Author
Vittorio Bersezio
1830-1900
Vittorio Bersezio (1830-1900) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by Vittorio Bersezio
La plebe, parte II
"La plebe, parte II" by Vittorio Bersezio is a social novel written in the late 19th century. The work explores the lives of the working-class characters in Turin, focusing on themes of social struggle and familial bonds. The narrative revolves around the Benda family, particularly the character Francesco, who is grappling with personal turmoil and familial expectations against a backdrop of societal challenges. The opening of the novel introduces a wintry night in Turin, establishing a vivid setting that symbolizes both the external cold and internal conflicts. The protagonist, Francesco, is depicted as a young man filled with moral turmoil and sorrow as he hesitates to return home to his mother after a chaotic evening. His inner thoughts reveal a sense of guilt and concern for how his family will react to his troubled state. Meanwhile, this portion also outlines the dynamics of the Benda household, emphasizing the warmth of family love as embodied by his caring mother, Teresa, who waits anxiously for his return. The narrative foreshadows imminent conflict as Francesco prepares for a duel, setting the stage for dramatic developments in his life and those around him.
La vendetta di Zoe : $b Aristocrazia I
"La vendetta di Zoe: Aristocrazia I" by Vittorio Bersezio is a novel written in the late 19th century. The story unfolds during the vibrant Carnival season in Parma, Italy, around the winter of 1853-1854, capturing the excesses of aristocratic life under the reign of the pitiable Duke Carlo III of Bourbon. The novel centers around the character Alfredo Corina, Count of Camporolle, whose entrance into the world of nobility and romance is complicated by his infatuation with the enigmatic baroness, Zoe. Themes of jealousy, social stratification, and political intrigue are likely to emerge as the plot progresses. At the start of the narrative, we are introduced to the opulent yet morally corrupt atmosphere of the Duke’s court during a packed theater performance. The Duke’s cynicism and lecherous gaze toward the young ballerinas set the stage for the exploration of social dynamics. We meet Alfredo Corina, who, despite his noble lineage and wealth, struggles with feelings of loneliness and a desire for genuine connection. His fascination with the mysterious baroness of Muldorff begins when she captivates his attention from a neighboring box, leading him into a tumultuous journey fueled by passion and jealousy, especially when he discovers that she is entangled in deeper political machinations. This opening portion sets up a complex interplay of romance and intrigue against a backdrop of societal decadence that invites readers to explore the unfolding drama.
La plebe, parte I
"La plebe, parte I" by Vittorio Bersezio is a social novel written in the late 19th century. The narrative delves into the struggles and complexities of the lower class in Turin, particularly focusing on the harsh realities faced by the impoverished. The book explores themes of poverty, societal obligations, and the human condition through various characters, including a mysterious man whose compassion for a starving child highlights the contrasts within society. At the start of the book, the setting is established as a cold and foggy winter night in Turin, where the depths of urban poverty are vividly depicted. The narrative introduces an unnamed man who walks through the squalid streets, lost in thought, encountering the laments of a young boy begging for money. As he engages with the child, we learn of the boy's tragic background—having no parents and sent out to beg by his grandmother. This interaction sparks something within the man, revealing a shared sense of despair and alienation. The opening sets a somber tone, foreshadowing a story that will explore the interconnected lives of the downtrodden and the moral dilemmas faced by those who are more fortunate.
Il segreto di Matteo Arpione : $b Aristocrazia II
"Il segreto di Matteo Arpione: Aristocrazia II" by Vittorio Bersezio is a novel written in the late 19th century. The story revolves around the Sangré family, who come together to commemorate the anniversary of the death of their patriarch, the noble conte-presidente. The events unfold in a somber atmosphere as family members reflect on loss, responsibility, and the complexities of relationships, particularly focusing on the main character, Ernesto Sangré, who emerges as the head of the family. At the start of the novel, the Sangré family gathers in their ancestral home to honor the memory of the recently deceased conte-presidente. The scene is steeped in a sense of tradition and mourning as family members, including Ernesto, freshly returned from military service, engage in rituals of remembrance, such as attending a funeral mass and reflecting on their late father’s life and values. The narrative introduces the relationships between family members, particularly highlighting Ernesto's transition into his new role and his interactions with his younger cousin Giulio, who harbors feelings for Alina, Ernesto's sister. As familial tensions and personal aspirations intertwine, themes of duty, love, and the legacy of their noble lineage begin to emerge, setting the stage for deeper developments in the plot.
La plebe, parte III
"La plebe, parte III" by Vittorio Bersezio is a social novel written in the late 19th century. The book delves into the complex relationships between different social classes in Italy, particularly focusing on the perspectives of the lower classes, as embodied by the character Maurilio, while also examining the viewpoints of the aristocracy through the eyes of the marquis di Baldissero. The opening of the story begins with the marquis di Baldissero reading a manuscript by Maurilio, which raises significant issues regarding social progress, class struggles, and the role of the common people (la plebe) in society. Bersezio presents a philosophical discourse concerning the need for the plebe to transform from a "blind force" into a "conscious and enlightened power." The marquis is intrigued by the ideas expressed in the manuscript, which reflect the tension between the desires of the lower classes and the aristocratic order. This sets the stage for a deep exploration of societal structures, personal ambitions, and the potential for revolution that challenges the existing norms.
Tre racconti: Il cane del cieco - Un genio sconosciuto - Galatea
"Tre racconti: Il cane del cieco - Un genio sconosciuto - Galatea" by Vittorio Bersezio is a collection of short stories written in the late 19th century. The narratives explore themes of human nature, society, and the relationships between people and animals, centering prominently on a blind man and his loyal dog, Azor. The collection promises a reflection on the human condition through poignant storytelling and character development. The opening of "Il cane del cieco" introduces Atanasio, a blind beggar, and his unfortunate but faithful dog, Azor, who endure the harsh realities of life in a small village. Atanasio spends his days seeking alms with Azor by his side, and the two share a deep bond characterized by mutual companionship and a simple understanding of each other's struggles. As the story unfolds, the reader learns about the past that shaped Atanasio and his profound connection with Azor, which serves as a poignant commentary on loyalty, suffering, and the complexities of human emotion amidst societal indifference.
La plebe, parte IV
"La plebe, parte IV" by Vittorio Bersezio is a social novel written in the late 19th century. The book focuses on the life of Maurilio Valpetrosa, who has recently taken up the role of secretary to the Marchese di Baldissero, navigating the complexities of an aristocratic household while grappling with his own aspirations and anxieties. The themes of social class, ambition, and emotional turmoil are thoughtfully explored through Maurilio's interactions with the nobility and his reflections on his past. At the start of the narrative, we see Maurilio settling into his new position at the Marchese's palace. Overwhelmed yet proud of his newfound status, he finds himself in an elegant room, where he contemplates the implications of his appearance and identity—a "new Maurilio." As he prepares for a dinner with the Marchese's family, his thoughts shift between his ambition and his hidden feelings for the noble Virginia, revealing both his insecurities and the flickering hope that he may uncover truths about his birth. The opening also hints at impending conflicts, particularly surrounding Virginia’s previous interactions with Francesco Benda, potentially setting the stage for dramatic developments in both Maurilio’s personal life and the larger social context of the story.
La testa della vipera
"La testa della vipera" by Vittorio Bersezio is a novel written in the late 19th century. The story unfolds against a backdrop of social intrigue, focusing primarily on the troubled life of Lorenzo Lograve, a man grappling with the consequences of his gambling addiction and a complex relationship with his wife, Luisa, and his manipulative governess, Marianna. The opening of the novel introduces us to a tense moment where Lorenzo is engrossed in a late-night card game, unaware of the catastrophic state of affairs awaiting him at home. A servant announces that a woman is desperately seeking him, revealing that his wife is gravely ill. The narrative quickly transitions from the smoky atmosphere of the club to the ominous silence of his home, where Lorenzo's indifference ultimately culminates in tragedy. This early section sets the stage for a deeply emotional exploration of loss, guilt, and the impact of selfish choices, hinting at the dark and turbulent journey ahead for the characters involved.
La carità del prossimo
"La carità del prossimo" by Vittorio Bersezio is a novel written in the late 19th century. The story revolves around Antonio Vanardi, a struggling painter living in poverty in a cramped attic with his wife and four children. Facing mounting debts and the relentless demands of life, Vanardi’s circumstances worsen with the arrival of a relentless landlord, Fiorenzo Marone, who embodies the cruelty of those who misuse power and wealth. The narrative highlights themes of social inequality, familial struggles, and the often-misguided notion of charity in society. The opening of the novel introduces us to the bleak living situation of Antonio Vanardi, an impoverished artist beset by financial woes and the burden of a growing family. His studio, located atop a dilapidated building, serves as both his workspace and home, revealing the chaos of his domestic life filled with the sounds of crying children and a nagging wife, Rosina. As the chapter progresses, we meet Marone, the landlord, who arrives to collect overdue rent and expresses a complete lack of empathy towards his tenants. Vanardi, despite his talent, finds himself in a mounting struggle against both external debt and internal familial pressures. This initial setup sets the stage for a deeper exploration of the characters’ challenges, underscoring the theme of charity—or the lack thereof—in their harsh reality.