Author
Federico De Roberto
1861-1927
Federico De Roberto (1861-1927) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Federico De Roberto
Gli amori
"Gli amori" by Federico De Roberto is a novel written in the late 19th century. The book explores themes surrounding love, relationships, and the complexities of human emotions, particularly the dynamics between men and women. It delves into philosophical discussions about the nature of love and communication, suggesting that true understanding between individuals, especially in romantic contexts, is fraught with challenges. The opening portion of the novel sets the stage for a lively exchange of letters between an unnamed narrator and a woman referred to as "contessa." In the preface, the narrator expresses his belief that the nuances of love and the challenges men and women face in understanding one another are vital subjects worthy of exploration. The narrative then introduces the story of a man and a woman who shared a deep love but ultimately drifted apart, illustrating the enduring memories and feelings that linger even after separation. As the narrator reflects on the nature of their relationship, he grapples with the complexities of love, communication, and the quest for connection, foreshadowing the thematic explorations that follow in the text.
Catania
"Catania" by Federico De Roberto is a historical account written in the early 20th century. The work intricately details the city of Catania, emphasizing its rich history, notable landmarks, and the impact of natural disasters, specifically earthquakes and volcanic eruptions from Mount Etna. The narrative is not just about the city's architecture and historical events but also reflects on the resilience of its people. The opening of "Catania" sets a reflective tone as the author contemplates the immense history and beauty of the city, which has been ravaged multiple times by disasters. Through a vivid and poetic prose style, De Roberto introduces the reader to Catania's geographical setting at the base of Mount Etna and alludes to its past glory contrasted with its current state post-catastrophes. He mentions ancient sources and incidents, such as earthquakes and eruptions, that have shaped Catania over centuries. The text captures the juxtaposition between the city's enduring spirit and the destructive forces of nature, setting the stage for a deeper exploration of its identity.
Leopardi
"Leopardi" by Federico De Roberto is a biographical study written in the early 20th century. The work delves into the life and creative genius of the Italian poet Giacomo Leopardi, exploring his extraordinary imagination, sensitivity, and the philosophical depth that characterized his literary contributions. The book appears to be an insightful examination of Leopardi's dual nature as both a poet and philosopher, illustrating the complexities of his character and his struggles with health and existential despair. The opening of the work introduces us to the early years of Giacomo Leopardi, highlighting his precocious talents and vivid imagination. At the age of eight, Leopardi is depicted as a storyteller who created elaborate tales to entertain his siblings, showcasing his ability to infuse life into his characters. As he matured, his literary prowess was accompanied by an intense sensitivity that influenced both his poetry and his philosophy. The text reveals the early signs of his struggle with physical ailments and emotional turmoil, foreshadowing the profound influence of these factors on his later works and his overall perspective on life. This initial portion sets the stage for a deeper exploration of the emotional and intellectual conflicts that define Leopardi's legacy.
L'Arte
"L'Arte" by Federico De Roberto is a philosophical work written in the early 20th century. The text delves into the concept of beauty and its relationship with art and nature, exploring the various theories proposed by different philosophers throughout history. It raises fundamental questions about aesthetics and the essence of artistic expression, aiming to analyze the complex interplay between art, perception, and emotion. The opening of the book presents a comprehensive discussion on the definitions of beauty as seen through the lens of various thinkers, including references to literary and philosophical figures such as Flaubert. It highlights the central challenge of defining beauty itself, noting that many esteemed philosophers struggle to provide a definitive answer. Additionally, De Roberto introduces the idea that true artistic expression must convey a deeper essence beyond mere representation, implying that an artist’s interpretation arises from their unique temperament and perception of the world. This thought-provoking foundation sets the stage for a deeper inquiry into aesthetic principles and the nature of artistic creation that unfolds throughout the work.
L'Illusione
"L'Illusione" by Federico De Roberto is a novel likely written in the late 19th century. The narrative introduces us to a family setting, centered around the grand arrival of the grandfather, with playful interactions among the grandchildren, particularly focusing on Teresa and Lauretta. The story explores themes of familial relationships, nostalgia, and the contrasting atmosphere between the vibrant city of Florence and the quieter, more provincial life in Milazzo. At the start of "L'Illusione," we witness a cheerful reunion as Teresa eagerly waits for her grandfather’s return to Florence. The scene is filled with lively exchanges between family members and the children’s excitement. However, the joy is quickly shadowed by hints of underlying tensions involving the adults, particularly regarding the father’s absence and the mother's fragile emotional state. As the narrative progresses, Teresa showcases a mixture of youthful exuberance and growing awareness of the complexities within family dynamics, setting the tone for her character’s development throughout the novel.
Al rombo del cannone
"Al rombo del cannone" by Federico De Roberto is a historical account written in the early 20th century. The work reflects upon Italy's military and political history during times of war, specifically across different periods, focusing on the conflicts the nation has faced. De Roberto draws on historical documents and soldier memoirs to explore themes of independence and national unity. The opening of "Al rombo del cannone" sets a solemn tone, describing Italy’s involvement in a relentless war against the Austro-Hungarian Empire during World War I. The narrative begins with Italy's military campaigns, detailing the tumultuous landscapes from the Adige to the Isonzo and referencing significant battles and locations. The author not only connects the current war efforts to historical military campaigns but also analyzes the past influences of figures like Napoleonic forces and the complexities of alliances, illustrating a rich historical context steeped in ideas of independence and national struggle.
La sorte
"La sorte" by Federico De Roberto is a short story collection published in 1887. This early work shows the influence of Giovanni Verga's writing, particularly his focus on rural Sicilian life. However, De Roberto turns his unflinching eye toward different subjects: the declining nobility and the aspiring lower middle class of Sicily. Through eight stories, he explores themes of fate and social ambition that would later define his mature works, offering a glimpse into the rigid class structures of 19th-century Italian society.
La messa di nozze; Un sogno; La bella morte
"La messa di nozze; Un sogno; La bella morte" by Federico De Roberto is a novel written during the late 19th century. It explores themes of love, betrayal, and the human condition through the complex relationship between the main characters, Domenico Perez and Lodovico Bertini, as they navigate emotional turmoil, infidelity, and societal conventions in their quests for personal fulfillment. At the start of the story, Professor Domenico Perez is finishing a lesson on Sophocles' "Oedipus Rex" when he unexpectedly encounters his old friend Lodovico Bertini, who has returned from Florence. Their conversation reveals Bertini’s profound distress, stemming from the anticipation of his beloved woman's betrayal on the same evening he visits. The narrative intricately depicts their exploration of love and fidelity as Bertini grapples with the impending reunion of his lover, Rosanna, with her husband, whom she had previously left to be with Bertini. This introduction sets the stage for a deep exploration of the emotional complexities involved in love, loyalty, and societal expectations.
Documenti Umani
"Documenti Umani" by Federico De Roberto is a short story collection published in 1888. This work aims to document the strange psychology of human beings, following the methods of Paul Bourget's school. The thirteen stories explore hidden realities beneath surface appearances and emotions, though critics note their romantic stamp with carefully wrought prose and heightened dramatic elements. The collection represents De Roberto's developing maturity as a narrator while revealing his persistent attraction to psychological investigation and thesis-driven storytelling.
Espasmo
"Espasmo" by Federico De Roberto is a novel written in the early 20th century. The story unfolds in a Swiss setting and revolves around intense human passions, particularly a dramatic incident involving the tragic love affair of the Condesa d'Arda and the revolutionary Prince Alejo Zakunine. The narrative contrasts themes of political duty against the backdrop of overwhelming emotional turmoil. At the start of the novel, we witness a shocking event on the shores of Lake Geneva in 1894—a woman, the Condesa, lies dead from a gunshot wound in her villa, with her lover, Prince Zakunine, in a state of despair over her unexpected death. The scene evokes strong curiosity among onlookers, and as the authorities arrive, questions arise around the circumstances leading to her demise. Various characters, including a baroness and other witnesses, speculate on motives and emotions, hinting at deeper feelings of jealousy and betrayal. This preliminary investigation sets a tense and suspenseful tone for the unfolding drama, exploring themes of love, loss, and the weight of one’s responsibilities.
Spasimo
"Spasimo" by Federico De Roberto is a novel written in the late 19th century. The book delves into a tragic incident involving the death of the countess d'Arda, discovered at her villa beside Lake Geneva, and explores the complex emotions of the people connected to her, especially the prince Alessio Zakunine, who is deeply affected by her demise. The narrative seems to intertwine themes of love, despair, and existential questioning, as well as incorporating a murder investigation element. The opening of "Spasimo" introduces the reader to the scene where the countess is found dead at her villa, apparently from a gunshot wound. This shocking event occurs before a backdrop of intrigue among those present, including her lover, the prince Zakunine, who is portrayed as distraught and fearful. The initial moments are filled with chaotic emotion as onlookers and servants try to understand what has happened, while conversations hint at past grievances and the nature of the relationships between the characters. The arrival of law enforcement further escalates the tension, suggesting an exploration of culpability as suspicions arise, especially concerning the prince and a mysterious young woman present.
Ermanno Raeli
"Ermanno Raeli" by Federico De Roberto is a novel published in 1889. The story follows Ermanno Raeli, a young man of mixed Sicilian and German heritage, who is passionate, poetic, yet prone to mysticism and escapism. After traveling through Europe, he settles in Palermo where he becomes captivated by two women: Rosalia di Verdara, his friend's wife, and the young Massimiliana di Charmory. As Ermanno pursues love while navigating loyalty and honor, dark secrets emerge that lead to a devastating conclusion.
Il colore del tempo
"Il colore del tempo" by Federico De Roberto is a philosophical treatise written in the late 19th century. The content delves into the nature of literature and journalism, discussing the ephemeral nature of newspapers compared to the lasting impact of literary works. The opening presents a reflection on the rapid changes and frenetic pace of contemporary life, questioning the quality of intellectual output in a society that demands quick consumption and adaptability. At the start of the work, the author contrasts the fleeting existence of newspapers with the enduring essence of books, suggesting that literary compilations of diverse articles can capture the "color of time." He reflects on the transformation in literary styles due to societal changes and technological advancements, pondering if modern authors lack the ambition to create cohesive masterpieces. De Roberto touches upon the impact of democratic ideals on writing, hinting at a deep-seated tension between rapid societal progress and the profound longing for meaningful expression in both literature and life.