Author
Marc Elder
1884-1933
Marc Elder (1884-1933) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Marc Elder
Deux essais: Octave Mirbeau, Romain Rolland
"Deux essais: Octave Mirbeau, Romain Rolland" by Marc Elder is a critical study written in the early 20th century. This work examines the literary and philosophical contributions of two prominent French authors, Octave Mirbeau and Romain Rolland, highlighting their perspectives on art, society, and human experience. The text seems to delve into their lives, works, and the broader social context in which they created, appealing to readers interested in literary criticism and the evolution of modern thought. The opening of the work introduces both authors and sets a reflective tone. It paints vivid descriptions of Mirbeau's countryside retreat where he finds solace in nature and gardening, emphasizing his connection to life and art. The narrative generally shifts to exploring the hardships faced by humans and the value of pain and struggle as vital components of existence, suggesting that both authors grapple with profound themes of suffering and creativity. As Elder contrasts their approaches and ideals, he hints at the complexities and contradictions within each author's philosophy, setting the stage for a deeper analysis of their literary legacies.
Le Peuple de la mer
"Le Peuple de la mer" by Marc Elder is a novel published in 1913. This Prix Goncourt-winning work presents three interconnected chronicles set in the village of L'Herbaudière on the island of Noirmoutier. The novel portrays the interwoven destinies of sailors, fishermen, and lighthouse keepers who make their lives along the Atlantic coast. Through these chronicles—titled The Boat, the Woman, and the Sea—Elder captures the rhythms and struggles of a maritime community bound to the ocean's unforgiving embrace.
Meren kansa
"Meren kansa" by Marc Elder is a novel written in the early 20th century. Set in a rugged island fishing community, it follows the quiet, driven fisherman Urbain Coët as he commissions a new boat and clashes with envy, superstition, and pride among his peers. His world includes his steadfast wife Marie-Jeanne, his younger brother Léon, the three-generation Goustav shipwrights, and jealous rivals like Julien Perchais and the Aquenette brothers. The opening of the novel shows Urbain thwarting a nighttime attempt to burn his half-built boat and then guarding the shed through the dark, already sensing the malice of local competitors. By day we see the Goustavs’ traditional craft, the village’s gossip about a past shipwreck and rumored money, and rising taunts in the tavern. Urbain pointedly christens his vessel “Kadehtijain mieliharmi” (to spite the enviers), provoking a Sunday crowd to inspect the hull and sparking a scuffle with Tupla-Heikki. His cautious farmer father-in-law scolds the risk, underscoring the land–sea divide, while the townsfolk’s admiration mixes with resentment. The boat is launched to cheers as a squally wind builds; a fallen bouquet and a grizzled sailor’s remark unsettle Marie-Jeanne, Léon stays aboard to watch through the night, and the scene closes with the storm rising and a note of foreboding.