Subject
Music appreciation Books
Best books
David Ewen
The Lighter Classics in Music A Comprehensive Guide to Musical Masterworks in a Lighter Vein by 187 Composers
"The Lighter Classics in Music" by David Ewen is a comprehensive guide to notable musical works characterized by their lighter themes, written in the early 1960s. This collection features an exploration of compositions by 187 different composers, spanning various genres and styles, aiming to make classical music more accessible and enjoyable. The book likely touches on the significance of these compositions and composers in the context of musical history, highlighting their contributions to lighter orchestral and vocal music. The opening of this work introduces several notable composers, beginning with Joseph Achron, who is known for his evocative "Hebrew Melody." This is followed by descriptions of other composers, such as Adolphe-Charles Adam, celebrated for his opéra-comique, and Richard Addinsell, famed for the melodious "Warsaw Concerto." Each segment provides insights into the lives and notable works of these composers, illustrating their impact and the enduring popularity of their lighter compositions in concert repertoires. The text also references the origins and themes of specific pieces, establishing a foundation for the exploration of lighter classical music throughout the remainder of the guide.
Walter Raymond Spalding
Music: An Art and a Language
"Music: An Art and a Language" by Walter Raymond Spalding is a scholarly publication written in the early 20th century. The work focuses on the appreciation of music, exploring its grammar and structure to foster a deeper understanding and love of the art form. It aims to guide readers in grasping music's complexities and its emotional and intellectual powers, encouraging active engagement rather than passive enjoyment. The opening portion of the book emphasizes the elusive nature of music, asserting that while it can provoke deep emotional responses, it resists definitive definitions. Spalding discusses important elements like rhythm and sound, highlighting that music functions as a language of emotional expression. The text suggests methods for listeners to develop their musical understanding, stressing the importance of familiarity and intellectual engagement with compositions to truly appreciate their richness and depth. Furthermore, the author provides insights into the foundational concepts of music, including musical grammar and the significance of overall structure, setting the stage for more detailed exploration in subsequent chapters.
Lawrence Gilman
Stories of Symphonic Music A Guide to the Meaning of Important Symphonies, Overtures, and Tone-poems from Beethoven to the Present Day
"Stories of Symphonic Music" by Lawrence Gilman is a collection of essays written in the early 20th century that serves as a guide to understanding important symphonic works and orchestral compositions, ranging from Beethoven to more contemporary pieces. The focus of the text is on how music can communicate narratives, emotions, and imagery without the necessity of lyrics, highlighting the expressive potential of instrumental music. The opening of the guide establishes its purpose as an informative resource for concert-goers seeking to gain deeper insights into the meaning behind various symphonic pieces. Gilman begins by discussing the orchestral composition's ability to convey stories and emotions, asking how an orchestra can narrate tales or evoke imagery through sound alone. He contrasts the evolution of music from the structured, rule-bound compositions of the 18th century to the expressive, programmatic music of the 19th and early 20th centuries, noting that modern composers have begun to use titles and descriptions to inform listeners about the intended themes or emotions associated with their works. This sets the stage for further exploration of specific composers and symphonies that follow in the remainder of the text.
Philip Hale
Philip Hale's Boston Symphony Programme Notes
"Philip Hale's Boston Symphony Programme Notes" by Philip Hale is a collection of historical, critical, and descriptive music commentary written in the early 20th century. This unique work compiles Hale's programme notes over a span of thirty-two years for the Boston Symphony Orchestra, providing insight into the composers and works performed during that time. The text offers a rare glimpse into Hale's observations and critical interpretations, capturing the evolution of music appreciation in that era. The opening portion of the book features an editor’s note explaining the compilation process and the significance of Hale’s contributions to music literature. It discusses Hale's approach to writing programme notes, noting that he aimed to educate and entertain audiences while leaving personal opinions for his newspaper reviews. The introduction outlines Hale's extensive involvement with the Boston Symphony Orchestra, emphasizing the educational value of his annotations and the depth of knowledge he infused into his writings. It sets the tone for a collection that intertwines musical critique with historical context, aiming to enrich readers' understanding of classical music and its composers.
Henry Edward Krehbiel
How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art
"How to Listen to Music, 7th ed." by Henry Edward Krehbiel is a guide on music appreciation written in the late 19th century. The work is designed for the general public, specifically targeting those who cherish music but lack the technical training to fully comprehend and enjoy its intricacies. The author aims to enhance the experience of listening to music by providing insights into the elements that constitute musical pieces, fostering a deeper understanding and appreciation of the art form. At the start of the text, Krehbiel outlines his intention to address the sector of music lovers who may find joy in attending concerts but do so with a superficial grasp of the music they hear. He emphasizes that true appreciation of music requires active listening and a willingness to engage intellectually with musical elements like melody, harmony, and rhythm. Through observations and reflections on common misconceptions about music, he sets the stage for a thoughtful exploration of how listeners can refine their listening skills, ultimately advocating for a more profound connection with the art of music beyond mere enjoyment.
Gustav Kobbé
How to Appreciate Music
"How to Appreciate Music" by Gustav Kobbé is an insightful guide to understanding and appreciating music, likely written in the early 20th century. The book aims to enlighten music lovers—those who attend concerts and recitals but may not have formal training—by providing them with the knowledge necessary to enhance their enjoyment of music. Kobbé discusses the evolution of various musical forms and figures, including significant composers from both classical and modern eras, which helps readers develop a deeper understanding of musical expression. The opening portion of the work introduces the nature and significance of the pianoforte, detailing its prominent role in both personal and public musical experiences. Kobbé emphasizes that while many people may not play or sing, their ability to appreciate music can be profound. He elaborates on the history and evolution of the pianoforte, illustrating its capabilities and unique characteristics that distinguish it from other instruments. Additionally, Kobbé plans to explore how the study of the pianoforte can serve as a gateway to understanding the broader musical landscape, signifying its foundational place in music history.
W. S. B. (William Smythe Babcock) Mathews
The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations
"The Masters and Their Music" by W. S. B. Mathews is a scholarly exploration of classical music written in the late 19th century. This work serves as both a comprehensive introduction to notable composers and their compositions and a guide for clubs, classes, and private study focusing on music appreciation and analysis. The book emphasizes the significance of individual styles and musical expressions from prominent composers such as Bach, Mozart, Beethoven, and others. The opening portion lays out the author’s intention to educate readers on the elements of music as a literary art form, highlighting the key composers who have influenced its evolution. Mathews outlines the structure of the book, which includes illustrative programs, biographical details, and critical annotations, aiming to foster understanding and appreciation of instrumental music. He discusses the foundational role that musical sense and dramatic expression play in composing, and the necessity of distinguishing between different composers' unique contributions, setting the stage for a deeper exploration of their works in subsequent chapters.
Thomas Whitney Surette
The Appreciation of Music - Vol. 1 (of 3)
"The Appreciation of Music - Vol. 1 (of 3)" by Thomas Whitney Surette and Daniel Gregory Mason is an educational guide focused on enhancing musical understanding and appreciation, written in the early 20th century. The book aims to bridge the gap for readers and music enthusiasts who desire a more profound engagement with music without requiring extensive technical knowledge. It emphasizes the evolution of musical art, from folk songs to the symphonies of composers like Beethoven, offering practical insights into active listening and the core elements of musical structure. The opening of the work introduces the authors' motivation for creating a resource that encourages intelligent listening to music, as opposed to passive enjoyment. It outlines the necessity of concentrated attention to truly appreciate musical nuances, contrasting the experience of those who merely enjoy music superficially with those who actively engage with it. The authors address common barriers to appreciation, such as unfamiliarity with classical music and the overwhelming nature of complex musical pieces. Through a structured approach, they plan to guide readers in recognizing musical motifs, forms, and how composers manipulate these elements to create cohesive works, laying a foundation for deeper musical exploration.
Camille Saint-Saëns
On the Execution of Music, and Principally of Ancient Music
"On the Execution of Music, and Principally of Ancient Music" by M. Camille Saint-Saëns is a scholarly treatise on the interpretation and performance of music, particularly focusing on ancient and early music styles. Written in the early 20th century, this work emerges from the rich tradition of music theory and historical practice, positioning itself within the context of the music scene during that time. The book explores the complexities of interpreting early music, addressing the evolution of musical notation and execution practices throughout history. In this work, Saint-Saëns presents an in-depth analysis of how music has been performed over the centuries, critiquing contemporary interpretations that stray from the composers' original intentions. He discusses the evolution of musical forms and practices, including the notation used in early music, the characteristics of performance styles, and the significance of understanding historical context to execute the music authentically. Through scholarly examination and personal anecdotes, Saint-Saëns argues for a more nuanced and knowledgeable approach to performing pieces from the likes of Palestrina, Bach, and Mozart, highlighting the importance of fidelity to the composer's original style to preserve the integrity of the music.
Victor Talking Machine Company
How To Get the Most Out of Your Victrola
"How To Get the Most Out of Your Victrola" by Victor Talking Machine Company is an instructional guidebook produced in the early 20th century. This publication provides insights and suggestions for utilizing the Victrola, a popular phonograph of the time, as a source of entertainment and emotional enrichment through music. The text also addresses the cultural significance of recorded music and its accessibility to the everyday listener, making it a practical guide for new owners of this technology. The book delves into various aspects of music, emphasizing the wide range of genres available through the Victrola, from classical to popular music. It advises readers on how to curate their music collections for diverse experiences, offering recommendations for notable recordings that showcase different musical styles and emotional tones. Additionally, the guide highlights the technical operation of the Victrola, care of recorded materials, and methods to enhance the listening experience, such as tailoring music selection for specific moods and occasions. Overall, the book acts as both a manual and a celebration of the joys of music made accessible through the Victrola.
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