Author
Jarro
1849-1915
Jarro (1849-1915) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Jarro
La Principessa
"La Principessa" by Jarro is a novel written in the late 19th century. The story unfolds around Enrica, the daughter of the Duke of Montrone, and the complex relationships encompassing her life, including her interactions with Domenico, a gardener, and her secret involvement with Roberto Jannacone, a peasant's son. This tale investigates themes of love, betrayal, and societal expectations, setting the stage for the unfolding drama. At the start of the novel, we are introduced to a lively scene in the park of Montrone on the day of the Duke's return from military service. Domenico, the gardener, rushes to prepare for the celebrations, while Enrica's complex nature is hinted at through her relationship with her enigmatic maid, Cristina. As the narrative progresses, we learn of Enrica's strained emotional state and her clandestine affair with Roberto, which leads her into a world of secrecy and turmoil. The opening sets a foundation for the conflicts of class and desire that will undoubtedly unfold throughout the story, hinting at darker themes interwoven with the seemingly festive atmosphere.
Il processo Bartelloni
"Il Processo Bartelloni" by Jarro is a novel written in the early 20th century. The story revolves around Nello Bartelloni, who stands accused of a serious crime, leading the narrative into the intricacies of a criminal trial marked by various characters including officials, witnesses, and legal advocates as they navigate the process of justice. The narrative seems to touch on themes such as innocence, societal perception, and the complexities of human nature in the context of the legal system. The opening of the novel introduces us to the proceedings of a criminal court in Florence during the 19th century, where the atmosphere is thick with tension and curiosity regarding the trial of Nello Bartelloni. We see various characters, including magistrates and the inquisitor, engage in discussions unrelated to the case at hand, setting the stage for the unfolding drama. As the trial commences, Bartelloni's alleged crime is revealed, and the prosecutorial evidence starts to paint a damning portrait of him. In this charged environment, the effectiveness of the legal representatives is tested amid the public's scrutiny, setting up a dramatic conflict between accusation and defense that promises to explore deeper truths about justice and morality in human behavior.