Author
F. T. Marinetti
1876-1944
F. T. Marinetti (1876-1944) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by F. T. Marinetti
Democrazia futurista: dinamismo politico
"Democrazia futurista: dinamismo politico" by F. T. Marinetti is a political manifesto written in the early 20th century. This work is encapsulated within the larger context of the Futurist movement, aiming to establish a revolutionary political doctrine that aligns with the ideals of modernity and dynamism inherent in Italian futurism. The text likely addresses themes of nationalism, artistic innovation, and a critique of traditional values, presenting a vision for a vigorous and audacious future for Italy and its people. The opening of the manifesto outlines the origins of the Futurist political party, emphasizing its roots in the artistic movement that sought to radically refresh Italian culture and politics. It argues against the suffocating weight of past traditions and institutions, such as the monarchy and the Catholic Church, portraying them as impediments to progress and vitality. Marinetti invokes a sense of urgency and necessity for revolutionary change, asserting that true governance should emerge from the strength and creativity of its individuals, thus calling for a new, energetic democratic framework that unites national pride with progressive vision.
I manifesti del futurismo
"I manifesti del futurismo" by F. T. Marinetti is a collection of manifestos and artistic declarations written in the early 20th century. This work outlines the Futurist movement's radical approach to art, literature, and society, emphasizing themes such as speed, violence, and the rejection of the past. It captures the spirit of a time when artists sought to break free from tradition and celebrate modernity and machinery, as well as the inherent chaos of life. The opening of the work introduces a group of Futurists who have resolved to embrace the energy of life at its fullest, contrasting their vibrant aspirations with the stagnation of traditional art forms. Through vivid and aggressive imagery, Marinetti articulates a desire to escape the clutches of past aesthetics, proclaiming the superiority of modern experiences such as speed and technology. The text is characterized by passionate assertions about the beauty of motion and a call to arms against the culturally entrenched values that the Futurists deemed obsolete, establishing a manifesto that underlines their commitment to a dynamic and revolutionary artistic vision.
L'alcòva d'acciaio: Romanzo vissuto
"L'alcòva d'acciaio: Romanzo vissuto" by F. T. Marinetti is a futurist novel written between 1919 and 1920. The work chronicles the final year of World War I through the eyes of Marinetti himself—poet, artilleryman, and armored car pilot. From battlefield bombardments to romantic encounters, from patriotic celebrations to encounters with the mad and wounded, Marinetti weaves together combat action with provocative meditations on war, women, and Italy's future. The narrative builds toward the climactic Italian offensive across the Piave River.
8 anime in una bomba: Romanzo esplosivo
"8 anime in una bomba: Romanzo esplosivo" by F. T. Marinetti is a provocative and experimental novel written in the early 20th century, specifically during the post-World War I period. This avant-garde work reflects the Futurist movement's embrace of modernity, technology, and the chaotic energy of war. The book likely explores themes of destruction and sensuality, intertwining personal desires with the backdrop of military conflict. The narrative is structured around eight "souls" or "anima," each providing a distinct yet interconnected perspective on life, war, and the complexities of human emotion. The first anima introduces a surreal scene involving a war piano amidst the sounds of cannon fire, setting a surreal, chaotic tone. Through a series of vivid, often explosive vignettes, the text juxtaposes the brutality of war with the rawness of human passion and longing. Letters between characters and reflections on desire create a tapestry of vivid imagery and bold language, exemplifying the Futurist ideals of speed, energy, and a break from traditional narratives. Overall, Marinetti's work serves as both a commentary on the societal upheavals of his time and a celebration of the visceral experiences of life.
L'isola dei baci: Romanzo erotico-sociale
"L'isola dei baci: Romanzo erotico-sociale" by F. T. Marinetti and Bruno Corra is a fictional novel written in the early 20th century. This work seems to delve into themes of eroticism and social commentary, exploring the complexities of human relationships against a backdrop of intriguing political and cultural dynamics. The narrative introduces a diverse set of characters, including the elegant Contessa De Ritten and a peculiar cast of wealthy travelers, setting the tone for a story rich in both sensuality and societal critique. The beginning of the novel sets the stage for a vacation taken by a group of affluent individuals seeking respite in Capri amidst a turbulent world marked by war and revolution. The narrator describes their journey to the enchanting island, where they encounter various eccentric characters, both socialites and artistic figures. As they mingle, a tension seems to simmer beneath the surface, highlighted by the suspicious interactions and political discussions among the group. An air of mystery permeates the gathering, hinting at deeper conflicts and intrigues that are yet to be unraveled, while the sensual atmosphere of Capri adds a lush backdrop to their unfolding stories.
Teatro Futurista Sintetico
"Teatro Futurista Sintetico" by F. T. Marinetti, Bruno Corra, and Emilio Settimelli is a theatrical manifesto written in the early 20th century. This work outlines the principles and ideologies of Futurism as they relate to theater, emphasizing brevity and dynamism in performances. The text critiques traditional theater for being overly long and static, and it advocates for a new synthetic approach that captures the fast-paced and fragmented nature of modern life, ultimately aiming to rejuvenate the art of theater. The opening of "Teatro Futurista Sintetico" introduces the authors’ revolutionary vision for the stage, highlighting their desire to create a Futurist theater that is direct, energetic, and stripped of excessive dialogue and elaboration. The authors assert that most of the Italian populace prefers the theater over literature, thus affirming the necessity for a more engaging performance style. They declare their intention to fuse various elements and realities to create simultaneous scenes that reflect the chaotic essence of contemporary life. The initial scenes hinted at in the text showcase contrasting elements of bourgeois domesticity and the vibrant world outside, indicating a blend of narratives meant to provoke thought and emotion in the audience.
Il tamburo di fuoco: Dramma africano di calore, colore, rumori, odori
"Il tamburo di fuoco: Dramma africano di calore, colore, rumori, odori" by F.T. Marinetti is a dramatic work likely written in the early 20th century. This play immerses the reader in a vivid representation of African life, showcasing intense sensory experiences through its characters and settings. The central protagonist, Kabango, is presented as a strong leader navigating the complexities of loyalty, ambition, and cultural identity amidst conflict and transformative experiences. The opening of the drama introduces us to a tense and oppressive atmosphere in the Equatorial African desert, where the protagonist Kabango, along with his companions Mabima, Lanzirica, and Bagamoio, struggles for survival against the relentless heat and impending dangers. Kabango's leadership is tested as they confront enemy factions and personal dilemmas involving love for Mabima and the significance of a sacred object called the Sinrun. As the characters grapple with their circumstances, themes of betrayal, resilience, and the intersection between tradition and modernity emerge, setting the stage for a deeper exploration of their cultural and emotional stakes in the broader narrative.
Il processo e l'assoluzione di "Mafarka il Futurista"
"Il processo e l'assoluzione di 'Mafarka il Futurista'" by F. T. Marinetti is a historical account documenting a controversial trial held in early 20th-century Italy. The book centers on the trial of Marinetti, the author of "Mafarka il Futurista," accused of obscenity due to the provocative themes in his work, which ignited passionate debates among futurists and their critics. The opening of the text sets the scene for the trial, taking place on October 8, 1910, in a crowded Milanese courtroom filled with supporters and detractors of Marinetti’s avant-garde literary movement. The Public Prosecutor contends the need for a closed hearing due to indecent content, but Marinetti's defense leads a vibrant argument advocating the value of artistic expression and the necessity of portraying raw human emotions without succumbing to societal censorship. Throughout his testimony, Marinetti passionately defends the artistic merit of his work and the futurist movement, emphasizing a call for intellectual and artistic freedom. The narrative reveals tensions between traditional values and modernist ideals while foreshadowing the broader cultural discourse surrounding art and morality during this dynamic period in Italian history.
Distruzione: Poema Futurista
"Distruzione: Poema Futurista" by F. T. Marinetti is a poetic work written in the early 20th century. This innovative poem embodies the principles of Futurism, a movement that celebrated speed, technology, and the dynamic nature of modern life. The text is a passionate invocation to the sea, portraying it as a divine entity and a source of inspiration and liberation for the poetic voice. The beginning of the poem immerses the reader in a hypnotic dialogue with the sea, where the speaker expresses disbelief in scientific truths and celebrates the overwhelming force and beauty of the ocean. Through vivid imagery and a rhythmic style, the speaker seeks to reconcile their existence with the relentless energy of the sea, viewing it as both a source of anguish and ecstasy. The speaker's longing for connection and transcendence is palpable as they grapple with their identity and emotions, setting a profound and evocative tone for the unfolding exploration of dreams and desires that follows.
L'aeroplano del papa: Romanzo profetico in versi liberi
"L'aeroplano del papa: Romanzo profetico in versi liberi" by F. T. Marinetti is a futurist novel in free verse composed in 1912. The poet flies his monoplane across Italy, kidnapping the Pope and wielding him as a weapon to rally the nation toward war against Austria. He confronts pacifists, decapitates protesting women, and battles his own desires while preaching that war is the world's only hygiene. This ferociously anti-Catholic and anti-Austrian work advocates for Italy's departure from the Triple Alliance.