Subject
Verse satire, Latin -- Translations into English Books
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Juvenal
The Satires of Juvenal, Persius, Sulpicia, and Lucilius Literally translated into English prose, with notes, chronological tables, arguments, &c.
"The Satires of Juvenal, Persius, Sulpicia, and Lucilius" by Juvenal et al. is a classic collection of Roman satirical poetry written in the late 1st century AD to early 2nd century AD. This work features the sharp and critical voices of notable Roman satirists, with Juvenal being one of the most prominent, addressing the societal issues of his time, including corruption, moral decay, and the vices of the elite. The collection serves as both a historical reflection and a literary exploration of human folly and societal shortcomings. The opening of this compilation introduces various contexts, including the life and works of Juvenal, revealing his journey as a poet during the oppressive reign of Emperor Domitian. It highlights how his experiences, particularly his exile, influenced his biting style and themes centered on tyranny and hypocrisy. The preface emphasizes the lack of faithful prose translations prior to this one and sets the stage for the accompanying metrical versions of Juvenal and Persius. The translator expresses a deep admiration for the original poets and a desire to convey their literary spirit, offering insights and critiques that will guide readers through the often complex and layered verses that follow.
Horace
The Satires, Epistles, and Art of Poetry of Horace
"The Satires, Epistles, and Art of Poetry of Horace" by Horace is a collection of Roman satirical poetry likely written in the 1st century BC. This work presents Horace’s reflections on various themes, including human nature, happiness, morality, and the art of writing. The collection is known for its wit and deep understanding of social dynamics, showcasing Horace's keen observations of both personal and societal behaviors. The opening of the text introduces commentary on the nature of contentment and the universal tendency to envy others. Horace engages in a dialogue with his patron Maecenas, pondering why individuals seem perpetually dissatisfied with their own lives, often yearning for the fortunes of others. He reflects on contrasting lifestyles—from soldiers to merchants—and critiques the folly in such discontent, advocating instead for an appreciation of what one has. This introductory satire sets the tone for subsequent explorations of virtue, vice, and the complex web of human interaction, underscoring Horace's dual role as both observer and commentator on the human condition.
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