Author
Antonio Ghislanzoni
1824-1893
Antonio Ghislanzoni (1824-1893) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Antonio Ghislanzoni
Racconti politici
"Racconti Politici" by Antonio Ghislanzoni is a collection of political narratives written in the late 19th century. The stories delve into the passionate sentiments surrounding Italy’s struggle for national unity during the tumultuous years leading up to and following the wars of independence. The narratives introduce several characters, including Don Remondo, a priest troubled by loss and duty, and Gregorio, an innkeeper whose family experiences are intertwined with the broader struggles of Italian volunteers fighting against Austrian rule. At the start of the work, the setting is a small village in Val di Intelvi, where the local priest reads about the unfolding war efforts, fostering a sense of urgency and patriotism among the villagers. Together with an elderly innkeeper and his family, they engage in discussions about joining Garibaldi's forces, revealing their diverse motivations—ranging from deep-rooted resentment against foreign oppression to the romantic allure of heroism. As their conversations unfold, themes of duty and sacrifice emerge, foreshadowing the intricate interplay of personal and collective narratives that will shape the characters’ destinies amidst the political upheaval in Italy.
Racconti e novelle
"Racconti e novelle" by Antonio Ghislanzoni is a collection of short stories written in the late 19th century. The work likely reflects the author's social observations and personal experiences, as well as capturing the essence of Italian life during that period. The stories may explore themes of friendship, ambition, and moral dilemmas, inviting readers into the lives and struggles of various characters. The opening of the collection introduces the story "Dietro una Valanga," where two friends, Franz and Joseph, navigate a snowy path, discussing their fortunes and past experiences in America. As their conversation unfolds, it highlights their contrasting attitudes towards wealth and responsibility. Suddenly, they are caught in a snow avalanche, leading to their entrapment in a cave. Their predicament sets the stage for a deeper exploration of their values, as Joseph resorts to opportunistic behavior to survive, while Franz grapples with moral conflicts over their situation. This tension hints at the intricacies of human nature that Ghislanzoni seeks to unravel throughout the collection.
L'arte di far debiti
"L'arte di far debiti" by Antonio Ghislanzoni is a satirical guide written in the late 19th century. The text presents the character Roboamo Puffista, a self-styled baron and master of living life off of credit, as he shares his insights and strategies for navigating the world of debt. The book's central theme revolves around the celebratory art of borrowing, especially from an increasingly debtor-focused society, and the protagonist aims to elevate the concept of being a "puffista" as a noble pursuit. The opening of the book introduces Roboamo Puffista, who finds himself on the brink of financial ruin, surrounded by overdue debts and creditors. He recounts his background and presents his mission: to share the art of incurring debt without remorse. Puffista humorously examines societal attitudes toward the wealthy and the poor while setting a tone rife with irony about the nature of credit and obligation. He posits that, in the future, the world will overwhelmingly consist of debtors, suggesting the ridiculousness of financial responsibility in a society that thrives on credit. Through his witty commentary, the beginnings of a philosophy emerge that champions the strategies of living lavishly without a tangible means to support such a lifestyle.
Libro segreto
"Libro Segreto" by Antonio Ghislanzoni is a theatrical work, likely a dramma per musica, written in the late 19th century. The narrative revolves around the tragic figure of Didone, the queen of Carthage, who is mourning the loss of her husband Sichèo and grappling with her emotions as she encounters Enea, the Trojan prince. The text combines elements of drama and comedy, exploring themes of love, duty, and the political tumult of forming a new nation, which is intertwined with the personal turmoil of its characters. The opening of "Libro Segreto" sets the stage with a funeral scene where Didone expresses her deep sorrow over her late husband Sichèo. As Didone mourns, the ministers engage in a politically charged dialogue filled with irony and sarcasm, highlighting the absurdities of their government. In the midst of Didone's grief, there is a sudden announcement regarding the arrival of Trojans, which piques her interest and complicates her emotional state. As her mood fluctuates—from despair to curiosity—Didone's character is fleshed out as both a grieving widow and a woman caught in the promising possibility of new love, particularly with Enea. This interplay of personal sorrow and political intrigue builds a captivating backdrop for the unfolding story.
Libro serio
"Libro serio" by Antonio Ghislanzoni is a literary work likely written in the late 19th century. The text appears to explore themes related to literature and music, emphasizing a playful contrast between the types of books people seek out, particularly focusing on the concept of "serious" literature versus more popular or entertaining genres. The work seems to nod to the notion of societal preferences in reading and the cultural dynamics surrounding artistic expression. The opening of "Libro serio" features a dialogue between an editor and the author, reflecting on the commercial success of two previous works, "Libro proibito" and "Libro allegro." While those works are received with enthusiasm, there is skepticism regarding the potential success of "Libro serio," which the editor predicts will have dismal sales due to its serious nature. This exchange sets the stage for a critique of public taste and appeals to a broader exploration within the literary scene, inviting readers to consider the existence and reception of literature that does not cater to the mainstream. The dialogue establishes a humorous yet poignant reflection on the nature of artistic ambition and societal values.
AbrakadabraL Storia dell'avvenire
"Abrakadabra: Storia dell'avvenire" by Antonio Ghislanzoni is a novel written in the late 19th century. The story opens in an alpine village, introducing an eccentric and mysterious man known only as the "Signore," who becomes the center of attention among the local residents. As he interacts with various townspeople, the book explores complex themes of politics and social ideas through engaging discussions that reveal the characters' ideological differences. The opening of the novel presents the arrival of the Signore in a small village in 1860, where he quickly earns the respect of the townsfolk due to his wealth and benevolence, as well as his engaging yet enigmatic nature. He hosts political discussions with the village's notable figures—a priest, a mayor, and a pharmacist—who represent different ideological perspectives. These debates, particularly through the voices of the pharmacist and mayor, delve into themes of political revolution, societal norms, and the implications of progress, all while the Signore remains a riveting enigma, often eliciting their curiosity and concern with the cryptic term "Abrakadabra." As the narrative unfurls, it sets the tone for deeper explorations of humanity's trajectory and the philosophies guiding social and political movements.
Libro proibito
"Libro proibito" by Antonio Ghislanzoni is a satirical collection of poetry written in the late 19th century. The work delves into societal norms, politics, and morality, exploring themes of hypocrisy and human vice through sharp wit and humor. The collection, structured around epigrams, presents a voice that seems both critical and self-aware, as it grapples with the complications of literary expression in a changing world. The opening of "Libro proibito" introduces the author’s paradoxical stance on writing and the nature of his work. Ghislanzoni presents a preface filled with self-deprecating humor, openly questioning the value of his verses while simultaneously lamenting their publication. He asserts that the content may be immoral or unappealing, aimed at exposing societal flaws rather than delighting the refined reader. This candid admission sets the tone for the collection, which promises sharp critiques of political figures, societal expectations, and literary fashions, all while engaging readers with a blend of cynicism and irony.
In chiave di baritono
"In chiave di baritono" by Antonio Ghislanzoni is a fictional narrative written in the late 19th century. The story revolves around the character of a baritone singer navigating through the turbulent political atmosphere of Italy during the years 1846 to 1849, highlighting his struggles and encounters amidst the backdrop of revolution and personal aspirations. The narrative promises a blend of humor, drama, and historical context. The opening of the story introduces the protagonist, a baritone from Chieti, who finds himself in a precarious situation while trying to cross into the Kingdom of Naples amidst rising political unrest. He reflects on his embarrassing predicament of having to navigate through enemy territory, all while his friends are bravely fighting for liberty in Rome. The tension heightens when he seeks assistance from a local marquis to support his passage, only to face the harsh realities of border control and personal financial limitations. As he contemplates his plight, he unwittingly becomes the center of attention in the small town of Grottamare, where rumors about his presence quickly spread, setting the stage for both comedic and dramatic developments.
Libro bizzarro
"Libro bizzarro" by Antonio Ghislanzoni is a novel written in the late 19th century. The story is set on the fictional island of Micomar, where unusual customs and a unique approach to marriage and society contrast sharply with European norms. The book introduces readers to the protagonist and the peculiarities of this island's culture, involving characters such as Gal-di-fuoco and the local merchant De-Tonnalli, among others. At the start of the novel, we are introduced to the island of Micomar, known for its remarkable beauty and distinctive cultural practices. The narrative describes the protagonist's arrival in Carina, the capital, where he is to stay with De-Tonnalli. The townsfolk's customs around marriage are explored, revealing that marriage is obligatory and reflects the community's vigorous morals and practices. The young Gal-di-fuoco, soon to undertake a "giro di nozze," is depicted as both eager and naive, and his interactions with local women set the stage for the exploration of love, courtship, and the comedic misunderstandings that ensue in their unique society.
La contessa di Karolystria: Storia tragicomica
"La contessa di Karolystria: Storia tragicomica" by Antonio Ghislanzoni is a fictional novel written in the late 19th century. The narrative appears to revolve around the titular character, Countess Anna Maria di Karolystria, who finds herself in a series of misadventures including a robbery and an unexpected encounter with a nobleman, the Viscount D'Aguilar. The blend of comedy and tragedy in her predicament sets the stage for a whimsical plot filled with intriguing characters. The opening of the story introduces the countess as she rides through the forest on her horse when she is ambushed and robbed by three bandits. Left vulnerable in the forest, the narration humorously emphasizes her predicament, particularly how she copes with her unexpected nudity in the wilderness. Just as her situation seems hopeless, she encounters the Viscount, who gallantly offers her his clothing to help her maintain her dignity. This initial encounter not only establishes the countess's intelligence and quick thinking but also hints at a developing bond with the Viscount, setting the stage for further escapades and misunderstandings between the characters as the story unfolds.
Libro allegro
"Libro allegro" by Antonio Ghislanzoni is a fictional narrative produced in the late 19th century. This humorous work introduces readers to an array of characters in various amusing scenarios, including anthropomorphized animals and social commentary. The book seems to blend lighthearted storytelling with reflections on human nature, focusing on themes of love, companionship, and perhaps, the folly of social conventions. At the start of the narrative, the author addresses the audience, stating that this work is dedicated to the "good jovial ones of the old days" rather than the serious generation of young people. The tale begins with two chickens, Sperongiallo and Nasella, who were raised together and develop an innocent, platonic love. Their touching yet humorous correspondence reveals their struggles after being sold at a market, highlighting both their affection for one another and the comical trials they face in a world dominated by humans. The playful tone is set with various letters exchanged between the two, delineating their experiences and sentiments in a manner that promises to entertain and amuse the reader.