Author
José de Almada Negreiros
1893-1970
José de Almada Negreiros (1893-1970) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by José de Almada Negreiros
Orpheu Nº1 Revista Trimestral de Literatura
"Orpheu Nº1" by José de Almada Negreiros et al. is a literary magazine published in the early 20th century, specifically 1915. This work serves as a significant quarterly collection of poetry, drama, and prose from various prominent Portuguese and Brazilian writers, showcasing a rich tapestry of cultural and artistic expression. The magazine aims to present a curated selection of literary revelations, focusing on beauty and the unique artistic temperament of its contributors. The opening of "Orpheu Nº1" introduces the magazine's purpose and aesthetic philosophy, articulated through an introduction by Luiz de Montalvôr. He expresses a desire for the magazine to transcend typical literary forms and conventions, positioning it as a sanctuary for artistic exploration and creativity. The introduction sets a contemplative tone, emphasizing the importance of unity and collective expression among the contributing writers. This is complemented by a diverse table of contents featuring works from notable authors such as Fernando Pessoa, Mario de Sá-Carneiro, and Ronald de Carvalho, promising readers an eclectic mix of perspectives and styles that reflect the vibrancy of the literary scene during this period.
Manifesto anti-Dantas e por extenso por José de Almada Negreiros poeta d'Orpheu futurista e tudo
"Manifesto anti-Dantas e por extenso" by José de Almada Negreiros is a provocative literary manifesto written in the early 20th century. This work can be categorized as a critical essay that serves as a denunciation of traditional literary values and highlights the author's Futurist ideology. It primarily targets the Portuguese literary establishment, which Almada-Negreiros perceives as stagnant and overly reverent to past masters, symbolized by the figure of Dantas, presumably referring to Júlio Dantas, whose literary contributions Almada-Negreiros dismisses as lacking originality and vitality. In the manifesto, Almada-Negreiros expresses a fierce rebellion against the prevailing literary norms, advocating for a new, daring, and dynamic approach to literature that aligns with the modernist spirit of the early 20th century. He presents a vivid critique of Dantas and his contemporaries, depicting them as symbols of complacency and mediocrity in the artistic landscape. Through a blend of acerbic humor and sharp satire, the author calls for a radical transformation in literature that reflects the fast-paced, industrialized world of his time. His passionate rhetoric not only attacks Dantas but also serves to invigorate and embolden new generations of writers to pursue authenticity and innovation, rejecting the stale conventions of the past.
A Invenção do Dia Claro
"A Invenção do Dia Claro" by José de Almada Negreiros is a collection of essays, likely written in the early 20th century. This reflective and philosophical work explores the relationship between humanity, knowledge, and creativity, delving into the nature of existence and the search for personal meaning. The book serves as an initiation for Portuguese readers into the realms of painting and art appreciation, blending personal musings with broader artistic concepts. The narrative unfolds through the author's dialogue, mixing introspection with observation as he contemplates the human condition, the significance of creation, and the role of language and words in human experience. He draws on vivid imagery, reflecting on moments from his childhood, examples of art, and scenes from everyday life, creating a rich tapestry of thoughts. Characters include the reflective author himself, alongside various metaphors for humanity depicted in illustrations. The work grapples with the duality of existence—light and darkness, thought and feeling—culminating in a call for individuals to embrace their own journeys and the unique "fortuna" that life presents them.
A Engomadeira: Novela Vulgar Lisboeta
"A Engomadeira: Novela Vulgar Lisboeta" by José de Almada Negreiros is a fictional novella written in the early 20th century. The work delves into the life of a young woman working as an ironer in Lisbon, showcasing themes of class struggle, social commentary, and the struggle for identity amid societal expectations. The narrative primarily revolves around the protagonist, a stigmatized girl known for her profession, who faces ridicule and judgment from her peers while navigating her humble existence. At the start of the novella, the reader is introduced to the central character through her interactions in a laundromat, illustrating her challenging life and the gossip that surrounds her. The opening scenes paint a vivid picture of her sense of isolation and the scorn she endures from other girls, highlighting her struggles to maintain dignity in a world that often sees her as less than respectable. There are glimpses of her ambitions and the societal pressures she experiences, setting the tone for a deeper exploration of her character and the dynamics of Lisbon's social fabric. This introduction lays the groundwork for a narrative that promises to intertwine personal and societal narratives against the backdrop of early 20th-century Portugal.
Exposição Amadeo de Souza Cardoso - Liga Naval de Lisboa
"Exposição Amadeo de Souza Cardoso - Liga Naval de Lisboa" by Almada Negreiros is a critical essay likely written in the early 20th century. This publication serves as both an artistic commentary and a declaration regarding the significance of Portuguese painter Amadeo de Souza-Cardoso, focusing on his role within the broader context of 20th-century art movements. Negreiros challenges prevailing national attitudes towards art, asserting the necessity for Portugal to engage meaningfully with contemporary global artistic developments. In this text, Almada Negreiros expresses his discontent with what he perceives as a stagnant cultural landscape in Portugal, sharply criticizing traditional views and promoting a new artistic awakening. He argues that Amadeo de Souza-Cardoso exemplifies this awakening, positioning the artist as a vital part of Portugal’s identity in the modern world. Through vivid rhetoric, Negreiros encourages readers to abandon their indifference and embrace the revolutionary spirit of the time, inviting them to view the art presented in the Lisbon exhibition as a crucial testament to Portuguese creativity and intellectual evolution. The piece serves not only as a tribute to Cardoso but also as a manifesto for future artistic endeavors in Portugal.
K4 O Quadrado Azul
"K4 O Quadrado Azul" by José de Almada Negreiros is a literary work that blurs the line between poetry and manifesto, written in the early 20th century, specifically around the years 1917 to 1920. As a significant piece of modernist literature, it explores themes of identity, desire, and the intersection of art and social commentary, revealing a complex tapestry of human emotion and intellect. The book's title hints at a focus on abstraction and possibly geometric or philosophical concepts, suggesting that it navigates profound existential inquiries. The narrative centers on a meditative exploration of the self, an intricate interplay between the protagonist's perceptions and thoughts, often centered around an enigmatic "quadrado azul" (blue square). This motif serves as a focal point for the author's reflections on love, artistry, and the human condition, as the protagonist navigates personal desires, societal norms, and the complexities of existence. Through vivid imagery and innovative language, Almada Negreiros articulates a deep yearning for understanding and connection, embodying a cosmopolitan spirit while grappling with the weight of modern life. The text combines rich sensory experiences with philosophical musings, making it a thoughtful and challenging read for those interested in the intersections of art and existential thought.
A Scena do Odio
"A Scena do Odio" by José de Almada Negreiros is a poetic work produced in the early 20th century. This book combines elements of sensationist poetry with vibrant and sometimes chaotic references to societal issues, emotion, and personal turmoil. The work likely explores themes of hatred, despair, and the human condition against the backdrop of the tumultuous period surrounding the Portuguese revolution of 1915. The piece is characterized by its intense stream-of-consciousness style, reflecting the author's outpouring of emotions and critiques of contemporary society. Almada Negreiros uses visceral imagery and powerful language to express a deep dissatisfaction with the world, targeting various societal structures and individuals. His poetry is imbued with a sense of personal and collective anguish, portraying a relentless struggle against mediocrity, oppression, and existential despair. Through evocative metaphors and rhythmic intensity, "A Scena do Odio" invites readers to confront the darker aspects of life and question their own existence in a society rife with contradictions and pain.
O Jardim da Pierrette
"O Jardim da Pierrette" by José de Almada Negreiros is a theatrical ballet written in the early 20th century. This enchanting piece captures the whimsical and romantic escapades of its characters, primarily focusing on Pierrot, Pierrette, and their companions, against the backdrop of a vibrant garden. The work delves into themes of love, longing, and the playful dynamics of relationships. The story unfolds as Pierrot expresses his despair over not seeing Pierrette, prompting him to find solace in a garden. From his concealed spot, he attempts to catch her attention with stones and flowers. As the playful interactions between Pierrot, Pierrette, and the mischievous Arlequina and Arlequim occur, misunderstandings and gentle rivalries ensue. Ultimately, after a mix of comic antics and heartfelt exchanges, the characters find reconciliation and joy, culminating in a night of celebration and dance. The narrative weaves together elements of comedy and romance, encapsulating the innocence and passion of youthful love.
Litoral A Amadeo de Souza Cardoso
"Litoral" by José de Almada Negreiros is a literary work characterized by its poetic and experimental style, likely written in the early 20th century. This book can be categorized as a collection of poems or poetic prose that captures the essence of coastal life and the intricacies of human emotion, often marked by vivid imagery and exploration of themes such as nature, nostalgia, and identity. The content of "Litoral" unfolds through a stream of consciousness that immerses the reader in a rich tapestry of sensations and experiences associated with coastal living. The verses evoke a sense of place filled with history and personal memory, featuring various characters, local customs, and natural elements. Almada Negreiros blends nostalgia with a modernist aesthetic, as he reflects on the sights and sounds of the sea, invoking a deep appreciation for the beauty and complexity of life at the shore. Through this immersive approach, he engages with both the physical landscape and existential musings, creating a multifaceted portrait of human experience intertwined with the maritime environment.