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Turner, J. M. W. (Joseph Mallord William), 1775-1851 Books
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A. J. (Alexander Joseph) Finberg
Turner's Sketches and Drawings
"Turner's Sketches and Drawings" by A. J. Finberg is a historical account written in the early 20th century, specifically drawing from the late 19th century to early 20th century. This work delves into the artistic journey of the renowned landscape painter J.M.W. Turner, focusing on his sketches and drawings, which are seen as fundamental stepping stones in the development of his celebrated masterpieces. The text seeks to illuminate the creative process behind Turner's art, exploring the varying phases of his artistic evolution and the influences that shaped his unique vision. The opening of the book establishes the framework for Finberg's study, asserting that Turner's sketches and drawings must be understood as essential elements of his artistic expression rather than mere preliminary works. Finberg outlines his method of analysis, describing how he has organized Turner's career into distinct phases for clarity in studying the evolution of his work. He introduces the reader to Turner's early years—his apprenticeship, influences from other artists, and the gradual transition from detailed topography to a more subjective and emotional interpretation of nature. The text emphasizes the significance of understanding the relationship between Turner's sketches and his finished works to appreciate fully the depth of his artistry.
C. Lewis (Charles Lewis) Hind
Turner's Golden Visions
"Turner's Golden Visions" by C. Lewis Hind is a detailed account of the life and work of the renowned English painter J.M.W. Turner, written in the early 20th century. The book explores the evolution of Turner’s artistic vision, emphasizing his journey from early sketches to his grand masterpieces, while celebrating the profound effect he had on landscape painting. It provides insights into both his personal life and the development of his art during pivotal periods of his career. The opening of "Turner's Golden Visions" introduces a young boy who discovers Turner’s work in the National Gallery, particularly captivated by the painting "View of Orvieto." The boy reflects on Turner's ability to evoke emotions through his art, suggesting that Turner was more an interpreter of sublime visions than a mere realist. As the boy grows into a man, he becomes increasingly fascinated with Turner’s life and artistic journey, exploring how his unique experiences shaped his creations. Turner's dual nature as an artist—part genius, part tradesman—is also hinted at, suggesting an intriguing complexity that will be unraveled further throughout the text.
A. J. (Alexander Joseph) Finberg
Early English Water-Colour Drawings of the Great Masters
"Early English Water-Colour Drawings of the Great Masters" by A. J. Finberg is a collection of art criticism and exhibition catalogues written in the early 20th century. The text focuses primarily on the significant works of British artists who excelled in watercolour painting, particularly the renowned J.M.W. Turner, alongside discussions of his predecessors and contemporaries. The book aims to highlight the historical context of these artworks and promote a deeper appreciation of watercolour as a vital artistic medium. The opening of this work serves as an introduction to the importance of Turner and his contributions to watercolour painting. It discusses a remarkable exhibition held in 1919 that featured a selection of Turner's creations along with pieces from other influential artists. Finberg articulates the public's appreciation for watercolours during a time when they were often overshadowed by oil painting, emphasizing the exhibition's role in educating and engaging the audience with Turner's masterpieces and the works of those who came before and alongside him. The introductory remarks set the stage for a detailed exploration of individual works, showcasing their technical mastery and the emotional resonance they carry.
J. M. W. (Joseph Mallord William) Turner
The Water-Colours of J. M. W. Turner
"The Water-Colours of J. M. W. Turner" by W. G. Rawlinson and A. J. Finberg is an art collection and analysis published in the early 20th century. This work examines and reproduces the masterful water-colour drawings of renowned British artist J. M. W. Turner, whose artistic career spanned the late 18th to the mid-19th century. The book likely delves into Turner's artistic evolution and importance within the realm of landscape painting, providing insights into his techniques and influences. The opening of the book includes a foreword by Sir Charles Holroyd, who praises the reproductions of Turner's watercolours as unparalleled representations of the originals. He expresses a desire for the widespread publication of Turner's works to enhance appreciation for his genius and highlights the precision of Turner's depictions of nature, drawn from direct observation. Following this, Rawlinson offers a detailed account tracing the development of Turner's art, indicating the unique characteristics of his water-colours, particularly noting how they differ from his oil paintings and the influences that shaped his style throughout his career. The text establishes a foundation for understanding Turner's work, emphasizing his commitment to capturing the essence of natural beauty through innovative techniques.
John Ruskin
Lectures on Architecture and Painting, Delivered at Edinburgh in November 1853
"Lectures on Architecture and Painting, Delivered at Edinburgh in November 1853" is a collection of lectures focusing on the principles of architecture and painting, likely written in the mid-19th century. This work emphasizes the importance of thoughtful and aesthetically pleasing architecture, particularly in relation to the historical context of cities like Edinburgh. The lectures aim to inspire an appreciation for architectural beauty and deliberate design, urging a rejection of dull and monotonous building styles. The opening of the text presents a preface outlining the purpose of the lectures and introduces a discourse on architecture delivered to the citizens of Edinburgh. The speaker reflects on the city's architectural pride and urges citizens to take responsibility for the quality of their buildings. He contrasts Edinburgh’s architectural achievements and the beauty of its surroundings with the failures of modern architecture that lack character and individuality. By calling attention to the weaknesses of contemporary design and advocating for a more creative and engaged approach, the speaker sets the stage for further exploration of architectural principles, focusing on the significance of styles and methods that resonate with both beauty and strength.
A. J. (Alexander Joseph) Finberg
Turner's Water-Colours at Farnley Hall
"Turner's Water-Colours at Farnley Hall" by A. J. Finberg is an art historical account written in the early 20th century. The work delves into the personal relationship between the renowned English painter J.M.W. Turner and his patron Mr. Walter Fawkes, exploring their connections primarily through the collection of water-colour artworks at Farnley Hall. This detailed examination highlights not only the artistic exchanges but also the socio-cultural context surrounding these creations during the late 18th to early 19th centuries. The opening of the text outlines the initial acquaintance between Turner and Fawkes, speculating on their first meeting around the year 1802 in Yorkshire, although evidence suggests their connection was rooted in Turner's works inspired by Switzerland. It introduces Fawkes as a significant patron who acquired Turner’s water-colours and oil paintings, while also detailing various memorable incidents during Turner’s visits to Farnley Hall. The author indicates that the relationship fostered a fruitful artistic collaboration, culminating in a remarkable collection of works that continue to be valued today. The foundation is set for an exploration of both the art and the personal dynamics that influenced Turner's creations in this period.
W. Cosmo (William Cosmo) Monkhouse
Turner
"Turner" by W. Cosmo Monkhouse is a biographical account focusing on the life and art of the renowned painter J.M.W. Turner, written in the late 19th century. This biography aims to weave together events and anecdotes that illustrate Turner's unique character and artistic genius, contrasting his lonely and often troubled personal life with the brilliance of his artistic output. The opening of the biography sets the tone for the complexity of Turner's character, depicting him as an artist who, much like the works he produced, was marked by a deep sensitivity to nature yet a lack of social grace. Monkhouse reflects on Turner's seclusion and the challenges he faced in communicating his thoughts and emotions, revealing a man whose artistic imagination flourished as he withdrew into himself. The introduction mentions Turner's beginnings, his formative years, and the early influences that shaped his burgeoning talent, hinting at the struggles he encountered in balancing his artistic pursuits with his solitary lifestyle. This opening establishes a compelling portrait of Turner, intriguing readers with the promise of an in-depth exploration of both the painter's work and his enigmatic persona.
C. Lewis (Charles Lewis) Hind
Turner: Five letters and a postscript.
"Turner: Five Letters and a Postscript" by C. Lewis Hind is a biographical exploration of the life and works of the eminent English painter J.M.W. Turner, created in the early 20th century. The book delves into Turner's artistic evolution and his innovative approaches to landscape painting, which significantly impacted the course of art history. It provides insight into his personality, creative impulses, and the artistic philosophies that shaped his iconic works. In this reflective collection of letters, Hind discusses Turner's world of art, detailing his journey from early struggles with oil painting to becoming a master of light and color. The author captures Turner’s intense passion for nature and his desire to transcend reality through his work, showcasing his famous pieces alongside lesser-known studies. The narrative offers intimate glimpses into Turner's character, depicting him as both a reclusive genius and a diligent craftsman whose explorations of light influenced Impressionism. Hind's admiration for Turner is evident as he articulates the significance of his contributions to art, emphasizing the lasting legacy that continues to inspire artists today.
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