Author
Edmond de Goncourt
1822-1896
Edmond de Goncourt (1822-1896) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Edmond de Goncourt
La maison d'un artiste, Tome 1
"La maison d'un artiste, Tome 1" by Edmond de Goncourt is a novel written in the late 19th century. The book immerses readers in the world of artistic life, focusing on the aesthetics, decor, and cultural atmosphere of a specific period, likely reflecting the experiences of characters involved in the artistic community. The opening of "La maison d'un artiste" sets the stage with a rich description of an artist's home located on Boulevard Montmorency, emphasizing its connection to the 18th-century furniture and art. The narrator details the entryway filled with an eclectic mix of artworks and curiosities from various cultures, highlighting a contrast between the vibrant artistic life of previous centuries and the more insular existence of the contemporary artist. The reflections delve into how art objects become comforting companions in an era marked by a decline in social interactions and the changing roles of women, creating an intriguing reflection on the interplay of art, culture, and personal identity. The narrative suggestively connects the artist's solitary contemplation with the broader shifts in society, giving readers a unique perspective on the importance of art in dealing with the challenges of modern life.
Histoire de Marie-Antoinette Nouvelle édition revue et augmentée
"Histoire de Marie-Antoinette" by Edmond de Goncourt and Jules de Goncourt is a historical account written in the late 19th century. The book explores the life and times of Marie-Antoinette, the infamous queen of France, starting from her early years through her marriage to Louis XVI and the complex politics of the French court. The authors aim to present a detailed portrait of the queen, highlighting both her personal character and the broader historical context in which she lived. The opening of the book sets the stage for Marie-Antoinette's life against the backdrop of a declining France in the 18th century and introduces her birth in the context of diplomatic maneuvers, as she is seen as a pawn in the political alliance between France and Austria. It details her journey from Austria to France, where she is presented as a young Bride at a time of national strife and royal tensions. The arrival of the Dauphine at the French court is met with both celebration and underlying political intrigue, reflecting her dual role as a royal figure and a foreigner navigating the complexities of French society and court life.
Journal des Goncourt (Troisième série, troisième volume) Mémoires de la vie littéraire
"Journal des Goncourt (Troisième série, troisième volume)" by Edmond and Jules de Goncourt is a diary written collaboratively from 1850 to 1896. This candid chronicle captures the literary and artistic world of Paris, documenting bitter rivalries, friendships, and café conversations that shaped the byzantine literary hierarchy. Through dual dictation and meticulous observation, the brothers recorded intimate details of their encounters with contemporaries like Flaubert, Zola, and Daudet. Their unflinching commentary on failures, successes, and borrowed ideas created both a remarkable historical document and strained relationships with surviving friends.
La maison d'un artiste, Tome 2
"La maison d'un artiste, Tome 2" by Edmond de Goncourt is a fictional work written in the late 19th century. This book continues to explore the life and environment of an artist, delving into cultural reflections of the era. It likely focuses on the artistic community, emphasizing the intersection of literature, poetry, and the visual arts, while examining the societal influences on artistic creation during this time. The opening of the book presents a vivid description of the artist’s workspace, highlighting a collection of literary works and illustrated poetry that adorned the walls. With an appreciation for various poets and their illustrators, the narrative sets a tone of nostalgia and critique towards the artistic endeavors of the past. Goncourt lists these works with a mix of admiration and irony, indicating both the beauty and the superficiality that can accompany artistry. The passage hints at a broader commentary on the cultural landscape of the 19th century, suggesting a detailed exploration of the aesthetics and politics surrounding art and literature during this transformative period.
La femme au dix-huitième siècle
"La femme au dix-huitième siècle" by Edmond de Goncourt and Jules de Goncourt is a historical account written in the mid-19th century. This work explores the lives of women during the 18th century in France, aiming to uncover the nuances and complexities of female existence that have often been overlooked or simplified in historical narratives. The authors intend to provide a detailed examination of society's mores, psychological realities, and the social roles that shaped women's experiences during this pivotal era. The beginning of the text sets the stage by reflecting on the societal reception of female births in the 18th century, emphasizing that a girl was often seen as a disappointment compared to a male heir. The narrative continues with an in-depth description of the upbringing and education of girls, highlighting the influence of a governess in molding them into suitable future wives. The authors explore the stark contrasts between the joys and constraints faced by women, their relegation to roles defined by marriage and society's expectations, and the intricate dynamics within their relationships. An underlying theme emerges regarding the sacrifices, expectations, and realities of women's lives, which invites readers to engage with a historical context that profoundly shapes contemporary discussions about gender roles and identities.
Manette Salomon
"Manette Salomon" by Edmond de Goncourt and Jules de Goncourt is a novel written in the late 19th century. The book explores the artistic and social life in Paris during a time of significant cultural change, focusing on the experiences of young artists navigating the complexities of their craft and personal ambitions. The opening of the novel immerses readers in the bustling atmosphere of Paris in early November, as a diverse group of people traverses the Jardin des Plantes. We are introduced to a lively montage of characters, including English tourists, families, and local residents, all depicted in intricate detail, highlighting the cosmopolitan nature of the city. Among these characters are four young men, each with their aspirations in the arts, who decide where to dine. The dynamic between them hints at the camaraderie and conflicts within the circle of budding artists, showcasing their humorous exchanges and insights into the struggles faced by those pursuing a life dedicated to artistic expression. This rich tapestry of life not only sets the stage for the unfolding narrative but also captures the essence of youthful creativity amid the social landscape of Paris.
Germinie Lacerteux
"Germinie Lacerteux" by Edmond de Goncourt and Jules de Goncourt is a novel written in the late 19th century. This work explores the gritty realities of life among the lower classes in Paris, particularly focusing on the grievances and struggles faced by the common people. The narrative revolves around the titular character, Germinie Lacerteux, as she navigates the challenges of her existence and the harshness of her environment." The opening of "Germinie Lacerteux" begins with a preface that emphasizes the authors’ intentions to depict the raw and unfiltered realities of lower-class life, countering the prevailing preferences for glamorous or scandalous storytelling. It critiques the literary norms of the time while expressing a desire to shed light on the struggles, misfortunes, and emotional depths of those often overlooked in society. Following this, the text introduces Germinie Lacerteux through the lens of her relationships and experiences, highlighting her fragile condition amidst societal neglect. The story is set against a backdrop of personal anguish and emotional complexity, as it delves into Germinie's past, her current struggles, and her relationships with those around her, establishing a tone that promises pain and poignant reflection on the human condition.
Renée Mauperin
"Renée Mauperin" by Edmond de Goncourt and Jules de Goncourt is a novel written in the mid-19th century. This work explores themes of social expectations and personal desires through the lens of its protagonists. The narrative centers around the character Renée Mauperin, who navigates the restrictive conventions of her society while yearning for freedom and self-expression. The opening of "Renée Mauperin" introduces us to the titular character and her interactions with a young man in a picturesque setting by the Seine River. Renée expresses her discontent with societal norms and the limitations placed upon her as a young woman, revealing a longing for more vibrant experiences beyond her proper upbringing. As they engage in lively conversation, the contrast between Renée's spirited personality and the dullness she perceives in the world around her becomes evident. This dynamic sets the stage for a deeper exploration of her character and the societal constraints she grapples with throughout the story.
La Duchesse de Châteauroux et ses soeurs
"La Duchesse de Châteauroux et ses sœurs" by Edmond and Jules de Goncourt is a historical account written in the late 19th century. The text delves into the lives of Louis XV's mistresses, focusing on the complex social and political landscape of 18th-century France as influenced by these powerful women. The narrative aims to offer insights into the roles and impacts of these figures within the monarchy, particularly highlighting the consequences of their relationships with the king. The opening of the narrative establishes the context of King Louis XV’s early reign and his notable reluctance towards romantic relationships. As the young king immerses himself in hunting and other male pursuits, the court begins discussing the necessity of a suitable marriage, demonstrating the political machinations behind royal unions. The selections proceed to outline various potential brides, emphasizing the societal expectations and the intricacies of royal alliances. Through this exploration, the authors aim to reveal how these dynamics culminate in the rise and influence of women like Madame de Châteauroux, setting the stage for a deeper understanding of her life and the other significant figures who came after her.
Journal des Goncourt (Premier Volume) Mémoires de la vie littéraire
"Journal des Goncourt (Premier Volume)" by Edmond de Goncourt and Jules de Goncourt is a diary written collaboratively from 1850 to 1896. This candid chronicle captures the literary and artistic world of Paris, filled with bitter rivalries and volatile friendships. Through "dual dictation," the brothers recorded intimate conversations, professional jealousies, and unvarnished observations of their celebrated contemporaries—including Flaubert, Zola, Baudelaire, and Wilde. Their unflinching portraits of friends and rivals sparked controversy, strained relationships, and challenged notions of loyalty in their cutthroat cultural milieu.
Journal des Goncourt (Deuxième volume) Mémoires de la vie littéraire
"Journal des Goncourt (Deuxième volume)" by Edmond de Goncourt and Jules de Goncourt is a diary written between 1850 and 1896. This candid chronicle captures the bitter rivalries and fragile friendships of Parisian literary and artistic society. Written through an unusual collaborative process the brothers called "dual dictation," the Journal records intimate conversations, professional jealousies, and personal disappointments with startling honesty. Their unflinching portrayals of famous contemporaries—including Zola, Flaubert, and Baudelaire—strained friendships and sparked controversy, making publication contentious for decades.
Journal des Goncourt (Troisième volume) Mémoires de la vie littéraire
"Journal des Goncourt (Troisième volume)" by Edmond de Goncourt and Jules de Goncourt is a diary written collaboratively from 1850 to 1896. This unfiltered chronicle captures the bitter rivalries and complicated friendships of Parisian literary and artistic life. Written through "dual dictation" late at night, the brothers recorded conversations, gossip, and their own disappointments with remarkable candor. Their unflinching portraits of friends like Zola, Flaubert, and Daudet—often critical and backbiting—strained relationships and sparked controversy upon publication, revealing a world where café gatherings became battlegrounds for literary status.
Hokousaï L'art japonais au XVII Siècle
"Hokousaï" by Edmond de Goncourt is a historical account written in the late 19th century. The work delves into the life and artistic contributions of the renowned Japanese artist Katsushika Hokusai, exploring his transition from cultural obscurity to recognition as a pivotal figure in Japanese art. Goncourt’s narrative likely examines Hokusai's techniques, inspirations, and the impact of his work on both Japanese culture and its reception in the Western world. The opening of "Hokousaï" provides a rich introduction to the artist's early life, detailing his origins in Edo (modern Tokyo) and his evolution from a young mirror maker's son to a decorated painter renowned for his innovative styles and diverse subject matter. Goncourt sets the stage by noting Hokusai's numerous name changes throughout his career, symbolizing his constant quest for artistic identity and independence. The text weaves anecdotes about his character and contributions, establishing the groundwork for a comprehensive biography that seeks to reveal not only the artist's techniques and themes but also the societal perceptions and challenges he faced during his lifetime.
Journal des Goncourt (Deuxième série, troisième volume) Mémoires de la vie littéraire
"Journal des Goncourt (Deuxième série, troisième volume)" by Edmond de Goncourt is a memoir written in the late 19th century. This work serves as a literary journal chronicling the author’s reflections and observations about life, society, and the literary scene of his time. Goncourt shares his thoughts on various figures in the literary world, including himself and his contemporaries, detailing events, conversations, and social dynamics. The opening of this volume sets a reflective tone as Goncourt addresses the passage of time and the quest for truth in literature. He acknowledges the animosity he has faced over his pursuit of honesty in writing, recognizing that both agreeable and disagreeable truths shape his experiences with people he has encountered. The text transitions into a series of entries from January 1878, where he describes personal struggles with health and connects with prominent literary figures at social gatherings. Goncourt’s keen observations about dinner parties, the personalities of his contemporaries, and the nature of art and society draw readers into a vivid panorama of 19th-century literary life.
Préfaces et manifestes littéraires
"Préfaces et manifestes littéraires" by Edmond de Goncourt and Jules de Goncourt is a collection of literary prefaces and manifestos written in the late 19th century. This work brings together the various introductions the Goncourt brothers penned for their literary works over the years, reflecting their innovative thoughts on literature and the arts. The book covers a range of topics, including their perspectives on the novel, theater, and art, highlighting their quest to push the boundaries of literary expression and realism. The opening of the volume reveals the authors' reflections on their long literary journey and their desire to gather their prefaces and manifestos into a single compilation. They recount their early experiences as writers, including the challenges they faced and their ambitions to present a new vision of art and society through literature. Notable entries include their thoughts on the evolution of the novel, the importance of depicting the lives of the marginalized, and their critical views on contemporary literary trends. The tone is introspective and candid, inviting readers to explore the thoughts and philosophies that shaped the Goncourt brothers' contributions to literature.
Journal des Goncourt (Deuxième série, deuxième volume) Mémoires de la vie littéraire
"Journal des Goncourt (Deuxième série, deuxième volume)" by Goncourt and Goncourt is a literary memoir written in the late 19th century. The work serves as a collection of personal reflections and observations concerning various notable literary and philosophical figures, focusing on the interactions and dialogues around political, social, and artistic issues of the time. The nature of the material suggests an intimate and critical portrayal of the intellectual landscape in France during this period. The opening of this volume sets the stage for a reflective narrative filled with pointed dialogues and controversies involving influential figures such as Ernest Renan and Théophile Gautier. The author begins by addressing a dispute with Renan regarding some previously published dialogues, defending his role as a chronicler of contemporary thought and emphasizing the authenticity of his observations. Throughout the initial entries, themes of literary criticism, societal commentary, and personal introspection are woven together, illustrating the complexities of literary friendships, political climates, and the struggles of artistic expression against the backdrop of 19th-century France.
La fille Elisa
"La fille Élisa" by Edmond de Goncourt is a novel written in the late 19th century. The story centers around the character Élisa, a young woman whose tumultuous life unfolds against the backdrop of societal struggles and the darkness of prostitution. Through Élisa's experiences, the narrative delves deep into the hardships faced by women of her time, shedding light on themes of morality, sacrifice, and the complexities of human relationships. The opening of the novel presents a stark and haunting atmosphere within a courtroom where Élisa faces the terrifying possibility of a death sentence. The scene is charged with tension as onlookers are drawn into the emotional turmoil surrounding her trial. Through poignant descriptions, we learn of Élisa's tragic past, raised by a mother who is a midwife, and how her childhood experiences shape her into a young woman marked by the harsh realities of love and survival. The narrative sets the stage for a profound exploration of her life choices and the social conditions that constrain and define her existence, hinting at the depth of character and societal critique that will unfold throughout the novel.
Journal des Goncourt (Deuxième série, premier volume) Mémoires de la vie littéraire
"Journal des Goncourt (Deuxième série, premier volume)" by Goncourt and Goncourt is a diary written between 1850 and 1896. The brothers Edmond and Jules de Goncourt chronicled Paris's literary and artistic world through candid observations of their contemporaries. Their entries capture bitter rivalries, friendships, and conversations with figures like Flaubert, Zola, and Baudelaire. The journal's often critical tone strained relationships when published, revealing jealousies and disappointments alongside intimate portraits of nineteenth-century French cultural life.
Journal des Goncourt (Troisième série, deuxième volume) Mémoires de la vie littéraire
"Journal des Goncourt (Troisième série, deuxième volume)" by Goncourt and Goncourt is a collection of literary memoirs written in the late 19th century. This work provides a vivid account of the authors’ observations, thoughts, and experiences in the literary world of their time, highlighting their interactions with notable figures, cultural reflections, and their own artistic pursuits. The memoirs convey a deep engagement with French literature, theater, and society as it transitions through political and social changes. At the start of this volume, the entries reveal a blend of personal reflections and critiques of the literary scene, beginning with aspirations for leisure at the Exposition after a major theatrical endeavor. The authors express frustrations towards the critical reception of their works, showcase conversations with contemporary writers such as Daudet and Zola, and comment on the evolving dynamics within the theater community. The tone oscillates between introspective musings on artistic integrity and observations on the audience's reactions, setting the stage for an insightful exploration of the Goncourts' literary environment.
Journal des Goncourt (Troisième série, premier volume) Mémoires de la vie littéraire
"Journal des Goncourt (Troisième série, premier volume)" by Goncourt and Goncourt is a diary written between 1850 and 1896. Brothers Edmond and Jules de Goncourt chronicle the bitter rivalries and fragile friendships of literary Paris through candid observations recorded late at night. Their unflinching portraits of famous contemporaries—including Flaubert, Zola, and Daudet—reveal jealousies, borrowed ideas, and disappointments. After Jules's death from syphilis, Edmond continues alone, documenting war and siege. This uncensored chronicle of artistic life sparked outrage and strained friendships when published.
Quelques créatures de ce temps
"Quelques créatures de ce temps" by Edmond de Goncourt and Jules de Goncourt is a collection of short stories written in the late 19th century. The work explores various characters and settings, delving into themes of art, love, and the complexities of human relationships during a time marked by artistic and social changes. The stories feature a range of individuals navigating their personal struggles and aspirations within a richly described backdrop. The opening of the collection introduces a character referred to as P..., an ornamentist and artist, as he reflects on his life and work. Set in his workshop filled with artistic creations, it portrays his struggles with his craft, the influences of his romantic life, and the onset of hardship. The narrative captures the emotional weight of P...'s experiences, culminating in his battle with sickness and unfulfilled aspirations as he becomes consumed by the challenges of both the external world and his internal conflicts. This segment sets the tone for the rich character studies to follow, revealing the intricacies of personal ambition and the poignant realities of life.