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Literature -- History and criticism Books
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Annie Russell Marble
The Nobel Prize winners in literature
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George Eliot
The Essays of "George Eliot" Complete
"The Essays of 'George Eliot'" by George Eliot is a collection of literary essays written in the late 19th century. The essays cover a wide range of topics, reflecting on human emotions, societal dynamics, and the nature of literature, presenting George Eliot's insightful analysis of motives and character. As the work encompasses her contributions to periodical literature, it provides a detailed examination of her thoughts and ideas that contribute to her legacy as a prominent female novelist of her time. At the start of the collection, the preface sets the stage for the essays, explaining the curiosity surrounding George Eliot's earlier writings. It highlights her unique talent for analyzing human motives, positioning her as a distinctive voice in fiction, separate from her contemporaries who focus primarily on storytelling. The opening chapters delve into the intricacies of women’s roles in society and literature, with the discussion focusing on Eliot's perspective on characters like Dorothea Brooke from her famous novel "Middlemarch." A key theme emerges in the exploration of the disparity between external appearances and internal realities, as well as the constraints placed on women's lives, fostering a rich conversation about identity, societal expectations, and emotional depth that runs throughout Eliot's work.
H. P. (Howard Phillips) Lovecraft
Writings in the United Amateur, 1915-1922
"Writings in the United Amateur, 1915-1922" by H. P. Lovecraft is a collection of essays and articles written during the early 20th century. This work captures the essence of amateur journalism as it thrived in America, showcasing Lovecraft's involvement with the United Amateur Press Association, where he not only contributed his own literary work but also engaged in critiquing the work of others. The collection highlights the communal and educational spirit of amateur journalism, offering insights into the practices and philosophies of this literary form. The opening portion provides a thorough introduction to the United Amateur Press Association, outlining its foundational goals and significant role in promoting literary expression among aspiring writers. It emphasizes the organization's commitment to education and the development of writing skills, serving as a training ground for many professional authors. Lovecraft discusses the importance of fostering a fraternal environment in which amateurs can share their works, receive constructive criticism, and learn from one another through an informal yet intellectually stimulating network. Through his reflections, readers gain an understanding of the unique character of the amateur journalism world during this time, which Lovecraft played an integral part in.
George Saintsbury
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
"A History of Criticism and Literary Taste in Europe" by George Saintsbury is a historical account written in the early 20th century. This comprehensive work aims to explore the evolution of literary criticism from its classical origins to the modern era, detailing the thoughts and contributions of notable literary figures. The book likely addresses key developments in literary taste and criticism, organized into multiple volumes. The opening of the work sets the stage for a thorough examination of literary criticism, emphasizing the importance of focusing on primary texts rather than secondary interpretations. Saintsbury introduces the concept of literary criticism as an essential evaluative function, one that seeks to determine the qualities that make literature effective and enjoyable. He outlines his intent to address this complex subject in a methodical manner, laying a foundation for subsequent chapters that will delve into Greek, Roman, and Medieval criticism, thereby framing the historical context of literary taste throughout Europe.
George Saintsbury
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
"A History of Criticism and Literary Taste in Europe From the Earliest Texts to the Present Day" by George Saintsbury is a historical account written in the early 20th century. This work examines the development of literary criticism and taste across Europe, exploring the influences and characteristics of criticism through various historical lenses, with a specific focus on English literature. The text likely addresses the evolution of critical thought and aesthetics, contesting the perceived superiority of foreign critical traditions. The opening of the book serves as a preface and introduction, in which Saintsbury outlines the intentions behind the volume and the importance of English criticism in the broader context of literary history. He addresses the tendency to undervalue English critics in comparison to their French and German counterparts, defending the significance and contributions of English literary criticism throughout various periods. Saintsbury indicates that he will explore the Renaissance period, starting with influential figures like Erasmus, while also highlighting the need for a more thorough appreciation of the English critical tradition. This sets the stage for an in-depth exploration of Renaissance criticism and its lasting impact.
George Saintsbury
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
"A History of Criticism and Literary Taste in Europe, from the Earliest Texts to the Present Day" by George Saintsbury is a historical account written in the early 20th century. The work explores the evolution of literary criticism and taste across Europe, documenting developments from the earliest texts to the 19th century. Saintsbury aims to provide a comprehensive overview of the critical landscape, arguing for the importance of modern literature alongside ancient works." "At the start of this comprehensive volume, the author introduces the scope of the discussion, focusing primarily on the 19th century while also referring to relevant earlier texts. Saintsbury stresses the significance of evaluating literature on its own merits rather than strictly adhering to the established norms of classical criticism. He outlines varying perspectives on criticism from notable authors and highlights the gradual shift towards appreciating modern literature, setting the stage for a deeper exploration of literary evolution and the critics influential in shaping contemporary taste."
Vittorio Imbriani
Fame usurpate
"Fame Usurpate" by Vittorio Imbriani is a collection of critical studies written in the late 19th century. The work consists of four main essays that delve into the themes of literature, reputation, and artistic integrity, reflecting Imbriani's disdain for superficiality in poetry and his critique of contemporaneous literary figures. The title suggests a focus on the concept of borrowed fame and the implications of hollow reputations. The opening of "Fame Usurpate" introduces the author’s motivations for republishing his critical studies, marked by a resolute defense of literary quality against popular acclaim achieved through pretense and mediocrity. Imbriani expresses his frustration with the political and literary landscape of Italy, where artificial reputations overshadow genuine artistic talent. He articulates a passionate desire for a renaissance in Italy's cultural recognition, promoting intellectual independence and a commitment to true artistic merit in his critiques, particularly regarding the poet Aleardo Aleardi. Through these critiques, Imbriani sets a tone of earnestness against what he perceives as the complacency of his contemporaries, demonstrating a stark critique of the superficial engagement with art and literature prevalent in his time.
Samuel Taylor Coleridge
The Literary Remains of Samuel Taylor Coleridge, Volume 1
"The Literary Remains of Samuel Taylor Coleridge, Volume 1" by Coleridge is a collection of literary works and criticisms compiled and edited by Henry Nelson Coleridge, likely published in the early 19th century. The collection showcases the fragmented writings of the renowned poet and philosopher Samuel Taylor Coleridge, offering insights into his thoughts on various literary and philosophical topics, while also including some of his lesser-known poems and letters. The opening of this volume begins with a preface that addresses the challenges faced in curating Coleridge's posthumous writings. The editor explains that Coleridge's materials were often sporadic, consisting of lecture notes, reflections, and poetic fragments that require careful organization to present cohesively to the public. The editor expresses gratitude to those who assisted in compiling these remnants of Coleridge's illustrious intellectual legacy. Overall, the opening portion establishes a context for the reader about the nature of the work and the intention behind its publication, setting the stage for the rich intellectual exploration that follows throughout the collection.
Charles Dickens
Speeches: Literary and Social
"Speeches: Literary and Social" by Charles Dickens is a collection of public addresses and writings delivered by the quintessential Victorian author during the mid-19th century. This anthology gathers notable speeches that Dickens delivered at various public events, showcasing his eloquence and the literary insights that made him one of the most celebrated figures in English literature. The themes likely revolve around the social commentary, personal anecdotes, and reflections on his literary career, inviting readers to explore the interplay between Dickens's narrative style and his views on society. The opening of this collection sets the stage for an exploration of Dickens’s life and career, detailing his early influences and rise as a prominent writer and public figure. We learn that Dickens was born into a challenging family background and, despite plans to pursue law, found his passion in writing. The narrative captures Dickens's journey from a reporter to a revered novelist, emphasizing his desire to reflect the realities of life in his era. There are mentions of his notable characters and works, along with insights into his motivations for writing, inviting readers to engage with Dickens not only as a storyteller but also as a keen observer of human nature and society.
F. Max (Friedrich Max) Müller
Chips from a German Workshop, Volume 4 Essays Chiefly on the Science of Language
"Chips from a German Workshop, Volume 4" by F. Max Müller is a scholarly collection of essays primarily focused on the science of language, written in the late 19th century. The volume consists of lectures and writings that explore various topics within comparative philology, the study of languages and their historical relationships, alongside addressing broader aspects of linguistic studies. The opening of this volume sets the stage by emphasizing the significance of establishing a chair of Comparative Philology at Oxford University, marking a notable moment in the academic recognition of language sciences. Müller discusses the need for a robust approach to teaching and researching languages, while lamenting the historical neglect of subjects like Sanskrit and comparative grammar within English universities. He lays out his objective as a professor to treat classical languages with new methodologies informed by Comparative Philology, while also advocating for a collaborative environment where students and scholars can further enrich their understanding through collective efforts.
H. L. (Henry Louis) Mencken
Prejudices, first series
"Prejudices, First Series" by H. L. Mencken is a collection of essays written in the early 20th century. The work critiques various cultural and literary figures, showcasing Mencken's biting wit and critical perspective on American society and its literary landscape. The central themes revolve around the role of the critic, the nature of literature, and the pulse of American thought during a time of significant social change. The opening of the collection begins with a discussion of literary criticism, where Mencken highlights the ongoing debate among critics about the function and purpose of criticism itself. He refers to Major J. E. Spingarn's views on the critic's role, arguing that a critic should focus on understanding an artist's true intentions rather than imposing moral or aesthetic judgments. Mencken critiques the varying schools of thought within literary criticism, illustrating his disdain for those who use rigid standards to evaluate art, and ultimately advocating for a more nuanced and personal interpretation of artistic works. This sets the tone for the pieces that follow, as Mencken continues to explore themes of authenticity, moral pretentiousness, and the essence of American culture through his incisive critiques of both individuals and overarching societal trends.
H. L. (Henry Louis) Mencken
Prejudices, third series
"Prejudices, Third Series" by H. L. Mencken is a collection of essays written in the early 20th century. The work reflects Mencken's critical perspectives on American society, politics, and culture, with a distinctive satirical tone. His thoughts revolve around his disdain for what he perceives as mediocrity and hypocrisy prevalent in American life." The opening of "Prejudices, Third Series" begins with Mencken's reflections on the discontent expressed by many intellectuals about life in America, as they seek refuge in foreign lands. He associates himself with these sentiments, lamenting the incompetence and corruption of the U.S. government and its judicial system, while also expressing a sense of loyalty to his nation. Mencken delineates his own definition of happiness, suggesting that being well-fed, feeling superior to the masses, and finding amusement in daily life contributes to one’s contentment. He avers that, despite the flaws he sees in the American character and governance, he remains cheerfully engaged with the nation, viewing it as a grand spectacle that amuses him with its absurdities and follies. This sets the stage for a wider exploration of Mencken's views on various cultural and societal issues in subsequent essays.
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