Author
J. Berg (Joseph Berg) Esenwein
1867-1946
J. Berg (Joseph Berg) Esenwein (1867-1946) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by J. Berg (Joseph Berg) Esenwein
The Art of Public Speaking
"The Art of Public Speaking" by J. Berg Esenwein and Dale Carnegie is a self-help guide written in the early 20th century. This book focuses on the principles and techniques required for effective public speaking, emphasizing the importance of self-confidence, clarity, and the individual expression of thoughts. It aims to serve as a comprehensive resource for anyone seeking to improve their public speaking skills, making it suitable for both novices and experienced speakers. The opening of the book establishes foundational principles for public speaking, asserting that effective communication is rooted in the speaker's internal qualities rather than mere external techniques. The authors emphasize that confidence is key, recommending that speakers confront their fears by practicing in front of audiences. They argue that self-consciousness can be overcome by absorbing oneself in the subject matter and prioritizing the message over personal insecurities. Additionally, the chapter lays out the necessity of preparation, suggesting that a well-informed speaker who expresses genuine passion is likely to engage an audience far more effectively than one who lacks substance or is bogged down by self-doubt.
Writing the Photoplay
"Writing the Photoplay" by J. Berg Esenwein and Arthur Leeds is a comprehensive guide on the craft of screenwriting that was written in the early 20th century. This instructional text aims to equip aspiring writers with the necessary tools and techniques for constructing effective photoplays, which are cinematic stories significantly relying on visual storytelling and action. It not only delves into the structural components of a photoplay but also emphasizes the distinct elements that set it apart from traditional prose writing. The opening of "Writing the Photoplay" introduces the concept of a photoplay as a narrative expressed largely through action and pantomime, with supporting descriptive text occasionally displayed on screen. Esenwein and Leeds clarify the importance of visual storytelling, arguing that writers need to focus on dynamic actions rather than dialogue and prose details. They highlight the necessity for a well-structured plot, accessible character motivations, and the various sequences that compose a compelling script. This foundational understanding sets the stage for the deeper exploration of writing mechanics and techniques that will follow in subsequent chapters.