Author
Zora Neale Hurston
1891-1960
Zora Neale Hurston (1891-1960) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Zora Neale Hurston
Magnolia Flower
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How it feels to be colored me
"How It Feels to Be Colored Me" by Zora Neale Hurston is an essay written in the early 20th century that explores themes of race, identity, and personal experience. The author shares her reflections on growing up in the all-Black town of Eatonville, Florida, and how her perception of herself changed when she moved to a predominantly white environment. Hurston's work offers a unique perspective on the complexities of being a person of color in America, emphasizing her strength and individuality rather than victimhood. In this personal narrative, Hurston recounts her childhood in Eatonville and the sense of belonging she felt there, only to confront the reality of racial identity when entering a white-dominated society. As she reflects on moments that make her feel “colored,” she contrasts her experiences with those of her white peers, illustrating the challenges and joys of her cultural heritage. Rather than seeing herself as a victim of racism, she embraces her identity with pride and a sense of adventure, suggesting that cultural differences create richness rather than divide. Ultimately, Hurston conveys a message of resilience, self-acceptance, and the belief that one’s identity transcends the color of their skin.
Cudjo's own story of the last African slaver
"Cudjo's Own Story of the Last African Slaver" by Zora Neale Hurston is a historical account written in the early 20th century. The book presents the firsthand narrative of Cudjo Lewis, the last surviving person from the last ship illegally transporting slaves to America, the "Clotilde", and it recounts his experiences of capture, the Middle Passage, and life in America thereafter. It addresses themes of identity, survival, and cultural history, offering readers a poignant glimpse into the horrors of the transatlantic slave trade through the eyes of one who lived through it. The narrative unfolds with Cudjo describing his life in Africa, detailing the customs, agriculture, and daily life in his homeland, before the violent raid by Dahomey warriors that led to his capture. He vividly recounts the harrowing journey aboard the "Clotilde", emphasizing the suffering endured during the Middle Passage. Once in America, Cudjo's story reflects on the adaptations and struggles faced by him and his fellow captives as they transitioned to life as enslaved individuals in Alabama. His deep yearning for his homeland contrasts with the sense of resilience he and others displayed while building a tight-knit community known as African Town after emancipation. Throughout the text, Cudjo's reflections reveal both the trauma of his past and the strength drawn from his cultural heritage.
The Eatonville anthology
"The Eatonville Anthology" by Zora Neale Hurston is a collection of vignettes written during the early 20th century. Through a series of character sketches and brief stories, the book explores the lives, joys, and struggles of the African American community in Eatonville, Florida, which was one of the first all-Black towns to be incorporated in the United States. The anthology captures the rich culture, social dynamics, and everyday experiences of its inhabitants, providing a vibrant glimpse into their world. The book presents a series of short narratives, each depicting distinct characters such as Mrs. Tony Roberts, the perennial beggar; Jim Merchant, who finds humor in his wife's quirks; and the witty gossip regarding Daisy Taylor, the town vamp who flirts with married men. Other anecdotes showcase the quirky tales of Old Man Anderson, who has never seen a train, and the amusing escapades of Coon Taylor, who playfully steals melons yet eludes catch. Through a blend of humor, social commentary, and poignant observations, Hurston effectively illustrates the complexity and resilience of life in Eatonville, while celebrating African American culture and community.
De turkey and de law : $b A comedy in three acts
"De Turkey and De Law: A Comedy in Three Acts" by Zora Neale Hurston is a play written in the early 20th century. Set in a fictional African American village in Florida, it unfolds around themes of pride, rivalry, and community justice as characters navigate their relationships and the implications of a legal dispute. The central characters include Jim Weston, a young man and town bully, and Dave Carter, the village's best hunter who becomes embroiled in conflict over a turkey and a romantic interest, Daisy Blunt. The opening of the play introduces us to the vibrant life of the village, beginning with children playing games on the porch of Joe Clarke's store. The scene quickly establishes the playful, yet sometimes contentious, dynamics between the townsfolk, setting up a backdrop of humor and conflict. As the adults engage in friendly banter about each other's characteristics and past actions, tensions arise surrounding the forthcoming trial of Jim Weston for assaulting Dave Carter over a turkey. The dialogue captures the characters' personalities and relationships in a manner that is both entertaining and revealing, setting the stage for the unfolding drama.
Poker!
"Poker!" by Zora Neale Hurston is a one-act play written in the early 20th century. Set in a modest New York setting, this play centers around a group of characters gathered to play poker, revealing themes of gambling, deception, and interpersonal conflict. The dialogue captures the vibrant vernacular and culture of the time, reflecting the dynamics of everyday life among African Americans. The play unfolds in a shabby front room where Nunkie and his friends engage in a tense poker game filled with loud banter and confrontations. As the game intensifies, each character exhibits their unique personalities, with humor and bravado masking underlying tensions. The stakes rise quickly, leading to accusations of cheating and escalating threats, as camaraderie turns to hostility. When weapons are drawn, the atmosphere shifts dramatically, ultimately suggesting a critique of gambling and its consequences, framed within a comedic yet serious exploration of morality and fate. The final moments leave the audience pondering the balance between harmless fun and destructive choices.
Three plays : $b Lawing and jawing; Forty yards; Woofing
"Three plays: Lawing and Jawing; Forty Yards; Woofing" by Zora Neale Hurston is a collection of stage plays written during the early to mid-20th century. The book showcases African American culture and experiences, frequently incorporating humor and social commentary. The plays are reflective of Hurston's unique voice and immersive storytelling that highlights the intricacies of life within the African American community. The first play, "Lawing and Jawing," unfolds in a courtroom setting in Waycross, Georgia, where Judge Dunfumy presides over a series of humorous cases that highlight the absurdities of the judicial system and societal norms. The comedic exchanges between the characters bring light to serious issues such as domestic violence and poverty, yet are presented in a satirical manner. "Forty Yards" takes place at a football game, capturing the vibrancy of the African American community rallying around their teams, filled with songs, cheers, and competition. Lastly, "Woofing" presents a lively street scene in Waycross, focusing on domestic dynamics, flirtation, and the everyday life of its characters through playful banter and music. Overall, these plays explore themes of identity, community, and resilience, all while bringing to life the rich culture of African American life in the early 20th century.