Author
Llewellynn Frederick William Jewitt
1816-1886
Llewellynn Frederick William Jewitt (1816-1886) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Llewellynn Frederick William Jewitt
The Stately Homes of England
"The Stately Homes of England" by Llewellynn Frederick William Jewitt and S. C. Hall is a historical account written in the mid-19th century. This work explores the grandeur and significance of England's stately homes, highlighting their architectural beauty, historical backgrounds, and the notable families associated with them. It aims to illustrate and celebrate these homes, not just for their magnificence, but for the cultural and social histories they embody. The opening of this comprehensive work begins by establishing England's rich heritage of homes, seen as a source of national pride, and contrasts the sentiment of home with foreign attractions. The authors introduce Alton Towers as the first subject of their examination, emphasizing the estate's historical significance and the generosity of its owners in sharing its beauty with the public. They provide a detailed overview of Alton Towers, including its architectural features, scenic surroundings, and association with illustrious historical figures, setting the tone for a series dedicated to exploring various stately homes across England.
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
"The Ceramic Art of Great Britain from Pre-Historic Times Down to the Present Day" by Llewellynn Jewitt is a historical account written in the late 19th century. This work serves as a comprehensive examination of the evolution of pottery and porcelain in Britain, chronicling its development from ancient times to contemporary practices. The book is likely aimed at manufacturers, collectors, and general readers interested in the rich history and artistry of British ceramics. At the start of the book, Jewitt outlines the significance of ceramic art in Britain, asserting that its history is intensely fascinating and essential. He differentiates between two approaches: a technical focus on the craft of pottery and a historical perspective that considers the evolution of ceramic practices through various British cultural periods. The opening also indicates his intent to blend technical explanations with historical narratives, mentioning his reliance on extensive personal research into archaeological findings and historical documents to bring this subject to light. Jewitt aims not only to narrate the past but also to appreciate the continuous evolution and potential of ceramic art within British culture.
Grave-mounds and Their Contents A Manual of Archæology, as Exemplified in the Burials of the Celtic, the Romano-British, and the Anglo-Saxon Periods
"Grave-mounds and Their Contents" by Llewellynn Frederick William Jewitt is a manual of archaeology written in the late 19th century. The book explores the burial practices of the ancient Celtic, Romano-British, and Anglo-Saxon peoples, focusing on the significant insights provided by grave-mounds, their structures, and the artifacts found within them. It aims to offer a detailed understanding of the historical importance of these burial practices and their contents in informing us about early societies in Britain. The opening of the text sets a foundational overview of the significance of grave-mounds in understanding the arts, habits, and histories of past civilizations. Jewitt discusses how these mounds, known variably as barrows, tumps, or lows, serve as crucial links to knowledge about ancient cultures and their burial customs. He explains the various forms and typical locations of these mounds, emphasizing their burial practices, which include both inhumation and cremation, as well as describing the relics unearthed in these settings that illuminate the daily lives, beliefs, and skillsets of these early inhabitants.
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
"The Ceramic Art of Great Britain from Pre-Historic Times Down to the Present Day" by Llewellynn Jewitt is a historical account written in the late 19th century. This work meticulously catalogs the development of pottery and porcelain in Great Britain, showcasing various works and productions from ancient times to contemporary practices. The focus of the book is on the rich history of ceramic art, detailing the many potteries, their innovations, and the artisans behind them. The opening of the book provides an introduction to the earthenware works in the Newcastle-upon-Tyne area, referencing the establishment of potteries and their evolution over the years. It mentions significant manufacturers and their contributions to the industry while highlighting the types of goods produced, such as white and brown wares. Through detailed descriptions of location-specific potteries, the text sets the stage for an in-depth exploration of the ceramic art culture in Britain, emphasizing the industrial and artisanal practices associated with this craft throughout its history.
English Coins and Tokens, with a Chapter on Greek and Roman Coins
"English Coins and Tokens, with a Chapter on Greek and Roman Coins" by Llewellynn Jewitt et al. is a historical account written in the late 19th century. This work delves into the numismatic history of coins and tokens in England, exploring their origins, types, and significance, as well as providing insight into ancient Greek and Roman monetary practices. Overall, the book seeks to illuminate the development of coinage in Britain and its connections to broader historical contexts. The opening of the text discusses the introduction of coinage to ancient Britain, positing that it likely originated from interactions with the Gauls, particularly in the Kentish region. Jewitt elaborates on the difficulties in pinpointing the exact time and nature of coin production among the ancient Britons, suggesting that it may have commenced around 150 to 200 years before Christ. The discussion includes various types of early coins, their designs and adaptations over time, and the role of uninscribed versus inscribed coins, emphasizing the impact of Greek and later Roman influences on British currency. The foundation for numismatic study is established through a synthesis of archaeological evidence and historical conjecture.