Author
Rubén Darío
1867-1916
Rubén Darío (1867-1916) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Rubén Darío
Azul... Obras Completas Vol. IV
"Azul..." by Rubén Darío is a collection of prose and poetry written in the late 19th century. The work showcases the author’s artistic and poetic talent, reflecting a cosmopolitan outlook infused with the influences of French literature and culture. Through a compilation of narratives and verse, Darío explores themes of imagination, art, and the complexities of existence, leaving a distinct mark on Hispanic literature. The opening of "Azul..." features a letter of admiration and appraisal from a distinguished literary critic to Rubén Darío, expressing initial skepticism about the title and its connection to Victor Hugo's assertion that "art is azure." However, upon reading, the critic realizes Darío's remarkable originality and depth of thought, unfolding his surprise at the author's sophisticated understanding of the modern literary world despite having lived in Nicaragua. The critic acknowledges the rich influences that shape Darío's prose and poetry, noting how it transcends traditional boundaries and reflects a unique blend of creativity, artistry, and a profound connection to nature and human emotions.
Los Raros Obras Completas Vol. VI
"Los Raros" by Rubén Darío is a collection of essays and critiques written in the late 19th to early 20th century. This work explores the Symbolist movement, particularly focusing on its impact in America as Darío sought to introduce this artistic style to his continent. Through his reflections on various poets and artists, he celebrates individualism, creativity, and the pursuit of beauty in art, providing a rich context for the literary influences of his time. At the start of the collection, the author presents a prologue reflecting on the evolution of his thoughts over the past twelve years, during which he first encountered Symbolism in France. He acknowledges the passion and admiration he holds for artists like Edgar Allan Poe and Flaubert, while critiquing the prevailing literary trends he finds lacking in depth. The opening portion also discusses key figures in the Symbolist movement, emphasizing the duality of artistic genius against a backdrop of personal struggle, thus setting a tone that invites readers to delve deeper into the world of literary aesthetics and their practitioners as articulated by Darío.
España Contemporánea Obras Completas Vol. XIX
"España Contemporánea" by Rubén Darío is a historical account written in the late 19th century. This work offers reflections on the cultural, political, and social landscape of contemporary Spain, particularly focusing on its complexities and the influences of various regions, such as Catalonia. The opening of the book presents the author aboard a ship, reminiscing as he approaches Spain from Argentina, where he reflects on the connection between the two nations. He draws upon his observations of the diverse passengers, including a criminal being extradited to Italy, establishing a juxtaposition between different strata of society. Through his vivid descriptions, Darío conveys a sense of nostalgia and expectation for his home country, while also hinting at its struggles and societal issues. The opening thus sets the stage for a deep exploration of Spanish identity and its modern transformations.
Cantos de Vida y Esperanza, Los Cisnes y otros poemas. Obras Completas Vol. VII
"Cantos de Vida y Esperanza, Los Cisnes y otros poemas" by Rubén Darío is a poetry collection published in 1905. This work marks a turning point in Darío's modernist style, moving beyond exotic imagery toward political and social themes. The fifty-nine poems celebrate Latin American identity, reconcile with Spanish heritage, and protest U.S. imperialism. Darío blends classical forms with innovative meters, creating deeply personal reflections on aging, love, and cultural pride that defined his mature voice.
Todo al Vuelo Obras Completas Vol. XVIII
"Todo al Vuelo" by Rubén Darío is a literary work likely belonging to the early 20th century, blending elements of prose and poetic reflection. The writing captures the essence of various characters, notably exploring the vibrant milieu of Paris and the diverse personalities that populate its streets, reflecting an appreciation for cultural nuances and a critique of societal norms. The opening of "Todo al Vuelo" presents a series of vignettes that reveal the author's keen observational skills, as he describes the lively interactions and distinctive characteristics of people in Paris. He draws attention to a particular figure, a proud and well-dressed Black man in a Panama hat, amidst a crowd of colorful expatriates, reflecting the rich tapestry of cultures in the city. The narrative flows through various encounters and observations about these 'exóticos' and engages with themes of identity and social status, suggesting that the setting of Paris becomes a character in its own right through its dynamic and diverse inhabitants.
La Caravana Pasa Obras Completas Vol. I
"La Caravana Pasa" by Rubén Darío is a literary work that likely resembles a collection of essays or prose poetry written in the early 20th century. The text explores themes of art, culture, and society, particularly in relation to the author's reflections on music and the artistic landscape of his time. Darío delves into the lives of wandering musicians and the cultural milieu that surrounds them, reflecting on the contrasts of beauty and the darker, often harsh realities of urban life. At the start of the work, the narrative vividly describes the return of street musicians with the arrival of spring, highlighting the joy they bring through their songs. The atmosphere captures the essence of urban life where music can temporarily lift spirits, even amidst the city's threats. The opening sets a tone of celebration for the arts while simultaneously hinting at the social issues that linger beneath the surface, creating a commentary on the relationship between artistic expression and the struggles inherent in society. Overall, it serves as an introduction to a deeper exploration of beauty and sorrow interwoven in everyday life.
Parisiana Obras Completas, Vol. V
"Parisiana" by Rubén Darío is a literary work written in the late 19th century. This book offers a collection of reflections and observations, predominantly focusing on the lives of exiled royals and the intertwining of personal anecdotes with historical commentary. The narrative brings to life figures such as Eugenia de Montijo and Isabel II, encapsulating their regal experiences amid the backdrop of European politics. The opening of "Parisiana" sets the stage for a rich tapestry of historical narrative, blending biography with social commentary. Darío introduces readers to the somber presence of Eugenia de Montijo, reflecting on her transformation from an empress to a neglected widow. The text contrasts her fate with that of Isabel II, who maintains her royal dignity in exile. Through vivid descriptions and poignant anecdotes, the author paints a picture of the emotional struggles faced by these historical figures, inviting readers to consider the transient nature of power and the poignant realities of loss and memory.
El Viaje a Nicaragua é Historia de mis libros Obras Completas, Vol. XVII
"El Viaje a Nicaragua é Historia de mis libros" by Rubén Darío is a travel narrative and autobiographical account likely written in the late 19th century. The text reflects Darío's return to his homeland after a long absence, exploring themes of nostalgia, identity, and the rich cultural heritage of Nicaragua. Darío's lyrical prose captures the beauty of the Nicaraguan landscape and the vibrancy of its people, inviting readers to delve into a deep appreciation for his native land. The opening portion of the book presents Darío's emotive reflections as he embarks on a journey back to Nicaragua after fifteen years away, reminiscing about the landscapes and memories that shaped his youth. He describes his travel route through New York and Panama, facing the challenges of the journey while being enchanted by the flora and the people he encounters. As he approaches Nicaragua, he conveys a sense of anticipation and affection for the land that he refers to as his "mother country," setting the stage for a narrative rich with personal history and poetic observations. This part serves as both a personal voyage and a broader exploration of Nicaraguan culture and identity, establishing the book as a heartfelt ode to his homeland.
Peregrinaciones Obras Completas Vol. XII
"Peregrinaciones" by Rubén Darío is a travelogue written in the early 20th century. The work captures the author's observations and reflections during a visit to the 1900 Exposition Universelle in Paris, showcasing the city and its artistic and architectural marvels. The narrative is rich with descriptions, highlighting the vibrancy of the event and the cultural confluence that characterizes Paris. The opening of "Peregrinaciones" immerses the reader in the bustling atmosphere of Paris as preparations for the grand exposition unfold. Darío vividly describes the chaos and beauty of the city's architecture, comparing it to a mythical vision seen from the heights of the Eiffel Tower. As multitudes from diverse backgrounds converge upon the city, he reflects on the significance of the fair in celebrating human creativity and progress. The prose is ornate and lyrical, emphasizing the joys of art and culture while setting the stage for the journey through the exhibition that follows.
Cuentos y crónicas Obras Completas Vol. XIV
"Cuentos y crónicas" by Rubén Darío is a collection of fictional narratives written in the late 19th century. The work showcases a variety of short stories that delve into themes of love, philosophy, and the existential musings of its characters, notably the enigmatic Doctor Z, who reflects on the nature of time and human experiences. At the start of this collection, we are introduced to the character of Doctor Z during a New Year's celebration, where he engages in deep philosophical discourse with companions at a gathering. He reminisces about his youth and his encounters with the Revall sisters, especially the youngest, Amelia, who captured his affection. As he reflects on his past and the nature of time, the narrative sets the stage for a poignant story involving unfulfilled love and the passage of years, culminating in a revelation that challenges the notions of memory and the persistence of innocence. The opening portion combines elements of nostalgia with philosophical inquiry, inviting readers to ponder the deeper meanings of human connection and the inexorable progression of time.
Cabezas: Pensadores y Artistas, Políticos Obras Completas Vol. XXII
"Cabezas: Pensadores y Artistas, Políticos" by Rubén Darío is a collection of essays or literary reflections written in the late 19th century. The work delves into notable figures of Hispanic American literature, philosophy, and politics, highlighting their contributions and significance in the cultural landscape of a rapidly changing society. The opening portion particularly discusses prominent individuals like Jacinto Benavente and José Enrique Rodó, framing them within the context of their time and illustrating their impact on their fields. At the start of the work, the author introduces Jacinto Benavente’s entrance into the Real Academia Española and the mixed reactions it evokes, suggesting the complexity of his reputation in both elite and popular circles. Rubén Darío notes that despite Benavente's renowned status, his works reflect universal themes intricately woven into the Madrid social fabric. The piece also touches on José Enrique Rodó, portraying him as a new thinker akin to Emerson, emphasizing his depth of thought and the poetic nature of his writings. The first chapter sets the stage for a broader examination of influential intellectuals, capturing a moment of cultural self-examination and appreciation for the artistic discourse in Spanish literature.
Prosa Política (Las Repúblicas Americanas) Obras Completas Vol. XIII
"Prosa Política (Las Repúblicas Americanas)" by Rubén Darío is a political commentary written in the early 20th century. This work explores various aspects of the emerging political landscape and collective identity of South American republics during a time of significant change and development. The main focus is how these countries, particularly Argentina, Venezuela, and Cuba, navigate their national aspirations in the context of both historical struggles and potential for future growth. The opening of the text delves into the notable development of Argentina as a prosperous nation, contrasting it to the challenges faced by its neighbors. Darío highlights Argentina's journey towards establishing a robust identity and economic stability, discussing its cultural advancements and the importance of public education. He briefly touches on Venezuela's storied past of liberation while emphasizing its resilience and civic spirit, and then shifts focus to Cuba, reflecting on its rich natural resources and the fervent desire for independence. Through rich descriptions and historical context, the beginning of the book establishes a framework for understanding the political ambitions and cultural pride of these nations.
Prosas Profanas Obras Completas Vol. II
"Prosas Profanas" by Rubén Darío is a collection of poems written in the late 19th century. This work showcases the poet's exploration of aesthetic themes, reflecting his preoccupation with beauty, love, and the complexities of existence. Throughout the collection, Darío employs rich imagery and musical language to evoke a variety of emotions and settings, often incorporating elements from classical mythology and romance. The opening of "Prosas Profanas" introduces a lyrical style that combines personal reflection with vivid descriptions. It begins with a note on the original publication, indicating an engagement with literary form and tradition. The text further unfolds into poems rich with characters, including the enchanting figure of the marquesa Eulalia, whose beauty and allure captivate her admirers. In this opening section, the reader is invited to immerse themselves in a world where natural beauty and human emotions intertwine, establishing the tone for Darío's exploration of the poetic experience.
Poema del Otoño y otros poemas Obras Completas Vol. XI
"Poema del Otoño y otros poemas" by Rubén Darío is a collection of poetry written during the early 20th century. This work captures the essence of nature, love, and existential reflections through lyrical verses, showcasing Darío's mastery of rhythm and emotion. The collection focuses on themes such as the passage of time, the beauty of fleeting moments, and the interplay between joy and melancholy. The poems within the collection range from reflections on the autumn season, which symbolically represents the passage of life, to vibrant depictions of tropical landscapes and personal musings on love and beauty. The poem "Poema del Otoño" evokes feelings of nostalgia and introspection, while pieces like "Intermezzo Tropical" celebrate the lushness of nature. Other works, such as "Los motivos del lobo" and "La rosa niña," weave in moral lessons and charming narratives that highlight Darío's ability to blend the whimsical with the profound, creating a tapestry of emotions that resonate widely. Overall, this collection offers readers a rich experience of Darío's poetic prowess and thought-provoking observations on life.
Tierras Solares Obras Completas Vol. III
"Tierras Solares" by Rubén Darío is a poetic and reflective essay written in the late 19th century. This work explores themes of identity, culture, and the contrasts between the past and present, particularly focusing on Spain's regions such as Barcelona and Málaga. Through vivid descriptions, the author engages with the social, political, and environmental landscapes of these locales, reflecting on both their beauty and struggles. The opening of "Tierras Solares" presents Rubén Darío’s return to Barcelona after some time away, expressing his admiration for the city’s industrious spirit and its vibrant culture. He draws comparisons between the past and the present, acknowledging a renewed energy in Spain despite ongoing political turmoil and societal issues. As he describes the bustling life of Barcelona and his observations of Málaga, Darío sheds light on the vitality and charm of these places, while also hinting at the underlying grievances and unrest among the populace. The text establishes a lyrical tone that promises a deeper exploration of Spain's cultural identity throughout the essays that follow.
El Canto Errante Obras Completas Vol. XVI
"El Canto Errante" by Rubén Darío is a collection of poetic works written in the late 19th century. The collection explores themes of beauty, existence, and the nature of art, often reflecting Darío's admiration for poetry and the artistic spirit. It offers a glimpse into the soul of the poet, his reflections on life, and his musings on the historical and cultural legacy that shapes identity. The opening portion introduces a range of ideas and sentiments about the role of poetry and the poet's vocation in society. Darío begins with a celebration of art, quoting historical figures and discussing the importance of poetic forms and expression. He addresses concerns about the perceived decline of poetry amidst modern distractions while insisting on its everlasting relevance. Various poetic forms and aesthetic principles are touched upon, showcasing Darío's desire to capture the beauty and complexity of life through his verses. The opening sets a reflective tone, inviting readers to consider the depth and significance of artistic expression in both personal and collective human experiences.
Opiniones Obras Completas Vol. X
"Opiniones" by Rubén Darío is a collection of essays written in the early 20th century. The work reflects Darío's perspectives on various subjects he has encountered, capturing his thoughts and feelings in a noble and expressive manner. This book serves as a platform for the author to share his insights into literary figures, social issues, and the human condition, aiming to foster an appreciation for freedom of thought and expression. The opening of "Opiniones" establishes the tone for Darío's exploration of ideas, beginning with a reflection on the life and death of the French author Émile Zola. Darío describes Zola's impact on society, emphasizing his commitment to truth and social justice amidst adversity. Through vivid imagery, he illustrates the mournful yet celebratory atmosphere at Zola's funeral, filled with both intellectuals and workers who came to honor his legacy. The text continues to delve into Zola's contributions as a moral visionary and his struggles against societal norms, setting the stage for Darío's broader commentary on the responsibilities of writers and the meaning of genuine greatness in literature.
Lira Póstuma Obras Completas Vol. XXI
"Lira Póstuma" by Rubén Darío is a collection of poems written in the early 20th century. This work reflects the voice of modernismo, showcasing Darío's celebrated lyrical style and profound themes. The collection likely addresses the complexities of existence, love, and social issues, encapsulating both personal and universal experiences. The content of "Lira Póstuma" features a rich tapestry of imagery and sentiment, with each poem exploring distinct yet interconnected themes. Darío navigates topics such as the relationship between life and death, the beauty of nature, the pain of love, and the struggles of society. The poems vary in tone, some celebrating love and beauty while others lament injustice and sorrow. Throughout the collection, Darío employs masterful language and metaphor, inviting readers to reflect on the essence of humanity and the complexities of emotional experiences.
Prosa Dispersa Obras Completas Vol. XX
"Prosa Dispersa" by Rubén Darío is a collection of literary essays written during the late 19th century. This work covers a variety of topics related to literature, critique, and notable cultural figures of his time, showcasing Darío's reflections and insights into the artistic landscape. The essays discuss significant literary themes and celebrate the accomplishments of poets and writers, as well as the evolution of literary movements, particularly symbolism. At the start of the collection, Darío shares an anecdote from a conversation with prominent literary figures in Paris, including Charles Morice and the poet Maurice Duplessis. This opening sets the tone for engaging discussions on the nature of poetic identity, the role of poetry within society, and the often-misunderstood hierarchies of artistry. He critiques the idea that poets can hold ranked positions, emphasizing the uniqueness of each poet's contribution regardless of their popularity, and lays the groundwork for deeper explorations of literary merit and the evolving relationship between art and public perception. This introductory portion invites readers into Darío's vibrant literary world, blending personal narrative with critical analysis.
Canto a la Argentina, Oda a Mitre y otros poemas Obras Completas Vol. IX
"Canto a la Argentina, Oda a Mitre y otros poemas" by Rubén Darío is a collection of lyrical poems written in the early 20th century. The book primarily explores themes of national identity, cultural pride, and the aspirations of Argentina as a burgeoning nation. Darío, a central figure in Spanish-language modernism, employs rich imagery and emotional resonance to convey his vision of Argentina and its potential. The collection begins with "Canto a la Argentina," where Darío enthusiastically praises the country's landscape, history, and ethnic diversity. He invites all people, particularly immigrants, to embrace a new life in Argentina, presenting it as a land of opportunity and freedom. Following this are the "Oda a Mitre," which honors the Argentine statesman Bartolomé Mitre for his contributions, along with several other poems that reflect on unity, empowerment, and cultural self-awareness. Throughout, Darío's poetic voice resonates with a sense of hope and a call for solidarity among the diverse inhabitants of Argentina, aiming to inspire a collective identity and pride in their nation.
Autobiografía Obras Completas Vol. XV
"Autobiografía" by Rubén Darío is a memoir written during the late 19th century. The book captures the life and experiences of the esteemed Nicaraguan poet, detailing his personal history, family background, and formative years. It provides insight into his early influences, cultural context, and the socio-political environment of Central America during his upbringing. The opening of "Autobiografía" introduces readers to Darío's childhood, beginning with his reflections on his baptism in León, Nicaragua. He recounts aspects of his family life, including the circumstances of his parents' marriage and his early memories of living with his relatives in humble conditions. Throughout this portion, he describes vivid recollections of his mother, education, social interactions, and the haunting atmosphere of his youth filled with superstitions and visions of grandeur. As he navigates through various family dynamics and childhood adventures, he lays the groundwork for his later literary aspirations and the complexities of his identity.
Letras Obras Completas Vol. VIII
"Letras" by Rubén Darío is a collection of essays and reflections written in the early 20th century. The work explores various literary topics, presenting a rich tapestry of ideas about literature, culture, and the role of the writer in society. Darío delves into complex themes such as the influence of cities on creativity, the nature of ideas, and the artistic life, focusing on the interconnectedness of literature and personal experience. At the start of "Letras," the author introduces the concept of a "city of books," suggesting that ideas inhabit their own realm much like humans in a city. He employs a vivid metaphorical landscape to illustrate how ideas take form and shape, comparing them to individuals in different societal classes. Darío reflects on the architectural aspects of literature, likening books to houses that shelter ideas, and he further discusses the influences of cities like Paris, capturing how global literary movements interweave with local cultures. This opening portion sets a contemplative tone, establishing Darío as a thoughtful observer of the literary world and its myriad influences, while engaging readers with eloquent prose that invites deeper exploration of the subject matter.