Author
Roberto Bracco
1861-1943
Roberto Bracco (1861-1943) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Roberto Bracco
Una donna
"Una donna" by Roberto Bracco is a drama in four acts written in the late 19th century. The play is set in Naples and revolves around Clelia, a young woman who navigates her relationships and the dilemmas of love and financial struggle. The work explores themes of societal expectations, personal sacrifice, and the complexities of feminine identity during that time period. At the start of the play, the setting is established in a modest, somewhat disordered room, hinting at Clelia's current struggles. The opening scenes introduce various characters, including Angiolina, a dress seller, and Mario, Clelia's partner, who expresses concern for her well-being amidst their financial difficulties. The dynamics between Clelia, Mario, and the other characters unfold, revealing tensions arising from Clelia's past choices and her interaction with other suitors such as Gerardo Carsanti. As Clelia tries to reconcile her love for Mario with the reality of their situation, a sense of impending conflict is established, suggesting that her journey will navigate complex emotional and social landscapes.
Fiori d'arancio
"Fiori d'arancio" by Roberto Bracco is a one-act play written during the late 19th century. This work, often categorized as a drama, delves into the complexities of education and young love in a rural Italian setting. The story ultimately highlights the poignant transition from childhood to adulthood, encapsulating themes of innocence, societal expectations, and unrequited emotions. The play revolves around a school director, Vannucci, and his interactions with his pupil, Nina, who is on the verge of turning sixteen. As Nina prepares to leave school due to her age, their relationship becomes central to the narrative, revealing a deep emotional connection filled with tension and misunderstandings. Nina's youthful innocence clashes with Vannucci's protective instincts and fears about societal morality. Their exchanges lead to moments of vulnerability, culminating in a dramatic climax when Nina faints during a confrontation with her love interest, Ferdinando. Ultimately, "Fiori d'arancio" explores the bittersweet nature of growing up and the inevitable emotional pains that accompany such transitions.
La fine dell'amore
"La fine dell'amore" by Roberto Bracco is a satirical play written in the late 19th century. The work presents a complex examination of love and relationships through a cast of characters that include the Marchesa Anna Di Fontanarosa and various suitors who surround her. The play delves into themes of desire, societal expectations, and the nature of love. At the start of the play, the audience is introduced to the lively social setting of Marchesa Anna's salon, situated in a countryside villa. Characters such as Doctor Salvetti, Count Dionigi, and Giuliano D’Alma engage in witty banter, revealing their preoccupations with love and art. The scene unfolds with Anna’s playful and bi-polar demeanor towards her guests, surreptitiously engaging them in flirtation while navigating her own complicated feelings regarding marriage and independence. The opening sets a tone of humor mixed with underlying tension, hinting at deeper emotional conflicts as the story progresses.
Infedele: Commedia in tre atti
"Infedele: Commedia in tre atti" by Roberto Bracco is a play likely written in the late 19th century. This theatrical work explores the dynamics of marriage, fidelity, and jealousy through the interactions of its main characters: Count Silvio Sangiorgi, his wife Countess Clara Sangiorgi, and Gino Ricciardi, who appears to be an intriguing figure in their lives. The unfolding narrative hints at a complex web of emotions as these characters navigate societal expectations and personal desires. At the start of the play, we are introduced to the elegant living room of Clara and Silvio, where a playful yet tense conversation between the couple reveals underlying issues in their marriage. Clara seeks to impress Silvio with her new fashion style, while Silvio’s apparent jealousy regarding Clara's interactions with Gino is brought to the forefront. As Clara challenges Silvio’s notions of jealousy and fidelity, their banter oscillates between flirtation and contention, setting the stage for a deeper exploration of trust, love, and the potential for betrayal as the story progresses. The opening establishes both the characters’ personalities and the intricate dynamics of their relationships in a way that engages the audience's interest in their unfolding drama.
Un'avventura di viaggio
"Un'avventura di viaggio" by Roberto Bracco is a comedic play written in the late 19th century. The play unfolds in a single act and revolves around themes of romance and mistaken identities, capturing the social dynamics and flirtations of its time. In this light-hearted comedy, the narrative centers on characters Carlo, Francesco, and Bianca, among others, who interact in a stylishly decorated room intended for social affairs. After Francesco's flirtation with a mysterious woman, Bianca, unfolds during a train journey, the storyline intensifies with comedic misunderstandings and revelations. As the characters grapple with their feelings, jealousies, and the boundaries of love, the play addresses themes of fidelity and the complexity of romantic encounters. Ultimately, amidst the playful chaos, it is revealed that Bianca is actually Carlo's wife, leading to a humorous climax as misunderstandings are clarified and relationships redefined.
Nellina: Dramma in tre atti (Taken from Roberto Bracco Teatro, Vol. VII)
"Nellina: Dramma in tre atti" by Roberto Bracco is a dramatic play written in the early 20th century. The story revolves around complex relationships and societal issues, primarily focusing on the characters involved and their intertwined lives. The main character, Nellina, navigates her world of love and betrayal, while the dynamics with characters such as Cesare, her guardian, and Giacomo, his son, suggest themes of power, dependency, and rebellion. The opening of the play introduces a refined setting where Cesare, a middle-aged man, contemplates his life and expresses a desire to withdraw from romantic entanglements, which he refers to as "affairs of the heart." His interactions with Don Candido, a somewhat sycophantic figure, reveal Cesare's struggle with his past relationships, particularly with a woman named Gigetta, who appears later. Nellina is introduced as a character striving for her independence and grappling with her identity, indicating her potential as a catalyst for conflict in these relationships. The tone shifts as tensions build, highlighting a blend of humor and seriousness, foreshadowing the emotional turmoil that will unfold as the story progresses.
Nemmeno un bacio: Dramma in tre atti e un epilogo
"Nessuno un bacio: Dramma in tre atti e un epilogo" by Roberto Bracco is a theatrical play written in the early 20th century. This drama unfolds primarily in a villa near Naples and introduces a complex web of relationships, exploring themes of love, desire, and social interactions. The characters include Tina di Lorenzo as the protagonist and others such as Enrico Carmineti, Corrado Liberti, and Clotilde Carmineti, who navigate their emotions amidst societal expectations. The opening of the play sets the stage in a lively and colorful villa living room, where we first meet the De Planes couple, who are in a state of annoyance due to the absence of their servant and are determined to confront Clotilde about Corrado's improper behavior towards their daughter. The dialogue introduces a comedic yet tense dynamic between the characters, highlighting their varying perspectives on relationships and personal grievances. Enrico, emerging as the young seminarian, navigates interactions with both Corrado, who seems to have a rather cavalier attitude, and his cousin Nanetta, who expresses a strong will and independence. As the scene progresses, underlying tensions and complex pasts hint at relationships that will unfold throughout the drama.
Le disilluse
"Le disilluse" by Roberto Bracco is a one-act marionette play written during the late 19th century. The work explores themes of love, disillusionment, and social dynamics among young women who have fled their lives in search of fulfillment. Through a blend of fantasy and social commentary, Bracco crafts a whimsical narrative that reflects the attitudes and expectations of women in society during this time. In "Le disilluse," the story unfolds around a group of disillusioned young women who have escaped their former lives in the kingdom of Zano. They reside in a fantastical castle where they lament their lost hopes and dreams, believing they have found solace away from the male-dominated world. However, their lives take a turn when Arunto, a determined young man, sets out on a quest to retrieve them for the kingdom. Disguised as an old man, he cleverly convinces the women that he possesses a magical means to conjure love and desire. Through a series of events, including the distribution of portraits of noble men that spring to life, Arunto helps the disillusioned girls find love and return to their home, as they navigate their complex feelings towards love, marriage, and their roles in society. Ultimately, the story captures the transformation of disillusionment into hope and the realization that true happiness might lie in facing their fears of love and commitment.
Don Pietro Caruso
"Don Pietro Caruso" by Roberto Bracco is a single-act play written in the late 19th century, specifically in the 1890s. The drama unfolds in Naples and revolves around the complex relationship between a father, Don Pietro Caruso, and his daughter, Margherita, against the backdrop of personal tragedy, love, and social norms. The play explores themes of honor, morality, and the consequences of choices made in the name of love. In this poignant drama, Don Pietro faces a heartbreaking dilemma when he learns that his daughter, Margherita, has become involved with Count Fabrizio Fabrizi. The interplay between the three characters captures the tensions of love and societal expectation, as Fabrizio is reluctant to marry Margherita, leading to deep emotional conflict. As Margherita confesses her love for Fabrizio, the characters navigate the painful realities of their intertwined fates, culminating in a powerful resolution that highlights the burdens of parental responsibility and the heartbreaking realities of societal judgment. The play ultimately raises questions about the sacrifices one must make in the name of love and honor, leaving the audience with a lingering sense of melancholy.
Non fare ad altri...
"Non fare ad altri..." by Roberto Bracco is a comedic play in one act that was first performed in the late 19th century, specifically in 1886. The work is part of a larger collection of Bracco's theatrical pieces, blending farce and elements of humor centered around a police commissioner's humorous encounters with a gentleman thief. The play likely explores themes of mistaken identity and the absurdity of social roles through its witty dialogue and entertaining situations. The storyline revolves around a police commissioner and his interactions with various characters, including the bumbling officers and a thief named Oscar Gentiletti, who becomes embroiled in an unexpected scandal involving the commissioner's wife. As the narrative unfolds, the commissioner finds himself in a precarious situation where his dignity as a lawman clashes with his personal life after discovering that the thief possesses a portrait of his wife, revealing a deeper betrayal. Filled with misunderstandings and comical exchanges, the play exposes the follies of its characters while cleverly critiquing societal norms and the nature of love and fidelity.
I fantasmi: Dramma in quattro atti (Taken from Roberto Bracco Teatro, Vol. VII)
"I fantasmi: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. The narrative revolves around the life and struggles of Professor Raimondo Artunni, his relationships with his wife Giulia, and the emotional turmoil stemming from his terminal illness. The opening of the play establishes a somber atmosphere in the professor's countryside home, where we meet various characters, including his devoted wife and his anxious servant. Disciples of Professor Artunni, Manlio and Luciano, arrive with the intention of visiting him, unaware of his deteriorating health. Giulia reveals to them that Raimondo is gravely ill, having hidden his condition from everyone, including her. As the characters grapple with the reality of his imminent death, themes of love, jealousy, and the burden of unspoken emotions surface, setting the stage for conflicts and revelations that will unfold in the ensuing acts.
La piccola fonte: Dramma in quattro atti
"La piccola fonte: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. The work revolves around the lives of several main characters, primarily focusing on Stefano, Teresa, and Valentino, and explores themes related to ambition, identity, and the intricacies of personal relationships. Through a blend of humor and pathos, the play delves into the struggles of its characters as they navigate societal expectations and individual desires. The opening of the play introduces us to a scene set in a park in Posillipo, where we meet Teresa, Valentino, and Romolo, as they engage in light-hearted banter while preparing for the day. Teresa is depicted as conscientious and caring towards her husband Stefano, whose creative aspirations take precedence in their lives. The mood shifts to tension when Don Fausto, an antiquarian, arrives seeking payment from Stefano, highlighting the financial strains pressing down on the couple. As the conversation unfolds, the dynamics between the characters reveal their complex interactions, touching on issues of dignity, class, and personal fulfillment. These early exchanges set the stage for a deeper exploration of the characters' motivations and challenges as the drama unfolds.
Il trionfo: Dramma in quattro atti
"I Trionfo: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the late 19th century. The work revolves around Lucio Saffi, who appears to be recovering from an illness, and explores themes of friendship, love, and the complexities of human relationships through its ensemble of characters including Nora, Giovanni, and Felsani. The opening of the play introduces us to a simple, somewhat somber room where Lucio is recuperating. He is attended by Dr. Felsani and his friend Giovanni, who engage in light banter while Lucio expresses disillusionment with science and the nature of life. As they wait for Nora, a piano teacher and caretaker, her arrival signifies a shift in the atmosphere, sparking further discussions about Lucio's health and his relationships with those around him. The conversations reveal Lucio's introspective nature and hint at his deeper feelings toward Nora, setting the stage for the emotional and thematic explorations of the play.
Sperduti nel buio: Dramma in tre atti
"Sperduti nel buio: Dramma in tre atti" by Roberto Bracco is a dramatic play written in the early 20th century. The narrative unfolds in a small, low-class establishment in Naples, populated by various characters navigating their way through life's difficulties. Central to the story are Paolina, a young girl facing the harsh realities of street life, and Nunzio, a blind pianist who seeks both companionship and escape from their shared struggles." "The opening of this drama introduces a dimly lit bar-like setting, where various patrons interact while dancing and drinking. The characters are depicted as coming from the lower socio-economic strata, each with their own quirks and aspirations. Paolina, a young beggar, desperately seeks help, while Nunzio, the blind musician, plays piano in the background. The play's beginning establishes an atmosphere of tension, camaraderie, and underlying desperation, as the characters engage with one another amidst the clamor of their daily lives and the dark backdrop of their fate."
Il piccolo santo: Dramma in cinque atti
"Il piccolo santo: Dramma in cinque atti" by Roberto Bracco is a drama written in the early 20th century. The play revolves around the character of Don Fiorenzo, a priest in a small village near Naples, and explores themes of faith, the nature of miracles, and the challenges of human relationships. As various characters engage with Don Fiorenzo, the narrative hints at deeper psychological and societal conflicts, revealing the complexities of life and spirituality. The opening of the drama presents a stark, simple room where Barbarello, a mentally challenged young man, is introduced as he interacts with the mundane world around him. The arrival of Dr. Finizio and another character, Sebastiano, brings urgency as they search for Don Fiorenzo, revealing a tension tied to the well-being of the villagers. This scene establishes the interconnection between the priest's role and the villagers' lives, highlighting societal expectations and the thematic exploration of the miraculous versus the mundane as characters express their concerns about Don Fiorenzo's whereabouts. The beginning sets the stage for a crucial exploration of faith and community within the narrative.
Dopo il veglione o viceversa
"Dopo il veglione o viceversa" by Roberto Bracco is a comedic play likely written in the late 19th century. This theatrical work, designed for the café-chantant format, utilizes humor and role reversals to explore themes of identity and gender. The narrative unfolds within an intimate salon setting, where a man and a woman, dressed in each other's clothing and masked, engage in witty banter that highlights societal norms related to gender roles. In the play, the male character, who believes the woman to be a man due to her disguise, and the female character, who is equally convinced of his true identity, engage in a humorous exchange filled with misunderstandings and flirtation. As they navigate their mistaken identities, both characters shed their disguises, revealing their true selves while discovering unexpected feelings for one another. The play culminates in a lighthearted exploration of attraction and identity, emphasizing that true self-expression can often be clouded by societal expectations.
Fotografia senza.... - Notte di neve - La chiacchierina
"Fotografia senza.... - Notte di neve - La chiacchierina" by Roberto Bracco is a collection of theatrical works written in the early 20th century. Comprising different dramatic pieces, this book explores themes of love, identity, and social issues through its engaging characters and relatable narratives. The likely topics include the complexities of relationships set against the backdrop of societal norms and expectations. In the first piece, "Fotografia senza....," Armando Falconi is a photographer who humorously claims to take photographs without a camera, engaging in witty banter with his wife, Tina di Lorenzo. Their playful exchanges lead to deeper reflections on identity and perception, showcasing Bracco's ability to infuse comedy with thought-provoking ideas. The second work, "Notte di neve," follows Salvatore and Graziella, a couple facing the stark realities of poverty and familial tensions. Hashtags reveal their struggles and resilience, especially when Salvatore grapples with his tumultuous relationship with his mother. The final piece, "La chiacchierina," is a monologue by a young girl named Nora, who reflects on the unfairness surrounding her label as a "chiacchierina" despite her quiet nature, contrasting children's innocence with adult impositions. Overall, the collection offers a blend of humor, social critique, and emotional depth in its exploration of personal and relational dynamics.
Lui lei lui
"Lui lei lui" by Roberto Bracco is a comedy written in the late 19th century. The play revolves around themes of love, friendship, and jealousy, encapsulated in a light-hearted yet poignant manner. Set in contemporary times of its writing, the narrative explores the complexities of relationships among three main characters: a husband, his wife, and his best friend. The story unfolds in a single act and focuses on the interactions between Giulio, his wife Clotilde, and his friend Federico. As the play progresses, Federico confesses his romantic feelings for Clotilde, which leads to an emotional turmoil for all three characters. Giulio, instead of being angered, responds with a mixture of humor and understanding, leading to a comedic resolution where Clotilde attempts to quell Federico's feelings for her by creating a sense of indifference. In the end, they all share a moment of laughter as they navigate the subtleties of love and friendship, illustrating Bracco's ability to blend comedic elements with deeper emotional themes.
Maternità: Dramma in quattro atti
"Matternità: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. This work revolves around the complex themes of motherhood, societal expectations, and interpersonal relationships, set against the backdrop of the lives of the nobility. The characters include the Marchesa Claudia di Montefranco, her husband Marchese Alfredo, and Maurizio Dorini, who becomes entangled in their marital strife, suggesting the play will delve into intrigue and ethical dilemmas. At the start of the play, we are introduced to the characters in a setting that conveys the intimacy of their lives. Olghina, visiting Maurizio's home, establishes a light-hearted atmosphere with playful banter, while Maurizio's focus on his health and routines hints at a more significant underlying emotional complexity. As the dialogue unfolds, Maurizio expresses concern over potential complications in his relationship with Olghina, while Claudia's entrance foreshadows the impending tension as both characters grapple with their feelings. The scene sets the stage for conflicts related to fidelity, power dynamics, and the societal pressures of motherhood, positioning the narrative for a deeper exploration of these themes throughout the play.
Il frutto acerbo: Commedia in tre atti
"Il frutto acerbo: Commedia in tre atti" by Roberto Bracco is a play written in the early 20th century. The narrative revolves around Tilde Ricchetti and her entanglements with various characters, including her husband Ernesto and a younger man named Nino Lovigiani, illustrating themes of love, infidelity, and societal expectations. At the start of the play, Tilde is introduced in her apartment in a hotel in Sorrento, appearing distressed and contemplating her actions. She is soon joined by Nino, who expresses his feelings for her and tries to comfort her after a significant event. Their dialogue oscillates between playful banter and deeper emotional turmoil, reflecting Tilde's conflicted feelings regarding her marriage and her connection with Nino, whom she views as both an infatuation and a youthful distraction. The opening sets up a complex web of relationships and tensions, hinting at the broader societal issues that will unfold through the course of the three acts.
I pazzi: dramma in quattro atti
"I pazzi: dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. This work delves into the complex themes of sanity and insanity as it navigates the intricacies of human emotions and interpersonal relationships. The play presents a multitude of characters, including a couple, Francesco and Agnese, exploring their tumultuous relationship amid the influences of personal and social dilemmas. The opening of the drama sets a somber scene in the doctor's office, where both Francesco and Agnese are engrossed in their thoughts, reflecting a heavy unease in their relationship. As they converse, Agnese proposes a separation, revealing the underlying tensions that have strained their bond. Francesco's reluctance to accept this changes the dynamics of their dialogue, heightening the emotional stakes. Their conversation is further interrupted by the arrival of Sister Marta, who adds another layer to the atmosphere of emotional and psychological turmoil. Through this initial act, Bracco hints at profound questions about the nature of love, trust, and the boundaries of sanity, setting the stage for the unfolding drama.
Il perfetto amore: Dialogo in tre atti
"Il perfetto amore: Dialogo in tre atti" by Roberto Bracco is a theatrical play written in the early 20th century. The narrative focuses on the interactions between the main characters, Elena and Ugo, in a hotel setting, exploring themes of romance, misunderstandings, and the complexities of human relationships. The opening of the play introduces us to a small, elegant hotel lounge where Elena is seated at a piano, immersed in music. Ugo, who appears intrigued by her playing, tries to engage her in conversation, but she remains aloof and uninterested. Their dialogue hints at a budding connection, yet Elena's reticence and Ugo's persistence create a comedic tension. The scene unfolds with Ugo making playful attempts to win the attention of Elena while also navigating his own insecurities, setting the stage for a deeper exploration of their relationship as the act progresses.
Il diritto di vivere: Dramma in tre atti
"Il diritto di vivere: Dramma in tre atti" by Roberto Bracco is a play written in the early 20th century. The story revolves around the struggles of the working class through the character of Antonio Altieri and his interactions with family and fellow workers, particularly the challenges posed by ambition and the socioeconomic environment of the time. The opening of the drama sets the stage in an industrial workshop in Naples, where the atmosphere is charged with anticipation and excitement over a new machine invention by Antonio. Various characters, including his father Michele and a humorous worker named Martino, interact amid the backdrop of the workplace. The tension between ambition and the harsh realities of labor is introduced quickly, with Antonio commanding respect among his peers while dealing with the burdens of responsibility at home, including his relationship with Maddalena and the challenges of supporting their family. The act concludes with the celebration of the new machine, hinting at the themes of hope and struggle within the labor force.
Ad armi corte: Commedia in un atto
"Ad armi corte: Commedia in un atto" by Roberto Bracco is a one-act play written during the early 20th century. The piece showcases comedic elements that explore themes of love, rivalry, and societal roles, particularly focusing on the interactions between women and their relationships with men. Through sharp dialogue and humor, the play reveals the complexities of romantic entanglements and the competition for affection. The story unfolds in the parlor of Dr. Arletti, where Laurina Corbari enters, establishing herself as a vivacious character who claims to be in love with Riccardo Negri, a friend of Valeria Arletti, the doctor's wife. The tension escalates as Laurina confronts Valeria, revealing her status as Riccardo's lover for three years while simultaneously implying that Valeria is also involved with him, albeit for a shorter duration. As the confrontation progresses, Laurina employs both charm and intimidation to establish her dominance, wielding the threat of revelations that could disrupt Valeria's domestic life. The play concludes with a comically tense exchange that highlights the manipulative dynamics at play, leaving the audience to reflect on the themes of jealousy and competition in love.