Subject
Wit and humor -- History and criticism Books
Best books
A. G. K. (Alfred Guy Kingan) L'Estrange
History of English Humour, Vol. 2
"History of English Humour, Vol. 2" by A. G. K. L'Estrange is a scholarly examination of humor in English literature written in the late 19th century. The work delves into various aspects of English humor through detailed analysis of prominent writers, their styles, and the evolution of comedic forms such as parody and burlesque. The author's intent is to shed light on how humor has been reflected across different eras and genres, showcasing a wide range of works and their implications within society. The opening of this volume introduces the concept of burlesque and parody, explaining their roles in humor through the lens of notable figures like John Philips, Alexander Pope, and Ambrose Philips. L'Estrange discusses significant parodies such as the "Splendid Shilling," highlighting how these literary forms have created connections between societal observations and personal grievances. He sets the stage for exploring additional chapters dedicated to the works of other humorists, emphasizing how humor can serve both as entertainment and as a mirror to societal norms and conditions.
A. G. K. (Alfred Guy Kingan) L'Estrange
History of English Humour, Vol. 1 With an Introduction upon Ancient Humour
"History of English Humour, Vol. 1" by A. G. K. L'Estrange is an analytical exploration of humorous literature and its evolution written in the late 19th century. The primary focus of this volume is on the origins of humour, weaving through ancient civilisations, Greek and Roman comedic traditions, and into the early development of English humour. L'Estrange aims to uncover the subjective nature of the ludicrous, the different phases of laughter, and the mental characteristics that distinguish humour from mere silliness. The opening portion lays the foundation for this comprehensive study by examining the elusive nature of humour and its general neglect in serious philosophical discourse. L'Estrange discusses how the ludicrous—often fleeting and difficult to define—has been largely overlooked by scholars, despite its significant emotional impact on human interaction. He delves into the psychological aspects of laughter, emphasizing the necessity of understanding humour as stemming from our mental constitution rather than merely from the external world. By presenting both historical and philosophical frameworks, the text sets a compelling stage for exploring how humour developed across different cultures, leading ultimately to English comedic forms.
William Carew Hazlitt
Studies in jocular literature : $b A popular subject more closely considered
"Studies in Jocular Literature: A Popular Subject More Closely Considered" by W. Carew Hazlitt is a scholarly examination of humor and anecdotal literature written in the late 19th century. This work explores the origins, significance, and various forms of jest and anecdote throughout history, illustrating how they reflect societal conditions and cultural contexts. Hazlitt delves into literary and historical perspectives, presenting a vision of humor as a vital aspect of human expression that transcends mere amusement. The opening of the book serves as an introduction to the importance and utility of jests and anecdotes. Hazlitt describes how humor was historically recognized as a valuable social asset, evident in the privileges afforded to jesters and humorists by monarchs. He also touches on the evolution of humor from oral traditions to printed collections, arguing that what may initially seem trivial on the surface reveals deeper cultural and historical narratives upon closer inspection. In this way, the text sets the stage for a comprehensive exploration of the various manifestations of jocular literature, positioning humor as both a reflection of human experience and a critical lens through which to view society.
Luigi Pirandello
L'umorismo
"L'umorismo" by Luigi Pirandello is a philosophical essay written in the early 20th century. The text delves into the concept of humor, elaborating on its nuances and exploring how it has been perceived differently over time and across cultures. Through a critical lens, the author engages with historical interpretations and definitions of humor, presenting an analysis of its complex relationship with irony and societal perceptions. The opening of "L'umorismo" introduces the reader to the intricate etymology and shifting meanings of the term humor, with Pirandello referencing various literary figures and philosophers, such as Alessandro D’Ancona, to illustrate the historical context of humor in literature. He discusses the transformative effects of cultural perspectives on humor and emphasizes the difference between superficial perceptions and deeper philosophical understandings. Throughout this initial section, Pirandello sets the stage for a more profound inquiry into what constitutes true humor, its essence, and its societal role, signaling a thoughtful analysis that invites readers to reconsider their own interpretations of humor.
Theodor Lipps
Komik und Humor: Eine Psychologische-Ästhetische Untersuchung
"Komik und Humor: Eine Psychologische-Ästhetische Untersuchung" by Theodor Lipps is a scientific publication written during the late 19th century. The book delves into the psychology and aesthetics of humor and comedy, aiming to analyze various theories surrounding comedic feelings and their impact on human emotion and perception. The opening of the work introduces Lipps' intent to expand on his previously published essays on the psychology of comedy. He emphasizes the importance of understanding the psychological analysis behind comedic effects and proposes to explore general properties and forms of comedy rather than focusing on specific artistic representations or works. Through this analytical approach, Lipps critiques existing theories, particularly Hecker's concept of emotional conflict as a basis for humor, suggesting that the feelings of humor cannot be solely defined by a contest between joy and displeasure. The text sets the stage for an in-depth exploration of comedy, emotion, and aesthetic experience, probing into how various types of comedic phenomena emerge from our psychological states.
Corbyn Morris
An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744)
"An Essay towards Fixing the True Standards of Wit, Humour, Raillery, Satire, and Ridicule" by Corbyn Morris is a philosophical essay written in the early 18th century. The work aims to clarify the distinctions and meanings of various literary concepts, primarily focusing on wit and humour. Morris seeks to provide precise definitions and examples, critiquing the inadequacies of previous definitions put forth by notable authors like Dryden, Locke, and Addison. The opening of the essay sets the stage for Morris's exploration of these themes by acknowledging the complexity of defining wit and humour. He argues against a mere acceptance of earlier works and emphasizes the necessity for original inquiry to advance literary understanding. Morris also introduces key concepts and offers a comparison of familiar examples from literature that demonstrate the nuances between wit and humour, laying a foundation for his exploration and criticism of established literary figures and definitions. The initial chapters create a compelling narrative that invites readers to consider the nature of these artistic expressions and their relevance in literature and society.
Georg Friedrich Meier
Gedancken von Schertzen
"Gedancken von Schertzen" by Georg Friedrich Meier is a philosophical treatise written in the mid-18th century. The book explores the nature of humor, examining what constitutes a good joke and how they can be critiqued. Meier aims to refine the taste of his compatriots in humor, arguing for a nuanced understanding of what makes a joke truly effective and palatable. The opening of the work presents Meier's reflections on the significance of improving the taste for humor among his readers. He acknowledges the challenge of addressing humor with the same seriousness reserved for other forms of artistic expression. Moreover, Meier delineates between various types of humor and the critical frameworks through which they should be evaluated, suggesting that good humor requires both wit and an understanding of aesthetic principles. He introduces the idea that a well-crafted joke must be new and unexpected to maintain its charm, thereby setting the stage for a deeper exploration of humor throughout the treatise.
Júlio César Machado
Da Loucura e das Manias em Portugal
"Da Loucura e das Manias em Portugal" by Júlio César Machado is a humorous and critical examination of mental health and societal attitudes towards madness, written in the late 19th century. The work explores the lives and experiences of the mentally ill within the context of a psychiatric hospital in Portugal, revealing the nuances of human behavior and the impact of societal norms on perceptions of sanity and insanity. The opening of the work introduces us to the environment of Rilhafolles, a mental institution, painting a vivid picture of its gardens and the people within. The author contrasts the vibrancy of nature outside with the somber atmosphere inside, where individuals display various forms of mental illness, from melancholic reflections to whimsical behaviors. These initial descriptions set the stage for a deeper exploration of the complexities of mental health, showcasing the diverse personalities of the patients and laying a foundation for the overarching themes of societal observation and critique that permeate the text.
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