Author
Henry Edward Krehbiel
1854-1923
Henry Edward Krehbiel (1854-1923) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Henry Edward Krehbiel
Chapters of Opera Being historical and critical observations and records concerning the lyric drama in New York from its earliest days down to the present time
"Chapters of Opera" by Henry Edward Krehbiel is a historical and critical account written in the early 20th century. This work provides an extensive examination of the development of the lyric drama in New York, particularly focusing on the city's operatic history from its first Italian performances in the early 19th century to the momentous events occurring around 1908. Krehbiel shares his personal experiences as a long-time musical critic for The New York Tribune, providing insights into the various artistic and management dynamics that have shaped opera in New York. At the start of the narrative, Krehbiel sets the scene by reflecting on the origins of Italian opera in New York, recounting the challenges and triumphs of early productions, including the debut of Rossini's "Il Barbiere di Siviglia" in 1825. He includes anecdotes about key figures such as Manuel Garcia and Lorenzo da Ponte, as well as detailing the transformations in audience tastes and opera management through accounts of early opera houses and their struggles for acceptance. This opening portion lays a solid foundation for a deeper exploration into the intricacies of operatic life in the city, illustrating the rich cultural tapestry that defines New York's operatic legacy.
A Second Book of Operas
"A Second Book of Operas" by Henry Edward Krehbiel is a literary examination of operas, particularly those that draw upon Biblical stories, written during the late 19th century. The work discusses various operas and oratorios, scrutinizing their thematic connections to Biblical narratives as well as the creative processes of their composers, including the manipulations and adaptations that occur when transferring stories from text to stage. The opening of the book sets the stage for Krehbiel’s exploration of Biblical operas, beginning with a discussion on the challenges posed by censorship and audience expectations. He reflects on notable works like Gounod's "Reine de Saba," and how titles and content sometimes shift away from their scriptural origins to appease cultural sensitivities. Krehbiel introduces the complex relationship between music and narrative in operas such as Handel's "Mose in Egitto" and Saint-Saens's "Samson et Dalila," highlighting both the artistic merit as well as the potential pitfalls concerning faithfulness to the original Biblical texts. The opening portion demonstrates Krehbiel’s understanding of the interplay between dramatic representation and musical composition and sets the stage for a deeper analysis of individual operas throughout the subsequent chapters.
How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art
"How to Listen to Music, 7th ed." by Henry Edward Krehbiel is a guide on music appreciation written in the late 19th century. The work is designed for the general public, specifically targeting those who cherish music but lack the technical training to fully comprehend and enjoy its intricacies. The author aims to enhance the experience of listening to music by providing insights into the elements that constitute musical pieces, fostering a deeper understanding and appreciation of the art form. At the start of the text, Krehbiel outlines his intention to address the sector of music lovers who may find joy in attending concerts but do so with a superficial grasp of the music they hear. He emphasizes that true appreciation of music requires active listening and a willingness to engage intellectually with musical elements like melody, harmony, and rhythm. Through observations and reflections on common misconceptions about music, he sets the stage for a thoughtful exploration of how listeners can refine their listening skills, ultimately advocating for a more profound connection with the art of music beyond mere enjoyment.
A Book of Operas: Their Histories, Their Plots, and Their Music
"A Book of Operas: Their Histories, Their Plots, and Their Music" by Henry Edward Krehbiel is a comprehensive analysis of opera, focusing on key works and their journeys through performance history, written in the late 19th century. This exploration delves into the narratives, characters, composers, and significant productions of various famous operas, elucidating how their intricate plots and musical compositions have evolved over time and gained traction in various cultural contexts. The opening of the book lays the groundwork by detailing the history of Italian opera in America, beginning with the landmark performance of Rossini's "Il Barbiere di Siviglia." This section highlights the challenges and triumphs faced during its introduction, including initial failures and later success, while recounting the pivotal roles performed by singers and composers involved. An in-depth examination of "Il Barbiere di Siviglia" reveals its plot dynamics, character motivations, and the ingenuity that Rossini brought to the score, often reflecting on how the work has been interpreted and adapted throughout the years, showcasing Krehbiel’s expertise in bridging the gap between musical theory and practical performance history.
Studies in the Wagnerian Drama
"Studies in the Wagnerian Drama" by Henry Edward Krehbiel is a critical exploration of Richard Wagner's operatic works, written in the late 19th century. The book examines Wagner's innovative approach to drama, emphasizing the interdependence of music, poetry, and visual arts in creating a new art form. The author delves into Wagner's influences, including Greek tragedy and Italian lyric drama, and how these shaped his vision for the modern opera. The beginning of the text sets the stage for an in-depth analysis of Wagner's methodology and philosophy regarding drama and music. Krehbiel establishes Wagner as a significant reformer of the operatic form, emphasizing that his works aim for a cohesive synthesis of various artistic elements to enhance dramatic expression. The introduction discusses Wagner's conception of "The Art-work of the Future," which seeks to elevate opera through the joint force of music and its narrative elements. It outlines the thematic structure of Wagner's dramas, suggesting that they convey deeper ethical and emotional truths, thus inviting readers to reconsider the importance of music in storytelling.
The Mentor: Makers of Modern Opera, Vol. 1, Num. 47, Serial No. 47
"The Mentor: Makers of Modern Opera, Vol. 1, Num. 47, Serial No. 47" by H. E. Krehbiel is a historical account of influential figures in the development of modern opera, written in the early 20th century. The book explores the contributions of various composers, notably Giuseppe Verdi, Richard Wagner, Giacomo Puccini, and Charles Gounod, detailing their artistic evolution and the impact of their works on the operatic landscape. This engaging overview highlights the transition from traditional operatic forms to more innovative and expressive styles that characterized the modern opera movement. In the text, Krehbiel delves into the lives and careers of these distinguished composers, providing a window into their creative processes and the musical contexts in which they worked. Verdi is portrayed as the master of Italian opera whose melodic genius transformed the genre, while Wagner is recognized for his revolutionary ideas that reshaped the operatic narrative. Puccini follows as a torchbearer of Italian songwriting with his stirring and emotionally charged operas like "La Bohème" and "Madame Butterfly." Gounod’s works are celebrated for their lyrical charm, particularly "Faust." The book captures the essence of how these artists forged new paths in opera, each contributing distinct styles and techniques that resonate in contemporary music, leaving an indelible mark on the art form.