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Young women -- Drama Books
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Steele MacKaye
Pride and Prejudice, a play founded on Jane Austen's novel
"Pride and Prejudice" by Mrs. Steele Mackaye, founded on Jane Austen's novel, is a play written in the early 20th century. This adaptation retains the spirit of Austen's original story, focusing on themes of love, class, and societal expectations as experienced by its central characters, particularly Elizabeth Bennet and Mr. Darcy. Through witty dialogue and a critique of social norms, the play explores the complexities of relationships with humor and insight. The opening of the play introduces the Bennet family at their residence, Longbourn, where Mrs. Bennet excitedly informs Mr. Bennet of the arrival of Mr. Bingley, a wealthy bachelor who could potentially marry one of their daughters. The conversation quickly reveals Mrs. Bennet's persistent aspiration to secure advantageous marriages for her daughters, highlighting the pressures of societal expectations. Elizabeth and Jane, the two elder Bennet sisters, are characterized through their exchanges, showcasing Elizabeth's spirited nature and Jane's gentility. The encounter also foreshadows the dynamics between the Bennets and their new neighbors, particularly the proud Mr. Darcy and the charming Mr. Wickham, setting the stage for the intricate interplay of love and pride that unfolds throughout the story.
Jean Webster
Daddy Long-Legs : $b A comedy in four acts
"Daddy Long-Legs: A Comedy in Four Acts" by Jean Webster is a stage play written in the early 20th century. This work is a comedic drama centered on the life of a spirited orphan named Judy Abbott and her unexpected benefactor. The play explores themes of social class, philanthropy, and personal transformation as Judy's fortunes change through education and mysterious support. Key characters include the orphan Judy, the stern Mrs. Lippett, kind-hearted Miss Pritchard, and Jervis Pendleton, a trustee with a hidden interest in Judy's future. The opening of the play introduces the audience to the John Grier Home orphanage, its somber and restrictive environment, and the daily struggles of the children—most notably, Judy Abbott. Judy stands out as intelligent, rebellious, and full of life, in contrast to the institution's rigid order. During the chaos of Trustees’ Day, Judy’s actions and fiery spirit draw the attention and criticism of the adults, but also the notice of Mr. Pendleton, who is convinced—after a passionate outburst from Judy—to fund her college education anonymously. The act ends with Judy’s elation at her new opportunity and her creation of the nickname "Daddy Long-Legs" for her mysterious patron, setting the stage for her journey beyond the orphanage.
Rabindranath Tagore
Red oleanders : $b A drama in one act
Translation of রক্তকরবী (Raktakarabī).
Eugene O'Neill
Anna Christie
"Anna Christie" by Eugene O'Neill is a play written in the early 20th century. This dramatic work revolves around the life of Anna Christopherson, the daughter of a coal barge captain, as she reunites with her estranged father while navigating the complexities of her troubled past and the harsh realities of life. The interactions between Anna, her father Chris, and Mat Burke, a stoker, delve into themes of familial bonds, societal expectations, and the quest for personal redemption. At the start of the play, we find ourselves in "Johnny-The-Priest's" saloon in New York City. Chris Christopherson, who enters in a drunken state, is filled with joy upon receiving a letter from his daughter Anna, who is coming to see him after many years apart. As Chris relishes the prospect of their reunion, we are introduced to Anna, who arrives looking worn and weary. The initial exchanges between Chris and the other characters set the stage for Anna’s complex character—a woman grappling with her identity and past traumas, which are hinted at but not fully revealed. As the scene unfolds, we detect hints of tension and anticipation regarding Anna's impact on Chris's simple life and her possible relationship with the rough and rugged Mat Burke, establishing thematic threads that will run throughout the play.
Edna I. MacKenzie
That Awful Letter: A Comedy for Girls
"That Awful Letter: A Comedy for Girls" by Edna I. MacKenzie is a comedic play written in the early 20th century. The story centers around the themes of snobbery and social class, specifically exploring the interactions between a city girl, Margaret, and her rural cousin, Elizabeth, who is depicted as an unsophisticated country girl. The play captures the humor that arises from misunderstandings and character contrasts, making it a lighthearted exploration of societal pretensions and prejudices. The plot unfolds as Margaret is compelled by her father to invite her country cousin Elizabeth to visit her in the city. However, Margaret, concerned about Elizabeth's lack of sophistication potentially harming her social status, concocts a letter laden with snobbery to deter her. Unbeknownst to Margaret, Elizabeth sees through the rudeness of the letter and decides to accept the invitation with a plan to play the part of the awkward cousin. As Elizabeth arrives, the comedic situations escalate due to her unexpected confidence and charm, ultimately revealing that she is not as uncultured as Margaret assumed. The play culminates in moments of self-reflection for Margaret, who learns lessons about humility, friendship, and the value of authenticity over social status.
Clifford Bax
Square Pegs: A Rhymed Fantasy For Two Girls
"Square Pegs: A Rhymed Fantasy For Two Girls" by Clifford Bax is a theatrical play written in the early 20th century. This whimsical work, presented in rhymed verse, captures a dialogue between two characters—Hilda, a modern girl from the Twentieth Century, and Gioconda, a Venetian girl from the Fifteenth Century. The play explores themes of time travel and the comparison of romantic notions across different eras. The story unfolds in an enchanted garden where Hilda and Gioconda meet, each yearning to escape their own time for the adventures of the other. As they share their woes regarding love, their conversations reveal the stark contrast between modern and historical romantic expressions. Hilda is disenchanted with her suitor's mundane and slangy proposal, while Gioconda finds herself frustrated by the limitations of her own age’s social conventions. Their bond deepens as they role-play their respective lovers, leading to a humorous and poignant realization that love's essence transcends time, ultimately concluding with both girls deciding to embrace their own lives with renewed appreciation.
Edna I. MacKenzie
Susan Gets Ready for Church: A Monologue
"Susan Gets Ready for Church: A Monologue" by Edna I. MacKenzie is a comedic monologue likely written in the early 20th century. The book is a theatrical piece that captures the frantic morning routine of an ordinary girl named Susan as she prepares for church on a Sunday. The narrative unfolds through Susan's humorous and relatable thoughts and dialogues, providing insight into her character and the cultural context of the time. In the monologue, Susan's life is depicted as typical for a young girl in a domestic setting. She rushes through her morning preparations, expressing comedic frustrations with everything from her cold breakfast to finding her missing gloves. Throughout the piece, she interacts with her family members, showcasing a blend of sarcasm and everyday challenges. The humor shines through her commentary on the expectations of attending church and the pressures of appearances, especially concerning a new hat, which reflects societal values and adolescent concerns. The piece highlights the universal theme of balancing personal desires with family obligations, all delivered with a lighthearted touch.
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