Author
Theodor Lipps
1851-1914
Theodor Lipps (1851-1914) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by Theodor Lipps
Komik und Humor: Eine Psychologische-Ästhetische Untersuchung
"Komik und Humor: Eine Psychologische-Ästhetische Untersuchung" by Theodor Lipps is a scientific publication written during the late 19th century. The book delves into the psychology and aesthetics of humor and comedy, aiming to analyze various theories surrounding comedic feelings and their impact on human emotion and perception. The opening of the work introduces Lipps' intent to expand on his previously published essays on the psychology of comedy. He emphasizes the importance of understanding the psychological analysis behind comedic effects and proposes to explore general properties and forms of comedy rather than focusing on specific artistic representations or works. Through this analytical approach, Lipps critiques existing theories, particularly Hecker's concept of emotional conflict as a basis for humor, suggesting that the feelings of humor cannot be solely defined by a contest between joy and displeasure. The text sets the stage for an in-depth exploration of comedy, emotion, and aesthetic experience, probing into how various types of comedic phenomena emerge from our psychological states.
Der Streit über die Tragödie
"Der Streit über die Tragödie" by Theodor Lipps is a philosophical exploration of tragedy written in the late 19th century. The work delves into the various theories surrounding tragic art, addressing fundamental concepts like the resignation of the tragic hero, poetic justice, and the nature of suffering in relation to tragedy, offering a critical examination of how these ideas affect our understanding and appreciation of tragic works. The opening of the text presents a thorough introduction to Lipps' examination of the aesthetic experience of tragedy. He argues that artistic enjoyment does not rely on a rational understanding of the artwork’s effects, suggesting that misinterpretations of tragic art can lead to a diminished appreciation of its true value. Lipps critiques prevailing theories that ascribe a didactic role to tragedy, emphasizing instead that the true experience of a tragic work lies within its representation of suffering and conflict, rather than in deriving optimistic perspectives or moral lessons from them. Through his analysis, Lipps establishes a foundation for a deeper philosophical discourse on tragedy and invites readers to rethink their assumptions about the genre.