Author
Luigi Capuana
1839-1915
Luigi Capuana (1839-1915) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Luigi Capuana
Studi sulla letteratura contemporanea : $b Prima serie
"Studi sulla letteratura contemporanea: Prima serie" by Luigi Capuana is a critical analysis collection written in the late 19th century. The work delves into contemporary literature, discussing various authors and literary movements while exploring the relationship between content and form in literature. Through Capuana's analysis, readers can expect insights into notable literary figures and trends of his time. The opening of the collection presents an engaging preface where Capuana introduces his critical philosophy, referencing the significant role of both content and form in artistic expression. He emphasizes that literature's merit lies in the ability of an artist to generate compelling forms stemming from meaningful content. Additionally, the text discusses the works of authors like Jules Michelet and Teofilo Gautier, exploring their contributions to literature and how their personal experiences shaped their writing. Capuana provides a reflective commentary on these figures, setting the tone for a thoughtful examination of contemporary literature in subsequent chapters.
Spiritismo?
"Spiritismo?" by Luigi Capuana is a literary exploration written in the late 19th century. This work delves into the subject of spiritism, presenting the author's contemplations and observations on the phenomena associated with spiritual communication and the psychological implications behind them. The primary focus is on the experiences of a young medium, Beppina, through whom the author conducts various experiments, engaging with spiritual apparitions that reflect on broader philosophical themes. At the start of the work, Capuana addresses a friend, Salvatore Farina, sharing previous discussions about spiritism. He sets the stage for a series of writings intended to scrutinize the credibility and meanings behind certain spiritistic claims. Capuana reflects on different manifestations experienced through the mediumship of Beppina, illustrating her encounters with spirits and the complexities of interpreting those experiences. As the narrative unfolds, the tension rises with Beppina’s increasingly intense interactions with these supernatural elements, posing questions about the boundaries of reality, belief, and the human psyche.
Eh! la vita....: Novelle
"Eh! la vita....: Novelle" by Luigi Capuana is a collection of short stories written during the late 19th century. The book explores various aspects of life, love, and social dynamics through the lens of its characters, showcasing the intricacies of human emotions and relationships in a richly narrated style. The opening of the collection introduces readers to a poignant love story between Maria Ledda and Nino Sbrizza, set against a backdrop of jealousy and social expectations. Nino is consumed by his feelings for Maria as he grapples with the attention she receives from Saro Barreca, a rival who serenades her from below her window. As Maria and Nino secretly communicate their affections under the veil of night, tensions arise from family pressures and the societal norms surrounding them, ultimately hinting at deeper conflicts and the struggles inherent in their romance. The narrative invites readers into a world where love is both a cherished dream and a source of strife, setting the stage for the themes that will continue to unfold throughout the stories.
Come l'onda... Novelle
"Come l'onda... Novelle" by Luigi Capuana is a collection of short stories written in the early 20th century. The tales explore complex human emotions and relationships, often set against the backdrop of Sicilian life. Central to the narrative is a protagonist entangled in romantic longings and moral dilemmas, particularly revolving around lost love and the turbulence of new passions. The opening of the story introduces a man who is reflecting on a significant past event in his life. He is waiting in the shadows, anticipating a clandestine meeting with a mysterious woman, which suggests a sense of urgency and secrecy. As he prepares for the encounter, vivid descriptions of the night and his inner thoughts convey a mixture of excitement and trepidation. His recollection is tinged with nostalgia and yearning as he ponders the enigma of the woman with whom he is entwined, revealing the complexity of his feelings for her and the shadows of a past love that continue to linger in his heart.
Il Benefattore
"Il Benefattore" by Luigi Capuana is a novel written during the late 19th century. The story unfolds in a small Sicilian town called Settefonti, where an Englishman named Pietro Kyllea arrives with grand plans to buy neglected land and transform it into a flourishing agricultural area. As he navigates local customs and interacts with the townsfolk, Kyllea's presence disrupts the status quo and begins to create a mixture of intrigue and resentment among the local gentry. The opening of the novel introduces us to the arrival of the Englishman at the Albergo del Gallo, where he is met with curiosity and skepticism by the townspeople and the local notary, La Bella. Kyllea expresses his intent to purchase several plots of seemingly worthless land in the Tirantello area. He is met with astonishment, as the local residents, particularly the landowners, are enticed by the prospect of profit but are equally wary of this foreigner's bold ambitions. Tension builds as rumors spread throughout Settefonti about Kyllea's plans, demonstrating the clash between traditional ways of thinking and the potential for change brought by this outsider. The narrative hints at deeper socio-political undercurrents involving class struggles and the transformation of rural life, setting the stage for conflict as the story progresses.
Cardello
"Cardello" by Luigi Capuana is a novel written in the late 19th century, during the Italian literary movement known as verismo, which aimed to depict everyday life and the struggles of common people. The story revolves around the main character, a young boy named Cardello, who is drawn into the world of puppetry as he aids a burattinaio (puppeteer) known as Orso peloso. Through his experiences with the burattini, Cardello encounters various aspects of life, including the joy of performance and the hardships of his socio-economic reality. At the start of the novel, we are introduced to Cardello, a curious ten-year-old boy living in a small village who eagerly observes the arrival of a traveling puppeteer. As he assists Orso peloso with preparations for a puppet show, Cardello experiences excitement mixed with trepidation as he takes on small tasks and dreams about potentially becoming a puppeteer himself. The opening sets up a vivid picture of village life and the intrigue surrounding the burattini, laying the groundwork for themes of aspiration, creativity, and the bittersweet nature of childhood dreams amidst the backdrop of poverty and personal struggles. As Cardello becomes increasingly involved in the puppeteer's world, readers are drawn into his journey of self-discovery and the trials that come with it.
Studii sulla letteratura contemporanea : $b Seconda serie
"Studii sulla letteratura contemporanea: Seconda serie" by Luigi Capuana is a literary critique written in the late 19th century. This work reflects on contemporary Italian literature, featuring notable figures and their contributions, including Gino Capponi, providing insights into the challenges faced by literary criticism in the political sphere of the time. The book captures the essence of literary movements and the evolution of critical thought, indicating Capuana's dedication to preserving the artistic voice amidst emerging societal changes. The opening of this text presents an introduction where Capuana outlines the nature of the critiques compiled within, which were mostly published in political journals. He acknowledges the limitations of literary criticism in such outlets, equating a lack of space for deeper analysis with a dilution of its value. The preface also introduces Gino Capponi, a notable figure in literature, describing the impression he made on young admirers and outlining Capponi's intellectual struggle against societal expectations and his somewhat secluded life due to political turmoil and personal challenges. The introduction sets the stage for a nuanced exploration of significant literary personalities and the sentiments that defined their eras.
Fausto Bragia, e altre novelle
"Fausto Bragia, e altre novelle" by Luigi Capuana is a collection of short stories written in the late 19th century. The book primarily explores the life of Fausto Bragia, a struggling musician who grapples with unrequited love, societal expectations, and the brutal realities of his existence. The narrative delves into his complex relationships, particularly with an older woman named Paolina Ghedini, which embarks him on a tumultuous journey between aspiration and despair. At the start of the story, Fausto reflects on a profound life moment—his new romantic relationship with Paolina Ghedini, which has left him both thrilled and confused. He recalls his past filled with hardship and disappointment, having long been a forgotten talent in the music world, forced to navigate the pressures of social status and personal aspirations. As he experiences the initial joy and disorientation of newfound love, the weight of his past and the fears of his future loom large. Fausto's struggle is punctuated by feelings of guilt and uncertainty, particularly regarding his role in Paolina's life and the moral implications of their affair, thus inviting readers to ponder the complexities of ambition, love, and the societal constraints of the time.
Nuove "Paesane"
"Nuove 'Paesane'" by Luigi Capuana is a collection of short stories written in the late 19th century. The book delves into the lives of various characters in the Sicilian countryside, exploring themes of family, social class, and human relationships. Among the principal characters introduced is don Pietro-Paolo Zingàli, the barone of Fontane Asciutte, who is embroiled in a long-standing legal dispute that has caused friction within his family. The opening of "Nuove 'Paesane'" introduces the reader to don Emanuele Cerrotta, a legal procurator in Catania, as he prepares for the day in his office. The main character, barone Zingàli, enters with a sense of desperation due to the ongoing legal battles that have consumed him, leading to fragmentation in his family. As his relationship with his wife and children deteriorates under the weight of financial strain and legal stress, we witness a vivid portrayal of their domestic strife against the backdrop of the baron's fixation on reclaiming lost family fortunes. The narrative sets a rich, immersive atmosphere full of tension and complexity, hinting at the profound emotional and social issues that will unfold throughout the collection.
Cronache Letterarie
"Cronache Letterarie" by Luigi Capuana is a collection of literary critiques and discussions written in the late 19th century. The work delves into the nature of art, exploring its essence and role in society, reflecting the shifting ideals of aesthetics during that time. Capuana examines various perspectives on art and critiques contemporary artistic movements, highlighting the importance of form and the challenges faced by artists in maintaining their integrity amidst societal expectations. The opening of "Cronache Letterarie" presents a rich tapestry of ideas, where Capuana expresses his thoughts on the essence of art. He opens with a reference to Toscano philosopher Francesco De Sanctis, addressing the struggle artists face when attempting to convey deep ethical or religious allegories through their work. This section discusses the tension between imagination and abstraction in art, proclaiming that true artistic creation cannot be limited to rigid ideals. Capuana goes on to challenge the opinions of significant figures like Leo Tolstoy, who condemned many contemporary works, emphasizing that the artist's duty lies in evoking vitality through form rather than succumbing to ethical or social pressures. This philosophical exploration sets the tone for his broader examination of literature and art throughout the collection.
Il nemico è in noi
"Il nemico è in noi" by Luigi Capuana is a novel written in the late 19th century. The story follows Pietro Borgagli, a writer, and his wife Diana, exploring themes of jealousy, artistic creation, and the complexities of their marital relationship. Tension arises as Diana grapples with the emotions evoked by her husband's literary works, revealing deeper insecurities that threaten their bond. The opening of the novel introduces a tense atmosphere, as Pietro becomes increasingly aware of Diana's unsettling jealousy, which stems from his literary success. Initially dismissive of her concerns, he observes her obsession with his writings and grows uneasy about the implications this has for their relationship. As Diana begins to read his work, her feelings of intimacy and insecurity intertwine, revealing an internal struggle about his emotional investment in his characters. This sets the stage for a profound exploration of the intersections between love, art, and the vulnerabilities that come with both, as the couple navigates the dual pressures of creative expression and personal connection.
I Paralipomeni del Lucifero di Mario Rapisardi
"I Paralipomeni del Lucifero di Mario Rapisardi" by Luigi Capuana is a poetic work written in the late 19th century. This book serves as a continuation or homage to Mario Rapisardi's earlier poem "Lucifero," exploring significant themes in a style reminiscent of epic poetry. The likely topic revolves around the existential musings surrounding the figure of Lucifero, delving into triumph, existential dread, and the complex interplay of good and evil. The first canto opens with a celebration of Lucifero's victory, depicting a universe filled with unimaginable happiness under his reign. The text portrays a grand celestial celebration, where various characters, including demonic figures and celestial beings, revel in the triumph over traditional notions of divinity. However, amidst this joy lies an undercurrent of doubt, particularly illustrated through the figure of Belzebù, who contemplates treachery and expresses dissatisfaction with the current state of affairs. The protagonist, a poet, is summoned to articulate the grandeur of this moment, ultimately capturing the dichotomy of exaltation and foreboding that pervades the atmosphere, hinting at the potential for future conflict. The canto weaves together vivid imagery and philosophical reflections, inviting readers to ponder deeper questions about freedom, power, and the consequences of rebellion.
Delitto ideale
"Delitto ideale" by Luigi Capuana is a novel written in the early 20th century. The book explores deep psychological themes through the life of Tullio Dani, a man consumed by jealousy and the moral implications of imagined versus actual wrongdoing. As he grapples with his emotions, the story delves into the complexities of human consciousness, justice, and self-judgment. At the start of the narrative, we meet Tullio Dani, who finds himself in a state of turmoil following the tragic loss of his wife, whom he believes he wronged due to his unfounded suspicions of infidelity. As he reflects on his jealousy and the psychological turmoil it caused, he perceives himself as not just a potential murderer in thought but grapples with the idea of being morally guilty for having entertained such dark intentions. He confesses to a friend about his internal conflict and how he has judged himself harshly for a crime that was never committed, unveiling a dramatic interplay between morality, justice, and the essence of human emotion. The opening sets the stage for a profound exploration of these themes throughout the rest of the novel.
Gli 'ismi' contemporanei (Verismo, Simbolismo, Idealismo, Cosmopolitanismo) ed altri saggi di critica letteraria ed artistica
"GLI 'ISMI' CONTEMPORANEI" by Luigi Capuana is a collection of literary and artistic criticism written in the late 19th century. The work addresses various contemporary movements in literature and art, including Verism, Symbolism, Idealism, and Cosmopolitanism, reflecting on the state and evolution of Italian literature during that time. The opening of the book presents a lively conversation between two individuals debating the state of Italian literature and its comparative merits with French literature. The dialogue includes references to the struggle for intellectual identity in contemporary Italy, the influence of different literary schools, and the perception of authors such as D’Annunzio and Verga. The conversation touches upon themes of artistic expression, the impact of commercial interests on literature, and the need for confidence in Italian artistic output, setting the stage for a deeper exploration of these literary movements throughout the text.
Rassegnazione: Romanzo
"Rassegnazione: Romanzo" by Luigi Capuana is a novel written in the early 20th century. The narrative centers around the life of Dario, a young man who grapples with feelings of inadequacy and the pressures of finding his place in life, particularly in the shadow of his accomplished father. Through introspective reflections, the protagonist confronts the burdens of familial expectations, societal roles, and his own aspirations, often feeling overwhelmed by the weight of his inaction and unfulfilled dreams. The opening of "Rassegnazione" sets the stage for Dario's internal struggles as he recalls formative moments with his father, who emphasizes the need for action and purpose in life. Dario’s initial portrayal reveals a timid and frail character, isolated in his academic pursuits, yet lacking clear direction for his future. The father-son dynamic is laden with tension, as Dario's perceived inadequacies trigger a deep emotional response during their conversations. This exploration of Dario's complex feelings, accompanied by memories of his nurturing yet melancholic mother, unveils the poignant themes of disappointment, familial duty, and the quest for personal fulfillment that permeate the story.