Falstaffe's style and knowledge, as well as the social concerns of his time. At the start of the text, the narrator introduces himself as "Sir John Falstaffe," explaining his role as the executor of the late Sir John Edgar's will, and humorously engaging with the reader about the nature of wit and the persona of authors. The opening segment hints at a friendly rivalry with Richard Steele, as Falstaffe acknowledges their previous encounters in print. The first essay discusses the legacy of Edgar, recounting the peculiarities of his will while offering a critique of contemporary society’s follies such as stock-jobbing and dueling, thereby establishing the tone for the insightful and satirical examination of 18th-century life that follows in the rest of the collection.
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