Author
Charles Mills Gayley
1858-1932
Charles Mills Gayley (1858-1932) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Charles Mills Gayley
The Classic Myths in English Literature and in Art (2nd ed.) (1911) Based Originally on Bulfinch's "Age of Fable" (1855)
"The Classic Myths in English Literature and in Art (2nd ed.)" by Charles Mills Gayley is a scholarly compilation of ancient myths and their significance in English literature and art, written in the early 20th century. This work provides an extensive exploration of various mythologies, particularly Greek, Roman, Norse, and German, focusing on their influence on literary tradition and artistic representation. The text serves as both a resource for students and a guide for readers interested in how these ancient narratives shaped modern literary and artistic contexts. The opening of the book sets the stage for its educational purpose, discussing the author's intent to reorganize and expand upon the foundational material based on Bulfinch's "Age of Fable." It begins by outlining the importance of mythology in understanding English literature and art, emphasizing the necessary distinctions between fables and myths. The text introduces various mythological accounts, such as the origins of the world and the gods, detailing the primordial figures and creatures in ancient narratives. Gayley hints at how these myths have evolved into critical elements of narrative tradition in literature, laying the groundwork for a comprehensive study of their themes and significance throughout the subsequent chapters.
Francis Beaumont: Dramatist A Portrait, with Some Account of His Circle, Elizabethan and Jacobean, And of His Association with John Fletcher
"Francis Beaumont: Dramatist" by Charles Mills Gayley is a scholarly account written in the early 20th century. The book explores the life, works, and influence of the esteemed Elizabethan dramatist Francis Beaumont, alongside his close collaborator John Fletcher. The author seeks to illuminate Beaumont's contributions to drama in relation to his contemporaries, particularly Shakespeare, while also detailing his historical context and personal connections. At the start of this comprehensive study, Gayley introduces Beaumont as a significant figure in the Elizabethan and Jacobean drama scene, often overshadowed by Shakespeare. Gayley emphasizes the intertwined careers of Beaumont and Fletcher, dubbing them the "twin literary heroes" of their time, and articulates his goal to distinctly portray Beaumont's unique artistic personality. The opening chapters highlight Beaumont's lineage, early life, and familial ties, establishing the foundation for understanding how his background and social connections shaped his literary endeavors. Additionally, Gayley lays the groundwork for Beaumont's eventual collaboration with Fletcher, underscoring the significance of their joint contributions to the theatrical landscape of their era.